The trip takes a terrifying turn when they land in New York—this year’s destination—to find that JFK airport is almost deserted and that the few ground crew they can spot have all been brutally slaughtered. Is it a terrorist attack? Or something even more menacing? When a security guard appears and offers to help the passengers, but promptly shoots the first person off the plane and then kills himself, Harry realises that there is something very, very wrong in New York City.

    If you want to survive, you pay to breathe. But what if you can't? And what if you think everything could be different? Three teens will leave everything they know behind in Sarah Crossan's gripping and original dystopian teen novel of danger, longing, and glimmering hope. Ever since the Switch, when the oxygen levels plummeted and most of humanity died, the survivors have been protected in glass domes full of manufactured air. Protected . . . or trapped? Or controlled? Alina's a revolutionary who believes we can save the environment. Quinn's a Premium who's never had to worry about having enough air. His best friend, Bea, is an Auxiliary who's never worried about anything but having enough air. When the three cross paths, they will change everything.

    Set in the world created by Robert Kirkman, this standalone trilogy is fast-paced, action-packed storytelling about the lengths some men will go to survive. With new characters, new storylines and with the same in-depth character-based plotting that has made the television series such an immediate hit, this trilogy of novels is sure to be a hit with those who love zombies and those who have loved the TV series and comic books.In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it’s forcing prisoners to battle zombies in an arena for the townspeople’s amusement, or chopping off the appendages of those who cross him. The Governor was voted “Villain of the Year” by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

    He has no other. Friendless and alone he walks across a desolate, war-torn landscape, carrying nothing but a kit-bag, a legendary sword and a baby. His purpose is to reach the Shining City, last bastion of the human race, and deliver the sword, the only weapon that may make a difference in the ongoing war. But the Shining City is far away and the world is a very dangerous place.

    Survival together is barely possible. No one survives alone.To resist the cold, to endure the months of night when even the air itself begins to freeze, requires a special breed. Variation is dangerous, difference is fatal. And Yaz is not the same.Yaz is torn from the only life she’s ever known, away from her family, from the boy she thought she would spend her days with, and has to carve out a new path for herself in a world whose existence she never suspected. A world full of difference and mystery and danger.Yaz learns that Abeth is older and stranger than she had ever imagined. She learns that her weaknesses are another kind of strength. And she learns to challenge the cruel arithmetic of survival that has always governed her people.Only when it’s darkest you can see the stars.

    The Line is the part of the border that lopped off part of the country, dooming the inhabitants to an unknown fate when the enemy used a banned weapon. It's said that bizarre creatures and superhumans live on the other side, in Away. Nobody except tough old Ms. Moore would ever live next to the Line. Nobody but Rachel and her mother, who went to live there after Rachel's dad died in the last war. It's a safe, quiet life. Until Rachel finds a mysterious recorded message that can only have come from Away. The voice is asking for help. Who sent the message? Why is her mother so protective? And to what lengths is Rachel willing to go in order to do what she thinks is right?