They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. In The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues. While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface. As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American.The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.

    From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

    The story of a lifetime.If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done?This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs.Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

    One Day meets Sliding Doors in this outstanding debut that is causing a buzz across the publishing worldSome moments can change your life for ever. Have you ever wondered, what if...?A man is walking down a country lane. A woman, cycling towards him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.Eva and Jim are nineteen and students at Cambridge when their paths first cross in 1958. And then there is David, Eva's then-lover, an ambitious actor who loves Eva deeply. The Versions of Us follows the three different courses their lives could take following this first meeting. Lives filled with love, betrayal, ambition but through it all is a deep connection that endures whatever fate might throw at them.The Versions of Us explores the idea that there are moments when our lives might have turned out differently, the tiny factors or decisions that could determine our fate, and the precarious nature of the foundations upon which we build our lives. It is also a story about the nature of love and how it grows, changes and evolves as we go through the vagaries of life.

    Fearing for her life, she flees with their neighbor Akhmed—a failed physician—to the bombed-out hospital, where Sonja, the one remaining doctor, treats a steady stream of wounded rebels and refugees and mourns her missing sister. Over the course of five dramatic days, Akhmed and Sonja reach back into their pasts to unravel the intricate mystery of coincidence, betrayal, and forgiveness that unexpectedly binds them and decides their fate.With The English Patient's dramatic sweep and The Tiger's Wife's expert sense of place, Marra gives us a searing debut about the transcendent power of love in wartime, and how it can cause us to become greater than we ever thought possible.

    Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures.Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    It begins in the early part of the 20th century, when Paddy Cleary moves his wife, Fiona, and their seven children to Drogheda, the vast Australian sheep station owned by his autocratic and childless older sister; and it ends more than half a century later, when the only survivor of the third generation, the brilliant actress Justine O'Neill, sets a course of life and love halfway around the world from her roots.The central figures in this enthralling story are the indomitable Meggie, the only Cleary daughter, and the one man she truly loves, the stunningly handsome and ambitious priest Ralph de Bricassart. Ralph's course moves him a long way indeed, from a remote Outback parish to the halls of the Vatican; and Meggie's except for a brief and miserable marriage elsewhere, is fixed to the Drogheda that is part of her bones - but distance does not dim their feelings though it shapes their lives.Wonderful characters people this book; strong and gentle, Paddy, hiding a private memory; dutiful Fiona, holding back love because it once betrayed her, violent, tormented Frank, and the other hardworking Cleary sons who give the boundless lands of Drogheda the energy and devotion most men save for women; Meggie; Ralph; and Meggie's children, Justine and Dane. And the land itself; stark, relentless in its demands, brilliant in its flowering, prey to gigantic cycles of drought and flood, rich when nature is bountiful, surreal like no other place on earth.Alternate Cover Edition ISBN 0380018179 (ISBN13: 9780380018178)

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at the prison, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. But her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.