Eight years ago he dropped out of a seminal Seattle grunge band to try his hand at a more grown-up calling. Now he's thirty-six ("almost forty!"), a deputy prosecutor (a suit), still hanging out at the same clubs he played ten years ago (the ones that haven't shut down), and still dating the same kind of girls (except now they tell him how much their older sisters loved his band).Pete decides it's time to get married—he just doesn't know to whom. Possibilities include Beth, his first love, who has disappeared; Winter, his on-and-off stripper girl-friend, who has been living the grunge life too long; and Esme´, a Sub Pop A&R executive who has some life decisions of her own to make. When a date-rape case lands on his desk—the accused is a local rocker Pete's age, the accuser an eighteen-year-old from the scene—Pete finds his past and present facing him from both sides of the aisle, and he finally has to decide where he stands.Pete Tyler is a cooler version of Everyguy, and Never Mind Nirvana is a hilarious and unexpectedly moving story of a man with one foot stuck in adolescence and the other planted in adulthood. Richly textured with references to classic rock and the music of Seattle's legendary alternative rock scene, it is also a fascinating, bittersweet riff on a particularly American zeitgeist.

    Overwhelmed with remorse, Tony renounced his own ambitions to work for the Grahame family. For ten years, he managed their orchards. Hard work and the knowledge that he was needed and loved called forth the best in Tony. And there was Rose, too.Rose Grahame returned home to find the man who had killed her brother living in his place. But despite warnings of disaster, she was deeply attracted to the sinister stranger.A murder in an apple orchard, the threat of a kidnapping, and a secret marriage drew Rose nearer to the dark truth of the past. Only when she knew everything would her heart be free to know a great love.

    A democracy. A savage liberty. And yet another anthem and yet another heavenand yet another party wants you. Wants you wants you wants you.—from "Groovallegiance"In one poem, Thomas Sayers Ellis prognosticates, "Pretty soon, the Age of the Talk Show / Will slip on a peel left in the avant- gutter." The result is The Maverick Room, the testing ground of determination and serendipity, where call-and-response becomes Steinian echo becomes Post-Soul percussive pleasure becomes a bootlegged recording hustled out of a D.C. go-go club.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    So I would, I decided, write a girl's name on the cover of my exercise books and deny all knowledge of her when asked, thus, I fondly imagined, causing everyone to think that I actually had a girlfriend. I do not believe it worked. I never actually got around to imagining anything about her but the name.'A LITTLE TRIGGER also includes a preview of TRIGGER WARNING, the new short story collection from Neil Gaiman.

    were written within earshot of David Kirby's Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby's poems are ample steamer trunks into which the poet seems to be able to put just about anything--the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, "The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing."

    She's got killer blue eyes, gorgeous blond hair, and impeccable grades. There's just one tiny-all right, enormous-flaw: her nose. But even that's not so bad. Sarah's got the best best friend and big goals for print journalism fame.On the first day of senior year, Rock Conway walks into her journalism class and, well, rocks her world. Problem is, her best friend, Kristen, falls for him too. And when Rock and Kristen stand together, it's like Barbie and Ken come to life. So when Kristen begs Sarah to help her nab Rock, Sarah does the only thing a best friend can do-she agrees. For someone so smart, what was she thinking?This hip retelling of Cyrano de Bergerac is filled with hilariously misguided matchmaking, sweet romance, and a gentle reminder that we should all embrace our flaws.

    But this poetry is not a sentimental celebration of the goodness of nature, and harmony with the world is never something assumed. The harmony Forché seeks goes deeper than simple submission to natural processes or identification with an ethnic group, and it must be fought for with a tenuous faith, the balance that must be found between the ugliness, the harshness of her history—both natural and social—and its intense beauty, is what distinguishes Forché’s poetry, gives it is depth and dimension.

