Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    "Not me!" says Froggy, and together they leapfrog to the bus stop -- flop flop flop. Froggy's exuberant antics, complete with sound effects, will delight his many fans and reassure them that school can be fun."This is a great read-aloud with sounds and words that encourage active participation....A charming story to calm those pre-school jitters." -- School Library JournalJonathan London is the author of many books for children, including I See the Moon and the Moon Sees Me, Like Butter on Pancakes and four other books about Froggy.

    Spotted Beetle, Tall Pine, and Hummingbird think just sitting there must be boring, but they are in for a wonderful surprise. Fabulous tales of adventurous travel, exotic scenery, entertaining neighbors, and more from Old Rock's life prove it has been anything but boring.Great storytellers come in all shapes, sizes, and ages, and Old Rock's stories are sure to inspire questions that lead to wonderful conversations about the past and the natural world.

    Along the way, he cleared land and planted orchards so he could supply apples to the settlers he knew would follow. When the settlers did arrive, John befriended them, often giving away his trees. Soon he became known as Johnny Appleseed.Legends about him spread quickly: It was said that he slept in a tree-top hammock, that he had a pet wolf, that he played with a bear family. Everyone seemed to know a story about Johnny Appleseed. And even today people claim to have seen him.In vivid prose and magnificent pictures that spring off the pages, Steven Kellogg tells the lively story of a true American Hero.

    A cumulative rhyme relating how Ki-pat brought rain to the drought-stricken Kapiti Plain. Verna Aardema has brought the original story closer to the English nursery rhyme by putting in a cumulative refrain and giving the tale the rhythm of “The House That Jack Built.”

    Children discover all the bright colors in their Hispanic American neighborhood.

    But Grandma's no fool and Roja's no ordinary chica. They send that hungry lobo packing with a caliente surprise! This sassy retelling of Little Red Riding Hood has accessible Spanish rhymes and fresh illustrations, with hip cultural details throughout.

    Or his peaches, plums, grapes, cherries, and pears. Oh, and he takes his family along too. But the trail is cruel. First there’s a river to cross that’s wider than Texas, then there are hailstones as big as plums, and then there’s even a drought, sure to crisp the cherries. Luckily Delicious (the nonedible apple of Daddy’s eye) won’t let anything stop her father’s darling saps from tasting the sweet Oregon soil. A hilarious tall tale from the team that brought you Fannie in the Kitchen that’s loosely based on the life of a real fruiting pioneer.

    But do you know Maria?      With gorgeous, Peruvian-inspired illustrations and English and Spanish retellings, Angela Dominguez gives a fresh new twist to the classic rhyme. Maria and her mischievous little llama will steal your heart.

    Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

    Whether a coyote or rabbit, raccoon or raven, Tricksters use cunning to get food, steal precious possessions, or simply cause mischief. In Trickster, the first graphic anthology of Native American trickster tales, more than twenty Native American tales are cleverly adapted into comic form. An inspired collaboration between Native writers and accomplished artists, these tales bring the Trickster back into popular culture in vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of "How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale," Trickster bring together Native American folklore and the world of graphic novels for the first time.

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa’s favorite meal—mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel—and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa’s food. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!Duncan Tonatiuh brings to light the hardship and struggles faced by thousands of families who seek to make better lives for themselves and their children by illegally crossing the border. Praise for Pancho Rabbit and the Coyote STARRED REVIEWS"Tonatiuh’s great strength is in the text. No word is wasted, as each emotion is clearly and poignantly expressed. The rabbits’ future is unknown, but their love and faith in each other sustains them through it all. Accessible for young readers, who may be drawn to it as they would a classic fable; perfect for mature readers and the classroom, where its layers of truth and meaning can be peeled back to be examined and discussed. An incandescent, humane and terribly necessary addition to the immigrant-story shelf."—Kirkus Reviews, starred review"In both prose and art, Tonatiuh expertly balances folkloric elements with stark, modern realities; Pancho Rabbit’s trip has the feel of a classic fable or fairy tale, with the untrustworthy coyote demanding more and more of him."—Publishers Weekly, starred review"The book shows the fragility of making a living, the desperation that many migrants experience, and the deep family ties that bind the characters. Classrooms studying the migrant experience will find plenty to discuss here."—School Library Journal“This will spark strong responses and needed discussion.”—Booklist"Tonatiuh is so careful in weaving his allegory that his empathetic contemporary tale feels like age-old folklore, with simple but compelling text and a step-by-step escalation of the story through gripping, kid-understandable challenges."—The Bulletin of the Center for Children's Books AwardsPura Belpré Author and Illustrator Honor book 2014New York Public Library’s annual Children’s Books list: 100 Titles for Reading and Sharing 2013Kirkus Best Books of 2013Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature)Notable Children's Books from ALSC 2014Notable Books for a Global Society Book Award 2014

    But wisecracking Dad and their two sons are skeptical about how much fun this trip will be, and they're not quite sure what to make of the art. ("What on earth is that supposed to be?" asks Dad.) But, with Mom’s help, once the boys start really looking at the paintings, they begin to find what pleasures they contain. Most of the family leave with a new appreciation of art – Dad is just never going to get it – as well as a sketchbook. On the trip home, Mom teaches the boys – and readers – a drawing game, which one of her sons (this book’s author) has been playing ever since.This new book is the product of Anthony Browne's engagement as writer-and-illustrator-in-residence at the Tate Britain in London. There he worked with a thousand children from inner-city schools, teaching literature using the resources in the gallery – and playing the shape game. In his artwork for the book, he surreally transforms, in his signature style, some famous paintings in the Tate's collection.

    The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Blackbird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.