The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    And with the great support of family, those dreams are possible to achieve. Quincy had always dreamt about playing in the NBA, but growing up in the ‘hood, dreams seemed far away. With hard work, and a good support system, he was able beat the odds and make it out. Just graduating from Georgetown, he was now entered into the draft.Being a star basketball player in college had its perks, but it also caused drama with his girlfriend Sydnee. Her drama causes him to second guess their relationship, when he sees his sister's best friend, Kayla. He had always had a crush on her but she had a man. She was actually engaged to get married, but he caught her looking at him a time or two. One gaze too many makes him believe that he has a chance with her.Now with his eyes on Kayla, he is determined to make her his. But her love for her fiancé` is making that a hard thing to accomplish. Quincy is aware of the challenge ahead of him, and he is willing to take his time. Will he be able to convince her to leave her fiancé` to be with him, or will she lead him on? How long is he really willing to wait on her? Will her indecisiveness cause him to lose interest, and push him into the arms of another women? The answers to those questions and more will be revealed in this series.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    Lloyd, who lives with Mae, spends his time caring a little too much for the farm animals; he scorns to learn from a book, and treats Mae with angry disrespect. When Lloyd becomes ill, Mae goes searching for a diagnosis, and brings their simple, yet eloquent, neighbor Henry home with her, in order to help her read the difficult medical language. The ensuing love / hate triangle that brews between the three creates a toxic environment, and Mae, whose love and respect for Henry turn to impatience and resentment after an accident renders him helpless, determines that to escape the ill-luck of her life, she must escape the men who depend upon her.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    Grey Gardens is based on the 1975 Albert and David Maysles film about Jacqueline Kennedy Onassis's eccentric aunt and cousin. The touching and sometimes heart-wrenching musical adaptation explores the dysfunctional relationship between former socialite Edith Bouvier Beale and her daughter, Little Edie, as they languish in a derelict East Hampton manor, Grey Gardens. Propelled by Christine Ebersole's tour-de-force performance, the gorgeous score, and intricate lyrics, the Broadway musical has garnered much critical praise. "An experience no passionate theatergoer should miss." Ben Brantley, The New York Times

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.

    It's a clandestine world where intricate networks of people fight a complex battle to keep the world safe from terrorism.When terrorists funded by the Libyan government strike airports in Rome and Vienna in 1985, the CIA enlists top propaganda expert Mike Garnett to help recruit a high-ranking Libyan official, Foreign Minister Abdallah Mukhtar, to work for the CIA. As violence escalates between the US military and terrorists based in Libya, Garnett utilizes CIA assets in Hollywood to produce a propaganda video designed to convince Mukhtar he was betrayed by his own regime. Garnett's plan works—but goes sideways when it motivates the Libyan official to do something Garnett didn’t even consider.Sharp and insightful, Secret Wars: An Espionage Story is a thrilling tale of deception, betrayal, and patriotism—and Garnett soon learns they’re not as black and white as they seem when he’s forced to reevaluate the true nature of the business of deception.For fans of Tom Clancy, David Ignatius, and Frederick Forsyth, Secret Wars is a fictional thriller set against the backdrop of historical events. Meticulously researched, it pulls from the author's personal experiences as a member of the CIA.

    In its place, he could add paid, successful, well-dressed…maybe even a good man, but definitely nothing that would accentuate his good looks. That was the one thing he just didn’t have. Well, not personally anyway. Thanks to his thriving career as a fitness trainer, he’s surrounded by women every day. They just don’t belong to him, and honestly, he’s okay with that. After continuously being turned down, looked over, and frowned upon, Killian has chosen to block off the avenue to his heart until the right woman can find him. He is done looking for love, so if a female wants to pursue anything serious, they would have to approach him first. Had he known the beautiful young, vibrant, East, would be that person, he would have run for the hills. Just as crazy, just as mean, and just as guarded as Killian, East quickly becomes the challenge he’s been avoiding. However, unlike Killian, East is ready for love. One bad relationship after the next, her heart should be too damaged to mend, but not for Killian. A self-made broken-hearted guru, Killian is the man for the job. A small skill he’s acquired after stitching the pieces of his own heart back together too many times before. Though East is ready for happiness and open to loving Killian, she’s no easy target. With a horrible attitude and a terribly rude mouth, Killian isn’t the easiest person to get along with, unless you’re a self-assured spitfire named East. Take a chance and fall in love with another one of A’zayler’s page turning romances. Killian and East are a love story for the ages.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.