    As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

    She has a hardworking husband, two adorable children, and a beautiful Tokyo apartment. It’s everything a woman could want, yet sometimes she wonders whether she would rather throw herself off the high-rise balcony than spend another evening not talking to her husband and hanging up laundry.Then, one rainy night, she meets Kiyoshi, a successful restaurateur. In him, she rediscovers freedom, friendship, and the neon, electric pulse of the city she has always loved. But the further she falls into their relationship, the clearer it becomes that she is living two lives—and in the end, we can choose only one.Funny, provocative, and startlingly honest, Fault Lines is for anyone who has ever looked in the mirror and asked, who am I and how did I get here? A bittersweet love story and a piercing portrait of female identity, it introduces Emily Itami as a debut novelist with astounding resonance and wit.

    In his blockbuster thrillers Zero Day and The Forgotten, he enthralled readers with John Puller. A combat veteran and special agent with the U.S. Army, Puller is the man they call to investigate the toughest crimes facing the nation. But all his training, all his experience, all his skills will not prepare him for his newest case, one that will force him to hunt down the most formidable and brilliant prey he has ever tracked: his own brother.THE ESCAPEIt's a prison unlike any other. Military discipline rules. Its security systems are unmatched. None of its prisoners dream of escaping. They know it's impossible . . . until now.John Puller's older brother, Robert, was convicted of treason and national security crimes. His inexplicable escape from prison makes him the most wanted criminal in the country. Some in the government believe that John Puller represents their best chance at capturing Robert alive, and so Puller must bring in his brother to face justice.But Puller quickly discovers that his brother is pursued by others who don't want him to survive. Puller is in turn pushed into an uneasy, fraught partnership with another agent, who may have an agenda of her own.They dig more deeply into the case together, and Puller finds that not only are her allegiances unclear, but there are troubling details about his brother's conviction . . . and someone out there doesn't want the truth to ever come to light. As the nationwide manhunt for Robert grows more urgent, Puller's masterful skills as an investigator and strengths as a fighter may not be enough to save his brother-or himself.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    While Hall’s devoted readers will recognize many of his long-standing preoccupations—baseball, the family farm, love, sex, and friendship—what will strike them as new is the fierce, pitiless poignancy he reveals as his own life’s end comes into view. The Back Chamber is far from being death-haunted but rather is lively, irreverent, sexy, hilarious, ironic, and sly—full of the life-affirming energy that has made Donald Hall one of America’s most popular and enduring poets.

    As freshmen at Ocean High last year, Winter and her best friend Sloane thought they could ditch their nerdy past, launching from invisible to cool. But after another miserable year of standing on the sidelines they make a pact to do whatever it takes not to go unnoticed in their sophomore year, promising each other that whoever makes it into the cool group first will bring the other along.One Sloane gets a taste of life on the A-list, she slams that door in Winter's face. Suddenly cast out of her former best friend's life, Winter takes revenge the modern way: by announcing all of Sloane's dirty little secrets on an anonymous blog. Then the blog becomes more popular than she ever dreamed and Winter must decide if her retaliation is really worth the consequences—and if the price for popularity is one she's willing to pay. Once again, Alyson Noël navigates the tricky waters of the high school social scene with the heart and humor her readers have come to love.

    / In writing. / I signed my name. / It’s death’s move.” As he considers his mortality, the poet finds a new elation and clarity on the page, handing over for our examination the flawed yet kneeling-in-gratitude self he has become. F stands both for Franz, the poet-speaker who represents all of us on our baffling lifelong journeys, and for the alphabet, the utility and sometimes brutality of our symbols. (It may be, he jokes grimly, his “grade in life.”) From “Entries of the Cell,” the long central poem that details the loneliness of the single soul, to short narrative prose poems and traditional lyrics, Wright revels in the compensatory power of language, observing the daytime headlights following a hearse, or the wind, “blessing one by one the unlighted buds of the backbent peach tree’s unnoted return.” He is at his best in this beautiful and startling collection.