The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    Rich, handsome, and ingenious, he charms the city's most prominent citizens even as he plots the crime of his century, the daring theft of a fortune in gold. But even Pierce could not predict the consequences of an extraordinary robbery that targets the pride of England's industrial era: the mighty steam locomotive. Based on remarkable fact, and alive with the gripping suspense, surprise, and authenticity that are his trademarks, Michael Crichton's classic adventure is a breathtaking thrill-ride that races along tracks of steel at breakneck speed.

    Screenplay for the film.

    Convicted killers all, each awaits his turn to walk the Green Mile, keeping a date with "Old Sparky," Cold Mountain's electric chair. Prison guard Paul Edgecombe has seen his share of oddities in his years working the Mile. But he's never seen anyone like John Coffey, a man with the body of a giant and the mind of a child, condemned for a crime terrifying in its violence and shocking in its depravity. In this place of ultimate retribution, Edgecombe is about to discover the terrible, wondrous truth about Coffey, a truth that will challenge his most cherished beliefes... and yours.

    He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

    Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960's, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure.

    In Northern Italy in 1983, seventeen-year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    Michael O'Sullivan is a deeply religious family man who works as an Irish mob family's chief enforcer. But after his elder son witnesses one of his father's hits, the godfather orders the death of O'Sullivan's entire family. Barely surviving an encounter that takes his wife and younger son, O'Sullivan and his remaining child embark on a dark and violent mission of retribution against his former boss. Featuring accurate portrayals of Al Capone, Frank Nitti and Eliot Ness, this book offers a poignant look at the relationship between a morally-conflicted father and his adolescent son who both fears and worships him.

    Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.

    At first the Sycamore family seems mad, but it is not long before we realize that if they are mad, the rest of the world is really verklempt.

    In these films, based on the colors of the French flag and the principles of liberty, equality and fraternity--the three ideals of the French Revolution--Kieslowski has crafted three parables of contemporary existence. In "Blue," Julie loses her child and husband in a car crash. In order to shield herself from the intensity of her grief, she strips away all remnants of her former life. This attempt is doomed to failure as music inexorably brings her back to a purpose in life. In "White," Karol, a Polish hairdresser, is divorced and abandoned by his beautiful French wife and finds himself destitute on the Paris streets. He meets a fellow Pole, who ingeniously smuggles him back to Warsaw in a suitcase. Working on the black market, he soon rises to the top of Poland's emerging capitalist class. Still obsessively haunted by the image of his wife, Karol sets out to make her pay the price for her betrayal. The third and final part of the trilogy, "Red," explores a strange, tentative relationship that gradualy grows between a beautiful young model and an embittered, retired judge. It is through the wisdom of her innocence that he finds the courage to engage with life again. Kieslowski brings the trilogy to a close with an event that weaves the disparate threads into a seamless work of art.

    This best-selling novel, first published in 1953 to wide acclaim by author Grubb, (who like Powers lived in Clarksburg, West Virginia), served as the basis for Charles Laughton's noir classic . Renamed "Harry Powell," the lead character in this book, with LOVE and HATE tattooed on his fingers, is remembered as one of the creepiest men in book and cinema history.

    A teenager (Saoirse Ronan) navigates a loving but turbulent relationship with her strong-willed mother (Laurie Metcalf) over the course of an eventful and poignant senior year of high school.

    Anyone who tries to get up, or even moves, will be shot. There will be no further warning. If you move you will be killed…” Four men, armed with submachine guns, have seized a New York City subway train, holding all seventeen passengers—and the entire city—hostage. The identities of the hijackers are unknown. Their demands seem impossible. Their threats are real. Their escape seems inconceivable.Only one thing is certain: they aren’t stopping for anything.