. . where history has a tendency to repeat itself.Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    Every November, every teen is overwhelmed with a hunger for violence…at least, that’s the urban legend.After Wyatt Green’s mother was brutally murdered last Fall, she’s convinced that the November sickness plaguing Wolf Ridge isn’t just a town rumor that everyone ignores…it’s a palpable force infecting her neighbors. Wyatt is going to prove it, and find her mother’s murderer in the process. She digs up every past brutal act she can find from Wolf Ridge’s past – from car wrecks, suicides, and unnamed victims turning up in rivers—and even reaches out to an out-of-state journalist that seems to believe her. But all of her digging leads to nowhere. Everyone in Wolf Ridge accepts that the November sickness is real, and absolutely no one will talk about it. As Wyatt’s best friend Cash turns on her, and her friend is almost killed in a tragic accident, Wyatt panics – how can she keep her friends safe, and find her mother’s murderer, when no one believes her? As the evidence stars to disappear, Wyatt wonders: is she just imagining everything? Is the sickness real, or are the people of Wolf Ridge just naturally prone to doing bad things?Can Wyatt and her friends come out of the Violent Season unscathed, or is one of them going to be the next victim?

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share--for a price.Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.

    Now he’s in his mid-thirties and spends most of his time not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by the messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. And for some reason, Martin never takes off his sunglasses. Unsurprisingly, no one believes their horrific tales until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these likely-insane outcasts join a support group? Together they must discover which monsters they face are within and which are lurking in plain sight.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    Then they found the first body, strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California.At first they thought it was the work of a maniac. Or terrorists. Or toxic contamination. Or a bizarre new disease.But then they found the truth. And they saw it in the flesh. And it was worse than anything any of them had ever imagined...

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    But he doesn’t keep them safe.Elspeth, Meggy and Xavier are locked in a flat. They don’t know where they are, and they don’t know why they’re there. They only know that the shadow man has taken them, and he won’t let them go. Desperate to escape, the three of them must find a way out of their living hell, even if it means uncovering a very dark truth. Because the shadow man isn’t a nightmare. He’s all too real. And he’s watching. Helen Fields is back with a heart-pounding new book, perfect for fans of Cara Hunter and Stuart MacBride.