They live in Brooklyn and are friends and neighbours; but since Dylan is white and Mingus is black, their friendship is not simple.This is the story of 1970s America, a time when the simplest decisions - what music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch money - are laden with potential political, social and racial disaster. This is also the story of 1990s America, when nobody cared anymore.This is the story of what would happen if two teenaged boys obsessed with comic book heroes actually had superpowers: they would screw up their lives.

    The year is 1828, the setting a Louisiana sugar plantation where Manon Gaudet, pretty, bitterly intelligent, and monstrously self-absorbed, seethes under the dominion of her boorish husband. In particular his relationship with her slave Sarah, who is both his victim and his mistress.Exploring the permutations of Manon’s own obsession with Sarah against the backdrop of an impending slave rebellion, Property unfolds with the speed and menace of heat lightning, casting a startling light from the past upon the assumptions we still make about the powerful and powerful.From the Trade Paperback edition.

    Now, in Judith Thurman's Secrets of the Flesh, Colette at last has a biography worthy of her dazzling reputation.Having spent her childhood in the shadow of an overpowering mother, Colette escaped at age twenty into a turbulent marriage with the sexy, unscrupulous Willy--a literary charlatan who took credit for her bestselling Claudine novels. Weary of Willy's sexual domination, Colette pursued an extremely public lesbian love affair with a niece of Napoleon's. At forty, she gave birth to a daughter who bored her, at forty-seven she seduced her teenage stepson, and in her seventies she flirted with the Nazi occupiers of Paris, even though her beloved third husband, a Jew, had been arrested by the Gestapo. And all the while, this incomparable woman poured forth a torrent of masterpieces, including Gigi, Sido, Cheri, and Break of Day. Judith Thurman, author of the National Book Award-winning biography of Isak Dinesen, portrays Colette as a thoroughly modern woman: frank in her desires, fierce in her passions, forever reinventing herself. Rich with delicious gossip, and intimate revelations, shimmering with grace and intelligence, Secrets of the Flesh is one of the great biographies of our time.

    These short works display Wharton's talent as a satirist "skilled at dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social constrictions" (Cythina Griffin Wolfe, from the Introduction).Roman fever (1934)Xingu (1911)The other two (1904)Souls belated (1899)The angel at the grave (1901)The last asset (1904)After Holbein (1928)Autres temps (1911)

    Vincent Millay. The most famous poet of the Jazz Age, Millay captivated the nation: She smoked in public, took many lovers (men and women, single and married), flouted convention sensationally, and became the embodiment of the New Woman.Thirty years after her landmark biography of Zelda Fitzgerald, Nancy Milford returns with an iconic portrait of this passionate, fearless woman who obsessed America even as she tormented herself. Chosen by USA Today as one of the top ten books of the year, Savage Beauty is a triumph in the art of biography. Millay was an American original--one of those rare characters, like Sylvia Plath and Ernest Hemingway, whose lives were even more dramatic than their art.

    The Little Locksmith begins in 1895 when a specialist straps five-year-old Katharine, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her being a "hunchback." Her mother says that she should be thankful that her parents are able to have her cared for by a famous surgeon; otherwise, she would grow up to be like the "little locksmith," who does jobs at their home; he has a "strange, awful peak in his back." Forced to endure "a horizontal life of night and day," Katharine remains immobile until age fifteen, only to find that she, too, has a hunched back and is "no larger than a ten-year-old child." The Little Locksmith charts Katharine's struggle to transcend physical limitations and embrace her life, her body and herself in the face of debilitating bouts of frustration and shame. Her spirit and courage prevail, and she succeeds in expanding her world far beyond the boundaries prescribed by her family and society: she attends Radcliffe College, forms deep friendships, begins to write, and in 1921, purchases a house of her own in Castine, Maine. There she creates her home, room by room, fashioning it as a space for guests, lovers, and artists. The Little Locksmith stands as a testimony to Katharine's aspirations and desires-for independence, for love, and for the pursuit of her art."We tend to forget nowadays that there is more than one variety of hero (and heroine). Katharine Butler Hathaway, who died last Christmas Eve, was the kind of heroine whose deeds are rarely chronicled. They were not spectacular and no medal would have been appropriate for her. All she did was to take a life which fate had cast in the mold of a frightful tragedy and redesign it into a quiet, modest work of art. The life was her own.

    Telling the story of two sisters-Olivia, a hotshot Hollywood producer whose life is unraveling, and Maddie, an unflaggingly optimistic, seriously ill midwesterner whose idealism has always driven Olivia crazy-The True and Outstanding Adventures of the Hunt Sisters offers a startlingly poignant reminder of how hope can grow in even the darkest places.

    First published in 1949, as America was still basking in the glories of the Allied victory, it altered forever the popular perception of warfare.Focusing on the experiences of a fourteen-man platoon stationed on a Japanese-held island in the South Pacific during World War II, and written in a journalistic style, it tells the moving story of the soldiers' struggle to retain a sense of dignity amidst the horror of warfare, and to find a source of meaning in their lives amisdst the sounds and fury of battle.

    And when she is offered a place as an exchange student at a school in America it seems as if her dreams will be fulfilled. welcoming ... until she starts having to live in the suffocating and repressed atmosphere of their suburban mansion and things begin to go terribly wrong. of American Beauty in its dissection of engrained prejudices and middle-class hypocrisy. In Lou Connor, Hyland has created a larger-than-life protagonist who mesmerises the reader with her vivacity and vulnerability, from hopeful beginning to unexpected, haunting end.

    Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible-and that times and circumstances would ever allow them to publicly admit.

    If she were a grown-up, she could do whatever she wanted! Then one morning she wakes up to find she’s turned into her mother…and she soon discovers it’s not as easy as it looks!

    She could imitate his voice to perfection, and Proust himself said to her, "You know everything about me." Her reminiscences of her employer present an intimate picture of the daily life of a great writer, who was also a deeply peculiar man, while Madame Albaret herself proves to be a shrewd and engaging companion.

    The son of a Denver drop-out, brought up homeless and motherless during the Depression, Cassady - novelized as Cody - lived his life raw, hustling in pool halls, stealing cars and living wild.

    His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region, and involve him in a strange and unlikely love affair.Harshly realistic, yet with one of the most subtle and moving relationships in the Hemingway oeuvre, To Have and Have Not is literary high adventure at its finest.

    Glicksberg says if you want to be a writer you have to, quote, sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I heard that when you get older you forget things, and I'd be the most miserable woman in the world if I forgot all about Moondoggie and what happened this summer. I absolutely owe the world my story. (And every word is true. I swear.) This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget--short for "girl midget”--and she’s a girl coming of age in the summer of 1957. Based on the experiences of his own daughter, Frederick Kohner's trend-setting novel became an international sensation and turned its irrepressible heroine into an American pop culture icon whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.