Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    She had blond hair and brown eyes and a sassy face, and she worked in a fashionable dressmaking shop.Things did happen to Celia, but not as she had planned. The king's army captured Charleston. The ravisher Tarleton swept through the Carolina countryside in a wave of blood and fire and debauchery. Caught up in the ruin were Celia and her friends -- the merry-minded Darren; Jimmy, whose love for Celia brought her into his tragedy; the fascinating Vivian, five times married; Godfrey, rich and powerful, who met disaster because he could control anything in town but the weather; the daredevil Luke.Most people thought the Revolution was lost. Many Americans, like Celia's handsome cousin Roy, joined the king's side. Then out of the swamps appeared Francis Marion.Marion was a little man. Marion was also crippled. But as Luke said of him, "When that man's leading a charge, he looks nine feet tall."In the dressmaking shop, Celia became a spy for Marion. She sewed, she smiled sweetly, and in secret she risked her life sending information to this man that the king's whole army could not catch, the mighty little man to whom Tarleton angrily gave the name 'Swamp Fox'.(from the front end flap)

    But Tommy's dreams, and talent, fly higher, up in the rigging with the trapeze. When rising star Mario Santelli offers him flying lessons, it looks like the start of wonderful new life, and to Tommy's surprise, his relationship with Mario deepens even as his skill soars in the rigging. But life in the 1940s forces them to keep their love a secret, and the stress pushes both Tommy and Mario to a precipice. And as Mario flies higher and higher, Tommy begins to wonder if it will always be his role to catch Mario as he falls.A tremendously moving tale, a rich family saga, a wise and compassionate portrait of a special love in a cruel world.

    Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O’Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition… To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

    Best friends. At least they used to be. But a year ago Sam cut Charlie out of his life--no explanation, no discussion, nothing. Fast-forward one year, and both Sam's and Charlie's lives are spiraling out of control. Sam has a secret he's finding harder and harder to hide, and Charlie is dealing with an increasingly absent dad and a dealer whose threats are anything but empty. As told in alternating chapters from Sam and Charlie during the sticky Florida summer before their senior year, the ex-best friends are thrown together once again when they have no one else to turn to. P. E. Ryan's Saints of Augustine is a witty, enthralling, and unforgettable novel about the power of friendship.

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides. Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale." As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson.Excerpt:"TOM!" No answer. "TOM!" No answer. "What's gone with that boy,  I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll—" She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!"

    . . and so do the dreamed. Those who dream cannot stop dreaming – they can only try to control it. Those who are dreamed cannot have their own lives – they will sleep forever if their dreamers die.And then there are those who are drawn to the dreamers. To use them. To trap them. To kill them before their dreams destroy us all.Ronan Lynch is a dreamer. He can pull both curiosities and catastrophes out of his dreams and into his compromised reality.Jordan Hennessy is a thief. The closer she comes to the dream object she is after, the more inextricably she becomes tied to it. Carmen Farooq-Lane is a hunter. Her brother was a dreamer . . . and a killer. She has seen what dreaming can do to a person. And she has seen the damage that dreamers can do. But that is nothing compared to the destruction that is about to be unleashed. . . .

    But at home, there is Henry, the precocious 10-year-old across the street, who eagerly befriends them both. And when Alex takes up running, there is James's friend Nathen, who unites the brothers in moving and unexpected ways.

    He has a crappy job at Food World, a "boyfriend" who won't publicly acknowledge his existence (maybe because Pablo also has a girlfriend), and parents on the verge of a divorce. College is Dade's shining beacon of possibility, a horizon to keep him from floating away. Then he meets the mysterious Alex Kincaid. Falling in real love finally lets Dade come out of the closet - and, ironically, ignites a ruthless passion in Pablo. But just when true happiness has set in, tragedy shatters the dreamy curtain of summer, and Dade will use every ounce of strength he's gained to break from his past and start fresh with the future.

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

    The Breakfast Club meets One Day in Floored, a unique collaborative novel by seven bestselling and award-winning YA authors: Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood.When they got in the lift, they were strangers (though didn't that guy used to be on TV?): Sasha, who is desperately trying to deliver a parcel; Hugo, who knows he's the best-looking guy in the lift and is eyeing up Velvet, who knows what that look means when you hear her name and it doesn't match the way she looks, or the way she talks; Dawson, who was on TV, but isn't as good-looking as he was a few years ago and is desperately hoping no one recognizes him; Kaitlyn, who's losing her sight but won't admit it, and who used to have a poster of Dawson on her bedroom wall, and Joe, who shouldn't be here at all, but who wants to be here the most.And one more person, who will bring them together again on the same day every year.

    This edition features the classic black-and-white artwork from Garth Williams.Little House in the Big Woods takes place in 1871 and introduces us to four-year-old Laura, who lives in a log cabin on the edge of the Big Woods of Wisconsin. She shares the cabin with her Pa, her Ma, her sisters Mary and Carrie, and their lovable dog, Jack.Pioneer life isn’t easy for the Ingalls family, since they must grow or catch all their own food as they get ready for the cold winter. But they make the best of every tough situation. They celebrate Christmas with homemade toys and treats, do their spring planting, bring in the harvest in the fall, and make their first trip into town. And every night, safe and warm in their little house, the sound of Pa’s fiddle lulls Laura and her sisters into sleep.The nine books in the timeless Little House series tell the story of Laura’s real childhood as an American pioneer, and are cherished by readers of all generations. They offer a unique glimpse into life on the American frontier, and tell the heartwarming, unforgettable story of a loving family.

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.