Though only eighteen, Annie travels alone to the Midwestern university where Carl is studying law to marry him. Little did they know how difficult their first year of marriage would be, in a faraway place with little money and few friends. But Carl and Annie come to realize that the struggles and uncertainty of poverty and hardship can be overcome by the strength of a loving, loyal relationship. An unsentimental yet uplifting story, "Joy in the Morning" is a timeless and radiant novel of marriage and young love.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carries …and finds herself caught in a dilemma that compels her to confront the truth about the assumptions she’s made. Will what she learns devastate her or free her?  September 2011. On Manhattan’s Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towers …the same day a stranger reached out and saved her. Will a chance reconnection and a century-old scarf open Taryn’s eyes to the larger forces at work in her life?

    On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York’s social strata, its intricate imagery and themes, and its immensely appealing characters, Rules of Civility won the hearts of readers and critics alike.

    . . forever. Through the eyes of Cormac O'Connor -- granted immortality as long as he never leaves the island of Manhattan -- we watch New York grow from a tiny settlement on the tip of an untamed wilderness to the thriving metropolis of today. And through Cormac's remarkable adventures in both love and war, we come to know the city's buried secrets -- the way it has been shaped by greed, race, and waves of immigration, by the unleashing of enormous human energies, and, above all, by hope.

    They meet as children in an ESL class in Brighton Beach, Brooklyn. Vaclav is precocious and verbal. Lena, struggling with English, takes comfort in the safety of his adoration, his noisy, loving home, and the care of Rasia, his big-hearted mother. Vaclav imagines their story unfolding like a fairy tale or the perfect illusion from his treasured Magician's Almanac, but among the many truths to be discovered in Haley Tanner's wondrous debut is that happily-ever-after is never a foregone conclusion.One day, Lena does not show up for school. She has disappeared from Vaclav's and his family's lives as if by a cruel magic trick. For the next seven years, Vaclav says goodnight to Lena without fail, wondering if she is doing the same somewhere. On the eve of Lena's seventeenth birthday he finds out.Haley Tanner has the originality and verve of a born storyteller and the boldness to imagine a world in which love can overcome the most difficult circumstances. In Vaclav & Lena she has created two unforgettable young protagonists who evoke the joy, the confusion, and the passion of having a profound, everlasting connection with someone else.

    Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.

    . . Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. She can come and go as she pleases, answering to no one. There was a man once, a doctor named Kevin, but it didn’t quite work out the way Kitty had hoped.Then the dreams begin.Denver, 1963: Katharyn Andersson is married to Lars, the love of her life. They have beautiful children, an elegant home, and good friends. It's everything Kitty Miller once believed she wanted—but it only exists when she sleeps.Convinced that these dreams are simply due to her overactive imagination, Kitty enjoys her nighttime forays into this alternate world. But with each visit, the more irresistibly real Katharyn’s life becomes. Can she choose which life she wants? If so, what is the cost of staying Kitty, or becoming Katharyn?As the lines between her worlds begin to blur, Kitty must figure out what is real and what is imagined. And how do we know where that boundary lies in our own lives?

    At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. And so begins Oona Out of Order...Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.

    When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance. Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Perfect for fans of Fiona Davis’s The Dollhouse, this engrossing tale highlights the role that ambition, sexism, and true love will forever play in women’s lives." —Amy Poeppel, author of Small AdmissionsIn 1949, dutiful and ambitious Charlotte's dream of a career in advertising is shattered when her father demands she help out with the family business. Meanwhile, Charlotte is swept into the glamorous world of the Miss Subways beauty contest, which promises irresistible opportunities with its Park Avenue luster and local fame status. But when her new friend—the intriguing and gorgeous fellow-participant Rose—does something unforgivable, Charlotte must make a heart-wrenching decision that will change the lives of those around her forever.Nearly 70 years later, outspoken advertising executive Olivia is pitching the NYC subways account in a last ditch effort to save her job at an advertising agency. When the charismatic boss she’s secretly in love with pits her against her misogynistic nemesis, Olivia’s urgent search for the winning strategy leads her to the historic Miss Subways campaign. As the pitch date closes in on her, Olivia finds herself dealing with a broken heart, an unlikely new love interest, and an unexpected personal connection to Miss Subways that could save her job—and her future.The Subway Girls is the charming story of two strong women, a generation apart, who find themselves up against the same eternal struggle to find an impossible balance between love, happiness, and ambition.

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”