She is determined to hold things together for herself more so then for her children. What will happen when she loses everything. Who will the girls have to depend on besides each other. Ronnie learns a shocking truth from her mother and is given a decision to make. Will she make the right or wrong decision and at what cause. Find out the answers when reading this ghetto twisted tale.

    Mulani's uncle taught everyone under his roof to get it how you live and by any means necessary. Mulani and her cousins took that to heart pouring their blood, sweat, and tears into the streets. Along with her cousins, and best friend Asim Patrick, the game wasn't ready for what they had to offer. Especially not the beautiful, tomboyish, and deadly Mulani. A force to be reckoned with while carrying a no nonsense type attitude, ran off every man that even tried to get close to Mulani, but it didn't matter, because all she ever wanted was Asim. Asim is everything a boss should be. His street status is undeniable and at the young age of 21, he's well on his way to having everything a man his age could ever want. The Respect, the riches...but there was only one thing missing...Mulani. When tragedy brings them together, giving Mulani what she's always wanted, she feels like the streets now has their king and queen and Asim couldn't help but feel the same. But one mistake is all it took for Asim to walk away from Mulani and into the arms of another woman and even down the path of matrimony. After the hurt that Asim has caused, Mulani goes harder than ever unwilling to love again. When a problem arises, Mulani's motivation and undeniable dedication to get it handled is what leads her to meet the sexy Maddox aka Dox from the Bronx. Dox is a boss in his own right and wants to give Mulani all the love that she deserves. The time and attention Dox puts in is enough to break down Mulani's walls. She's ready to give in and ready to move on finally, but someone isn’t going to allow that to happen…Asim. There can only be one king in the streets and in Mulani’s heart, but who will it be? The fight to the crown will be nothing nice. Who will be the one Mulani choose to show her that love A Dopegirl Needs Love Too.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Also known as "Jet of Blood".

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    She’s used her notoriety to start charitable works across the globe.Yet her world remains unsettled.Max’s prophesy for the future lays heavily on her mind. She’s kept that message of a violent showdown from her friends and family, wanting them to enjoy the peace they’ve so painfully earned. For Laney though, each moment of joy is accompanied by a ticking clock counting down.And now the ticking has stopped. An old enemy returns and is trying to turn back the clock to a time when the Fallen had their powers. Laney must jump into the fight again. But after so much time, is she still up to the task?

    Really hurt. What happens when she, a simple human, is mated to Matt Stone, the Gamma of the Blue Moon Pack? Matt knows that she is the missing piece that he has been searching for but He asked first teacher about his life as a wolf, And all that goes into it before she can truly be his. When the shadows come back from her past to haunt her, will they be strong enough to overcome or will the darkness take them both?

    Only sticking around to please her judgmental mother, Nina finds herself to be a caged bird longing to be released; even if only for one night. Yazir Willis is a hardworking, assiduous, and very ambitious young man, who has worked hard for everything he's obtained; especially his title as the king of Los Angeles, and owner of Blue Dream Rolling Papers. Yazir possesses a trait that many people desire, and that's his unwavering faith in his abilities to get anything and anyone. When Yazir meets Nina, he becomes tireless in his efforts to win the outgoing but confined beauty over. Nina finally allows Yazir, at his request, to take her out just once, in which he promises to leave her be once it's over. However, road flares fly when the two spend that one night together, leaving both parties longing to be with the other. There is only one problem though; Nina's overbearing fiancé, and her censorious mother Samantha. Will Nina go against her mother and infuriate Seth, all for the love of the boastful, rich, and wild, Yazir? Or will she surrender to the criticisms of her mother, and the tight grip of her fiancé? And will Yazir be able to put his lothario lifestyle behind him for Nina? Or will his womanizing cause his pursuit of her to be in vain?

    The People Traders follows the young girls abduction and preparation for her new life. However, not all is going well for the trafficker, when a bizarre set of events gives the girl her freedom. Now she's on the run in a hostile country and her new owner wants her back, no matter what the cost! Will she give up, accept her new life or fight for the most converted of all human possessions - her freedom?