Drawing on unseen police files, Marilyn Monroe’s private diary, and first-hand testimony, this book proves that Robert Kennedy was directly responsible for her death. It details Marilyn Monroe’s tumultuous personal involvement with him and his brother, President John Kennedy. The new evidence and testimony is provided by Mike Rothmiller who, as an agent of the Organized Crime Intelligence Division (OCID) of the LAPD, had direct personal access to hundreds of secret files on exactly what happened at Marilyn Monroe’s Californian home on August 5, 1962. With his training and specialist knowledge, Rothmiller used that unseen information to get to the heart of the matter, to the people who were there the night Marilyn Monroe died—two of whom played major roles in the cover-up—and the wider conspiracy to protect the Kennedys at all costs. There will be those with doubts, but to them, the lawman—who has advised the White House, the Pentagon, and international crime agencies—says the printed, forensic, and oral evidence are totally convincing. He insists: "If I presented my evidence in any court of law, I’d get a conviction." Includes eight pages of black and white photographs.

    A unique, horrifying self-portrait of one of the most savage sex killers in history.This updated edition contains a new foreword by Robert Keppel, president of the Institute for Forensics.

    Her rollar-coaster life. Her deception - shrouded death. Her divided secret life. Her legion of lovers. Her intimacies with JFK and Bobby Kennedy. Her mafia connections. This is the one book that tells the whole naked, deeply moving truth about the all - too-beautiful talented, and tormented woman who played a role in public and in private that was too much for flesh and spirit to survive.

    It was also rife with organized crime, with a mayor in the pocket of the syndicates and a DA taking bribes to throw trials. In "A Bright and Guilty Place," Richard Rayner narrates the entwined lives of two men, Dave Clark and Leslie White, who were caught up in the crimes, murders, and swindles of the day. Over a few transformative years, as the boom times shaded into the Depression, the adventures of Clark and White would inspire pulp fiction and replace L.A.'s reckless optimism with a new cynicism. Together, theirs is the tale of how the city of sunshine got noir. When "A Bright and Guilty Place" begins, Leslie White is a naive young photographer who lands a job as a crime-scene investigator in the L.A. district attorney's office. There he meets Dave Clark, a young, movie-star handsome lawyer and a rising star prosecutor with big ambitions. The cases they tried were some of the first "trials of the century," starring dark-hearted oil barons, sexually perverse starlets, and hookers with hearts of gold. Los Angeles was in the grip of organized crime, and White was dismayed to see that only the innocent paid while the powerful walked free. But Clark was entranced by L.A.'s dangerous lures and lived the high life, marrying a beautiful woman, wearing custom-made suits, yachting with the rich and powerful, and jaunting off to Mexico for gambling and girls. In a shocking twist, when Charlie Crawford, the Al Capone of L.A., was found dead, the chief suspect was none other than golden boy Dave Clark. "A Bright and Guilty Place "is narrative nonfiction at its most gripping. Key to the tale are the story of the theft of water from the Owens River Valley that let L.A grow; the Teapot Dome scandal that brought shame to President Harding; and the emergence of crime writers like Raymond Chandler and James M. Cain, who helped mythologize L.A. In Rayner's hands, the ballad of Dave Clark is the story of the coming of age of a great American city.

    This is the extraordinary true story of the most prolific serial killer the nation had ever seen -- a case involving more than forty-nine female victims, two decades of intense investigative work...and one unrelenting killer who not only attended Ann Rule's book signings but lived less than a mile away from her home.

    The true origins of her birth, her fairy-tale discovery in Hollywood, and her career struggles at Metro-Goldwyn-Mayer are revealed for the first time. Garson combined an everywoman quality with grace, charm, and refinement. She won the Academy Award in 1941 for her role in Mrs. Miniver, and for the next decade she reigned as the queen of MGM. Co-star Christopher Plummer remem

    America's favorite girl next door may have projected a wholesome image that led Oscar Levant to quip "I knew Doris Day before she was a virgin," but in Considering Doris Day Tom Santopietro reveals Day's underappreciated and effortless acting and singing range that ran the gamut from musicals to comedy to drama and made Day nothing short of a worldwide icon.             Covering the early Warner Brothers years through Day's triumphs working with artists as varied as Alfred Hitchcock and Bob Fosse, Santopietro's smart and funny book deconstructs the myth of Day as America's perennial virgin, and reveals why her work continues to resonate today, both onscreen as pioneering independent career woman role model, and off, as a recipient of the Presidential Medal of Freedom, the United States' highest civilian honor. Praised by James Cagney as "my idea of a great actor" and by James Garner as "the Fred Astaire of comedy," Doris Day became not just America's favorite girl, but the number one film star in the world. Yet after two weekly television series, including a triumphant five year run on CBS, she turned her back on show business forever.             Examining why Day's worldwide success in movies overshadowed the brilliant series of concept recordings she made for Columbia Records in the  '50s and '60s, Tom Santopietro uncovers the unexpected facets of Day's surprisingly sexy acting and singing style that led no less an observer than John Updike to state "She just glowed for me." Placing Day's work within the social context of America in the second half of the twentieth century, Considering Doris Day is the first book that grants Doris Day her rightful place as a singular American artist.

    Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new style in movie acting: the screen's first hipster antihero-before Brando, James Dean, Elvis, or Eastwood-the inventor of big-screen cool.Robert Mitchum: "Baby, I Don't Care" is the first complete biography of Mitchum, and a book as big, colorful, and controversial as the star himself. Exhaustively researched, it makes use of thousands of rare documents from around the world and nearly two hundred in-depth interviews with Mitchum's family, friends, and associates (many going on record for the first time ever) ranging over his seventy-nine years of hard living. Written with great style, and vividly detailed, this is an intimate, comprehensive portrait of an amazing life, comic, tragic, daring, and outrageous.

    Since all journalists and writers were barred from the shooting of the movie Close Encounters of the Third Kind, actor Bob Balaban's diary is a rare on-the-spot account of the making of Steven Spielberg's classic sci-fi film.

    He examines her Dickensian childhood, her violent first marriage, her painful estrangement from her son, and the troubled sexual dynamics of her marriage to Robert Taylor.

    Los Angeles has legends. Midcentury Los Angeles. A city sold to the world as "the white spot of America," a land of sunshine and orange groves, wholesome Midwestern values and Hollywood stars, protected by the world’s most famous police force, the Dragnet-era LAPD. Behind this public image lies a hidden world of "pleasure girls" and crooked cops, ruthless newspaper tycoons, corrupt politicians, and East Coast gangsters on the make. Into this underworld came two men–one L.A.’s most notorious gangster, the other its most famous police chief–each prepared to battle the other for the soul of the city. Former street thug turned featherweight boxer Mickey Cohen left the ring for the rackets, first as mobster Benjamin "Bugsy" Siegel’s enforcer, then as his protégé. A fastidious dresser and unrepentant killer, the diminutive Cohen was Hollywood’s favorite gangster–and L.A.’s preeminent underworld boss. Frank Sinatra, Robert Mitchum, and Sammy Davis Jr. palled around with him; TV journalist Mike Wallace wanted his stories; evangelist Billy Graham sought his soul. William H. Parker was the proud son of a pioneering law-enforcement family from the fabled frontier town of Deadwood. As a rookie patrolman in the Roaring Twenties, he discovered that L.A. was ruled by a shadowy "Combination"–a triumvirate of tycoons, politicians, and underworld figures where alliances were shifting, loyalties uncertain, and politics were practiced with shotguns and dynamite. Parker’s life mission became to topple it–and to create a police force that would never answer to elected officials again. These two men, one morally unflinching, the other unflinchingly immoral, would soon come head-to-head in a struggle to control the city–a struggle that echoes unforgettably through the fiction of Raymond Chandler and movies such as The Big Sleep, Chinatown, and L.A. Confidential. For more than three decades, from Prohibition through the Watts Riots, the battle between the underworld and the police played out amid the nightclubs of the Sunset Strip and the mansions of Beverly Hills, from the gritty streets of Boyle Heights to the manicured lawns of Brentwood, intersecting in the process with the agendas and ambitions of J. Edgar Hoover, Robert F. Kennedy, and Malcolm X. The outcome of this decades-long entanglement shaped modern American policing–for better and for worse–and helped create the Los Angeles we know today. A fascinating examination of Los Angeles’s underbelly, the Mob, and America’s most admired–and reviled–police department, L.A. Noir is an enlightening, entertaining, and richly detailed narrative about the city originally known as El Pueblo de Nuestra Se–ora la Reina de los Angeles, "The Town of Our Lady the Queen of the Angels."Frank Darabont has adapted this book for a TV series, Mob City.

    Although Lee Marvin is best known for his icy tough guy roles—such as his chilling titular villain in The ManWho Shot Liberty Valance or the paternal yet brutally realistic platoon leader in The Big Red One—very little is known of his personal life; his family background; his experiences in WWII; his relationship with his father, family, friends, wives; and his ongoing battles with alcoholism, rage, and depression, occasioned by his postwar PTSD. Now, after years of researching and compiling interviews with family members, friends, and colleagues; rare photographs; and illustrative material, Hollywood writer Dwayne Epstein provides a full understanding and appreciation of this acting titan’s place in the Hollywood pantheon in spite of his very real and human struggles.

    Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.

    In 1994, an aspiring young cold case investigator in California’s East Bay, Paul Holes, puts aside trying to solve the Golden State Killer case as he waits for science to catch up. Paul returns to an old file cabinet at the back of the forensic lab to look for another cold case he can work - something with DNA. He finds one. The 1978 murder of a married mother who went for a morning jog in a nearby park. The original investigators believed that a serial killer named Phillip Hughes was responsible; they just couldn’t prove it. But Hughes was headed to prison for three other local homicides, all because of an unexpected break in those cases. Without it, Hughes might have gotten away with everything. In the years since though, as Hughes sat in prison, so did his secrets. And now he’s coming up for parole. In a race against time, Paul commits to solving the 1978 cold case before Hughes is let out. The victim’s family needs an answer. And, if Paul can prove that Hughes is the killer, he’ll use it as leverage to force Hughes to confess to everything else he may have done. Little does Paul know, however, that the 1978 cold case he opens will take an unexpected turn, lead to other cases and killers he never knew about and haunt him for his entire career. It turns out that the small towns of Contra Costa County were home to a more sinister history than anyone had imagined. But the clues didn’t disappear. They just needed the right person, at the right time, to see them.

    She is the last of the great ones: a celebrated actress, a brilliant personality, an original.Barbara Leaming has discovered thousands of never-before-seen documents that finally illuminate the mystery of this enigmatic, fascinating woman. Based on letters by Hepburn, her friends, and her family, as well as interviews with Hepburn herself, Leaming's book is a family story that brings alive three generations of fearless women, personal and political crusaders who shaped the history of women in our century.