Don't worry about the fact that you will never be able to afford a home. Worry about the day after. That's when they will all come, with their black shirts and bayonets, and then you will see the drowned bodies and slit necks. And I would stand there and say, But Mum, I'm ten years old.Working as a writer hasn't granted Panos the financial success he once imagined, but lobbying against a mosque being built across the road from his home (and the occasional meth-fuelled orgy) helps to pass the time. He's also found himself a gig ghostwriting for a wealthy property developer. The pay cheque alone is enough for him to turn a blind eye to some dodgy dealings - at least for the time being.In a world full of flashy consumerism and aspiration, can Panos really escape his lot in life? And does he really want to?

    Soon they're the parents of three young children.Initially, the kids keep them together until love turns to lies and the family implodes. As they become adults, each child faces love and loss in the shadow of their family legacy.You Belong Here is a book about trust and connection. About what keeps us going in spite of ourselves. About a place where we belong.

    When bones are recently discovered near his abandoned ute, her mother informs her of the details surrounding that devastating day. Now, Lily is determined to find out what happened.Under the alias of Abby O’Brien, she leaves her job with the police force in the city and accepts a position as a personal nurse to care for Nathaniel and Matthew Kinsley’s mother.Arriving at the cattle station, Lily thinks she has a foolproof plan until she catches the eye of the elder Kinsley brother and sparks fly.Secrets are revealed, and the sordid past of the Nobles and Kinsleys comes to a head when Lily discovers a family she didn’t know existed.Will this news be the glue to hold her to a place she once called home, and can she learn to trust Nathaniel and accept his marriage proposal?

    Eighteen-year-old Ruby leaves behind the family farm, her serious mother and roguish father, and heads for Adelaide. After a brief courtship, she enters into a hasty marriage with a soldier about to go to war – who returns a changed man.In this absorbing novel, Anna Goldsworthy recreates the world of Adelaide half a century ago, and portrays the phases of a woman’s life with intimacy and sly humour. We follow Ruby as she contends with her damaged husband and eccentric in-laws. We see her experience motherhood and changing social circumstances, until, in a moving twist, a figure from the past reappears, to kindle a late-life romance.In her captivating fiction debut, Goldsworthy evokes a woman’s life in a pre-feminist world. In this tender, funny book, she combines an Austenesque wit with Alice Munro’s feeling for human complexity.

    That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    Politician Dan LeRoi, Chairman of the Joint Committee on Intelligence and Security, has been shot. Four bullets to the head. The crime scene is chaotic. Homicide. Counter Terrorism. Media. And for Sid, hunting the killer is going to get complicated.Journalist Zephyr Wilde is complicated. She's tenacious and she's got Sid's number. Sid knows the gossip: how Zephyr's mother was murdered when Zephyr was a kid. He doesn't know that Zephyr is still getting letters from her long-dead mother. But when he learns that Dan LeRoi was helping Zephyr look into her mother's death, he realises that lines are going to be crossed. A cop should not be talking to a journalist.As they both ask too many questions, Sid and Zephyr stir up a hornet's nest of corruption. Knowing who to trust is going to mean the difference between solving a crime and being a victim. The question is, which side will they end up on.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    He finds it in Queensland's spectacular Gulf Country, on the sprawling cattle runs. The Gulf breeds tough men, and Billy is quickly drawn to the excitement and adventure of working with the fiery cattleman and ex-con, Blake Reilly, and his daughter, Jo.Billy finds mateship, danger and romance in the Gulf, but he also finds an untamed land with a history of violence. In the brooding heat and unpredictable storms, the future he had sought unfolds - in ways as turbulent and unexpected as the country itself - and Billy discovers a place where he can at last belong.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    He's a partner in his own medical practice, owns a house in the suburbs, and cruises town in a BMW. He also has a six-month-old daughter, Lily, affectionately known as the Bean.But Jon's life hasn't taken the path he thought it would in his twenties. Newly single, he's facing the challenges of dating in a post-Duran-Duran world. His computer has been seized by surly software. He accidentally peed on his date's cat. And while the Bean reminds him of life's possibilities every day, his new running buddy, Ashley, reminds him that relationship rules were made to be broken.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    In this startling debut novel, Matt Nable follows the fortunes of Charlie, Tess, and their families and neighbours. Their lives intertwine, unravel, straighten, and become tangled again. A father tries to relive his football career through his son; a mother deserts her children in an attempt to find herself; a daughter purges to take control of her life.This is a portrait of plans gone wrong, a lament of what could have been, a salute to the power of redemptive love, and a brave examination of contemporary society.