Horrified by the prospect of having another son, considering what he and his two brothers did to their father, and ambivalent about the idea of living in a small, quaint town on eastern Long Island that seems an odd detour for a man destined for California, Gray comes to feel, of course, a profound affinity for his baby boy, born with the looks of a "wet, blue beaver." But this is not merely a father's account of an infant son; it's the story of his new life with his girlfriend Kathie; his regally precocious eleven-year-old stepdaughter, Marissa ("Please don't let me die a virgin!"); and his older son, Forrest, who stymies Gray time and again with his metaphysical inquisitiveness-"Daddy, what's behind the stars?" "How do flies celebrate?"A richly comic work about parenthood, about adults who don't grow up and children who do, Morning, Noon and Night stands as Gray's most mature work to date.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    It's an argument for beauty in the face of grief, loss, and chronic pain.

    Self-image, body changes, and social changes chip away at individual’s self-confidence. Withdrawal and hiding can often seem like the easiest escape. You cannot escape from life. An excellent student, our hero is ripped from his friends and everything he knows when his father is moved across the country for his job. Intent on re-establishing the mother’s employment, the parents appear to withdraw from their high school student as he is dropped into a situation where he knows no one. Everyone experiences physical and emotional problems but our protagonist is ashamed of his body and won’t even talk to his parents who seem oblivious. Wearing baggy clothes, coats and hoods, it is easy to hide his body and isolate himself since he knows no one. Others assume he is overweight, shy or has acne problems. The strangely dressed student is a magnet for bullies and everyone else ignores him. Teachers might have gotten involved or pushed him to participate in class, but as an excellent student, grades are not an issue. Life evolves into a strategy to be left alone and survive another day. Because of this, attacks are not reported. An accident at school will expose our protagonist’s secrets to a classmate. How that classmate responds will change our protagonist’s life. There are still bullying and attacks, but with newfound confidence, our hero will deal with things differently. Can this quiet, isolated person evolve into an example and build real friendships while accepting life’s little hurdles? This series of books contain examples of high school life that help the reader to identify and deal with bullying behavior in a high school setting. The books in this series are intended to be safe reading for teens and tweens. Thank you for reading on Daring Diane Disclaimer This story is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Being part of The Ark’s fandom has given her everything – her friendships, her dreams, her place in the world.Jimmy Kaga-Ricci owes everything to The Ark too. He’s their frontman – and playing in a band is all he’s ever dreamed of doing. It’s just a shame that recently everything in his life seems to have turned into a bit of a nightmare.Because that’s the problem with dreaming – eventually, inevitably, real life arrives with a wake-up call. And when Angel and Jimmy are unexpectedly thrust together, they will discover just how strange and surprising facing up to reality can be.

    . . Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy. The city beyond contains glowing glass relics from a lost civilization. They call to her, but she wants freedom not mysteries. So, reinvented as 'Micah Grey', Gene joins the circus. As an aerialist, she discovers the joy of flight - but the circus has a dark side. She's also plagued by visions foretelling danger. A storm is howling in from the past, but will she heed its roar?

    A short critical essay which considers the significance of the title.

    Something else.'A remote cabin on the cliffs, a man and a woman, and a moonless night.The River is a bewitching new play from the writer of the international smash-hit Jerusalem. It premiered at the Royal Court Theatre, London, in October 2012, in a production directed by Ian Rickson.Jez Butterworth's first play Mojo opened at the Royal Court, winning five awards including the Evening Standard and Critics' Circle Awards for Most promising Playwright and the Olivier Award for Best Comedy. His most recent play Jerusalem also premiered at the Royal Court, before taking the West End and Broadway by storm.

    Feeling more alone and isolated than ever, Liam finds themself sharing time with Marcus, Ethan's best friend, and through Marcus, Liam finds the one person that seems to know exactly what they're going through, for the better, and the worse. This book is about grief. But it's also about why we live. Why we have to keep moving on, and why we should.

    Young Kyle struggles to make it through the school day without being noticed, but others intend to make him the center of attention.

    A love story between two Vietnam War refugees who meet in an Arkansas relocation camp, the show features a dramatization of the fall of Saigon.Play: 2 acts; 6 scenes; Epilogue

    Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

    Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she's focused on winning, until she meets someone she might want a future with more than she needs the prize money. After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.

    Two secrets.David Piper has always been an outsider. His parents think he’s gay. The school bully thinks he’s a freak. Only his two best friends know the real truth – David wants to be a girl. On the first day at his new school Leo Denton has one goal – to be invisible. Attracting the attention of the most beautiful girl in year eleven is definitely not part of that plan. When Leo stands up for David in a fight, an unlikely friendship forms. But things are about to get messy. Because at Eden Park School secrets have a funny habit of not staying secret for long…