For Lily and Jack, that moment comes when their baby daughter, home alone with Lily, pulls a pot of boiling water off the stove and suffers terrible burns. It is an accident, but the state suspects abuse and takes temporary custody of the child.To win her back, Lily and Jack must prove to strangers that they are good parents and that their daughter belongs with them and their two sons. They must convince others even as they struggle to once again believe it themselves...even as they begin to fall away from each other just when they most need to be together.Rachel Basch's remarkable debut is an eloquent and touching story about family and individuality, guilt and blame, and how love can fail us or save us, often to our great surprise. It is a book to be cherished, a rich novel that will linger in every reader's mind and heart.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

    Forced out of her teaching job, she unleashes her sharp tongue and dogmatic opinions on everyone in the English village of Little Blessington. Then, one night, she grinds to a dead halt. To recover from this illness, she travels to North Africa where she has a brush with terrorism - not that she cares about politics. Three weeks after Miss Webster has returned home her doorbell rings. There stands a beautiful young Arab man carrying a large suitcase. Who is he, why is he there and what does he want?

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

    For a hundred years, they've been each other's only ally, defending each other and their younger siblings against their father's increasingly unpredictable anger. Now, with an independence movement gaining ground and their father's rule weakening, the twins must take matters into their own hands to keep their family—and their entire world—from crashing down around them. But other nations are jockeying for power, ready to cross and double cross, and if Rhea and Lexos aren't careful, they'll end up facing each other across the battlefield.

    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    But for now, he’s happy to do the next best thing: Stay with his aunt in Jackson Hollow, Tennessee, for the summer and perform at the amusement park owned by his idol, country legend Wanda Jean Stubbs.Luke Barnes hates country music. As the grandson of Verna Rose, the disgraced singer who had a famous falling out with Wanda Jean, Luke knows how much pain country music has brought his family. But when his mom’s medical bills start piling up, he takes a job at the last place he wants: a restaurant at Wanda World.Neither boy is looking for romance, but sparks fly when they meet – and soon they’re inseparable. Until a long-lost secret about Verna and Wanda comes to light, threatening to unravel everything. Will Emmett and Luke be able get past the truths they discover…or will their relationship go down in history as just another Sad Country Love Song?

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    The depth and diversity of perceptual awareness-so steadfast and radiant in American Primitive-continue in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit-to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance-as in her poem about the Holocaust-or through a painful glimpse into the present-as in "Acid," a poem about an injured boy begging in the streets of Indonesia-the events and tendencies of history take on a new importance also. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

    Only to find it was a dream. Or was it? He can’t differentiate between reality and dreams. And his memories lapses aren’t helping him either. Haunted by a past he can’t remember about, he stands at odd with the society, and his family—who favours their prodigal son, Yash.UNTIL! He discovers the session tapes of his classmate Ananya, in his psychiatrist father’s office. What’s in those tapes that incite fear in the school diva? When the tapes go missing from the office, he believes something sinister is being protected. Meanwhile, he is able to win the trust of Ananya, who reluctantly bares her traumatic past, revealing she was—RAPED & MOLESTED. It compels him to seek justice for her. But, the evils bestowed upon her stretch deep, even forcing her to—KILL.Will he be able to save her after the revelation of his family‘s involvement in her destruction? Or will the truth drive him to insanity?In this vicious dark thriller, everyone’s a liar. Everyone is hiding a secret which can’t come to light...

    It's a far cry from his native Ireland, but he believes this is the place he and his wife can make a new life and forget the troubles of the past. And for a time, they do just that. There's a good life, a new house, regular work and, in time, they welcome their new son Marti into the world. But as the years pass, this new life thousands of miles from the Old Country comes under threat. Joey's wife has been struggling with demons of her own, their marriage is on the rocks and suddenly, Joey's wife disappears and takes Marti with her. Joey is beside himself, with no clues about where they are, with both his childhood sweetheart and his son - his pride and joy - now missing. Then, when Joey gets word that his wife and son have returned to Ireland, he knows that he'll now have to do the same if he ever wants to see his son again. And he also knows that he'll finally have to confront the ghosts of his past that he's been running from for years. His Father's Son is a touching and beautiful story of a family struggling to come to terms with their past, their present and an uncertain future.

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    Feeling more alone and isolated than ever, Liam finds themself sharing time with Marcus, Ethan's best friend, and through Marcus, Liam finds the one person that seems to know exactly what they're going through, for the better, and the worse. This book is about grief. But it's also about why we live. Why we have to keep moving on, and why we should.

    Instead, they have to deal with the news that the bookstore is closing. Before the day is out, there’ll be shaved heads, a diva author, and a very large shipment of Air Jordans to contend with.And it will take all three of them working together if they have any chance to save Wild Nights Bookstore."