When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to “everything living / that won’t come with me / into this sunny afternoon.” Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of love—a cool-eyed assessor of mortality and a fervent champion for his body and its pleasures. Ritvo writes to his wife, ex­-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. In these poems—from the humans that animate him to the inanimate hospital machines that remind him of death—it’s Ritvo’s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets.

    "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."

    Distinguished poet Richard Hugo says, “Cathy Song’s poems are flowers: colorful, sensual, and quiet, and they are offered almost shyly as bouquets to those moments in life that seemed minor but in retrospect count the most. She often reminds a loud, indifferent, hard world of what truly matters to the human spirit.”Born in Honolulu, Hawaii, in 1955, Cathy Song received a B.A. from Wellesley College in 1977 and an M.A. in creative writing from Boston University in 1981. Her poems have appeared in an anthology of asian-pacific literature and in Dark Horse, The Greenfield Review, and West Branch.

    . .--from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from "the most frightening American poet ever" (Calvin Bedient, Boston Review).

    Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls--the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.

    Life was a despairing time in the 1950s, as Veronica sought desperately to keep away from his cruelty. Astonishingly, to her and her mother, she won a scholarship to Ackworth Boarding School where she began to shine above her class-mates. A champion in all sports, Veronica at last found some happiness until her brother-in-law came into her life. It was as if she had stepped from the frying pan into the re: he took over control of her life removing her from the school she adored, two terms before she was due to take her GCEs, so he could put her to work as a cheap option on his market stall. Abused for many years by these two men, Veronica eventually ran away and applied to the Prison Service, knowing it was the only safe place she could trust. This is the astonishing, and true story of Veronica Bird who rose to become a Governor of Armley prison. Given a ‘basket case’ in another prison, contrary to all expectations, she turned it around within a year, to become an example for others to match. During her life inside, her ‘bird’, she met many Home Secretaries, was honoured by the Queen and was asked to help improve conditions in Russian Prisons. A deeply poignant story of eventual triumph against a staggeringly high series of setbacks, her story is filled with humour and compassion for those inside.

    

    Sin's first book of poetry.

    

    The poems negotiate the colossal movement of hearts figuring and being figured by history. This is a voice that knows the intelligence of passion, that moves through and inside the questioning of who we are in the structures of things we give the power to name us until a song sends us out to question the territory. The poet moves with the exactness of math or physics, with the fearful knowledge of careful imbalances that would have us believe in equilibrium, and with the assuredness of art that knows all is change, that the semblance of order is creation, something we are given the gift of imitating in some small way. The poems in this collection summon the largeness, the volume of a voice that disembodies itself in order to search for the love that made it whole.

     Get swept away today with these swoon-worthy heroes! Forgiving the Billionaire Love deserves a second chance. Hannah has finally come home after having been away for seven years. Despite her fears about facing her past, she’s desperate to get away from her boyfriend’s proposal. She didn’t expect to see Logan again. Logan is trying to adjust to his father’s death, being a single dad, and his new status as a billionaire. He thought he had a handle of that until his childhood crush, Hannah, comes back into his life. And she’s everything he remembered her to be. If only they could move on from their broken hearts. If only they could see how perfect they are together. Then maybe the mountains in front of them wouldn’t feel so unsurmountable. Finding Love with the Billionaire Opposites attract in the Alaskan wilderness. Madeline is desperate to finally be taken seriously, but that doesn’t seem to be the case when her boss asks her to write a puff piece of billionaire party boy, Liam Davenport. Liam just wanted a quiet life roaming the world. When his father dies, leaving him to face the media storm surrounding Davenport Outdoors, he’s forced to trade in his hiking boots for tailored suits. They’re determined they already know all there is to know about the other person. Until their plane crashes into an Alaskan mountain side. Suddenly, they’re faced with a choice. Put down their pride to survive, or keep their prejudices and struggle alone. Falling for the Billionaire Two lost souls make a whole. Paige has moved to New York after her father lost his business and passed away. Living with her quirky aunt as she attempts to start over wasn’t what she had envisioned for her life, but she’d determined to be successful. James has a golden finger. As a billionaire, his life is perfect—except that’s not the life he wants. Trouble is, he’s not sure what he’s meant to do. When James meets Paige, he’s intrigued by her. She seems to have everything figured out. The plan was simple. Figure out what James enjoys. If only their hearts hadn’t gotten involved. If only their pasts didn’t come back to haunt them. When everything feels as if it’s crashing down around them, the one thing they feared might be the one thing they needed all along. Fixing the Billionaire Love can mend a broken past. Millie has given up on love. After all, men never seem to show up when they’re supposed to. Joseph is trying to atone for his mistakes that he made before his daughter passed away. He’s left behind his privileged life to travel from town to town, paying off stranger’s medical bills. They were perfectly happy living their single lives until Millie rear ends Joseph in the parking lot of the hospital where she works. Fate intervenes and they find themselves thrown together. But love isn’t that simple.

    Yeah, he’s struck by wanderlust and can’t remain at home for more than a couple of weeks at one time. Avantika Kamath, the dusky beauty from Bengaluru, has chalked out a rocking career for herself as a dancer, heading her own troupe, as well as being a Bollywood choreographer. It is love at first sight for her when she sets eyes on Shatru at her best friend Dia’s wedding to his twin, Bharat. Shatru’s attracted to Avantika but fears the commitment as he leads a Bohemian life while her life’s grounded. Can the two ends meet? Will Avantika be able to juggle her career and the marriage she wants with Her Bohemian Husband?

    With shocking, unforgettable lyric force, Valzhyna Mort's Music for the Dead and Resurrected confrontsthe legacy of violent death in one family in Belarus. In these letters to the dead, the poet asks: How do we mourn after a century of propaganda? Can private stories challenge the collective power of Soviet and American historical mythology?Mort traces a route of devastation from the Chernobyl fallout and a school system controlled by ideology to the Soviet labor camps and the massacres of World War II. While musical form serves as a safe house for the poet's voice, old trees speak to her as the only remaining witnesses, hosts to both radiation and memory.Valzhyna Mort, born in Belarus and now living in the United States, conjures a searing, hallucinogenic ritual of rhythmic remembrance in a world where appeals to virtue and justice have irrevocably failed.

    Because Audrey told a lie and now her classmate, Ana, is dead. Just as her world begins to spin out of control, Audrey meets the enigmatic Rad—the boy who could turn it all around. But will their ill-timed romance drive her closer to the edge?

    Cole's most recent poems have a daring sensitivity and imagistic beauty unlike anything on the American scene today. Whether they are exploring pleasure or pain, humor or sorrow, triumph or fear, they reach for an almost shocking intensity. Cole's fourth book, Middle Earth, awakened his audience to him as a poet now writing the poems of his career. Pierce the Skin brings together sixty-six poems from the past twenty-five years, including work from Cole's early, closely observed, virtuosic books, long out of print, as well as his important more recent books, The Visible Man (1998), Middle Earth (2003), and Blackbird and Wolf (2007). The result is a collection reconsecrating Cole's central themes: the desire for connection, the contingencies of selfhood and human love, the dissolution of the body, the sublime renewal found in nature, and the distance of language from experience. "I don't want words to sever me from reality," Cole says, striving in Pierce the Skin to break the barrier even between word and skin. Maureen N. McLane wrote in The New York Times Book Review that Cole is a poet of "self-overcoming, lusting, loathing and beautiful force." This book will have a permanent place with other essential poems of our moment.