The story begins on a rainy morning as Father Declan de Loughry stands fishing in an Irish salmon stream, pondering the recent deathbed confession of one of his parishioners. Kevin Dennehy and his wife, Enda, have been sweetly living a lie for some 50 years, a lie the full extent of which Father Declan learns only when Enda finally confides "the all of it." Her tale of suffering mesmerizes the priest, who recognizes that it is also a tale of sin and scandal, a transgression he cannot ignore. The resolution of his dilemma is a triumph of strength and empathy that, as Benedict Kiely has said, makes The All of It "a book to remember."

    With Leland Edwards on piano, Neil Novotny on clarinet, Victor Dash on drums, and Connor on bass, the group comes together with the help of its muse, the lovely Peggy Benoit, who plays saxophone and sings. But soon isolated Rookery State will be touched by the great discontent sweeping the country: the first labor union in the college's history comes noisily to campus. As a teachers strike takes shape, the five musicians must struggle with their loyalties--to the school, the town, their families, and one another. . . .

    Not even Jackson Pollock’s!Your archenemy taunts you with clandestine bacon frying. Your boss feverishly cyberstalks an aging romance novel cover model. Your husband unexpectedly takes in a wayward foreign national. Your best friend reveals a secret relationship with your longstanding workplace crush.Welcome to the life of Nina Lanning, lone and floundering administrator of a prestigious Midwestern art school. Her colleagues are pioneers of contemporary art movements, inspirational orators, creative virtuosos and the source of constant headaches as they rage against the authority Nina represents. They also happen to be her closest friends.When once-a-century flooding threatens to destroy the art building, and the priceless Jackson Pollock trapped inside, Nina and her ragtag band of faculty members undertake to rescue the early work of the splatter master. Propelled by disasters both natural and personal, Nina must confront her colleagues, her husband, and most importantly, herself. Cate Dicharry’s debut novel is a painfully hysterical examination of what is truly worth saving, and mastering the art of letting go.

    For centuries the Scottish and English borders were known as the Debatable lands: wild, lawless, and the province of reivers, tight-knit robber families that roamed and pillaged the remote passes without fear...Fifteen-year-old Mintie Henderson has just seen her father murdered. With the Scottish King newly dead and an army of hired reivers on the march, justice is in short supply. Then she comes across Batty Coalhouse: one-armed and hard as nails. Together they will set out on a journey of revenge.But they are soon caught up in something bigger, a tale of Mary Queen of Scots and King Henry VIII. Stuck in the heart of a tempest, they know only one way to get out alive…Fight.

    These modern-day cowpokes--two chivalrous knights of the rope and range with a hankering for bucking broncos and for the female of the two-legged species--find much more than they bargained for in Oklahoma City. Against the colorful, flamboyant backdrop of the hard-ridin', hard-playin' rodeo circuit, they encounter a city woman named Lilac, with whom Cody falls in love; a bull named Kamikaze; and two corrupt Texas billionaires who bet against Lick. In the vein of a latter-day Will Rogers, Baxter Black combines a colorful yarn with occasional bits of his unique cowboy philosophy and poetry."It could make a dead man sit up and laugh"--The Washington Post Book World

    The hoard is endless, stacked into every room in the house, teetering in piles along the landing and forming a scree up the stairs. It is all part of Clifford’s waste-not way of thinking in which everything, no matter how broken or obscure, can be re-cycled or re-purposed into something useful or, if kept long enough, will one day be valuable. He had believed in his vision as ardently as any mystic in his holy revelation but now, without the clear projection of his vision to light it up for her as what it would be, it appears to Maisie more grimly than ever as what it is: junk. As Maisie disassembles his stash she is forced to confront the issues which drove her husband to squirrel away other people’s rubbish; after all, she knows virtually nothing about his life before they met. Finally, in the last bastion of his accumulation, she discovers the key to his hoarding and understands – much too late – the man she married. Then, with empty rooms in a house which is too big for her, she must ask herself: what next?

    Her husband, Brian, a rigorous man whose dreams of glory have been blighted by two star-crossed missions. Walt Womack, the steady, unflappable leader of the training team that prepares Lucy for her first shuttle flight.Lucy has devoted years of intense and focused effort to win her place on a mission, but as her lifelong dream of flying in space comes true, her familiar world appears to be falling apart around her. Her marriage is deteriorating. Her son’s asthma is growing more serious. Her relationship with Walt Womack is becoming dangerously intimate. And when at last she is in space, 240 miles above the earth, and an accident renders the world she left behind appallingly distant—perhaps unreachable—her spirit is tested in gripping and unexpected ways.In The Gates of the Alamo, Stephen Harrigan’s narrative authority brought a vanished nineteenth-century Texas to vibrant life. In Challenger Park, he does the same with the world of space flight, bringing us up close to the lives—the risks, the friendships, the rituals, the training—of the astronauts and the people who work with them. Harrigan has written an exciting—indeed a thrilling—novel about the contrary pulls of home and adventure, reality and dreams, and the unimaginable experience, the joys and terrors and revelations, of space flight itself.

    Lizzy is the steadfast grandmother; crazy, red-haired Josie, the mother; and Kit, the 14-year-old daughter who tells their story. Like a maritime cutter, the narrative sails along smoothly, and much of the dialogue is in the distinctive argot of that windy Atlantic island: "When it's clear like ice and ribbed on the bottom--that's the killin' frost. Your berries are dead. Good for moose and caribou pickin's. Now, there's them that picks 'em anyway, and that's why their jam is as tart as a whore's arse." With its partridgeberry patches, moose stew, and endless cups of tea, this is quintessential Newfoundland. After Lizzy dies, the nasty local pastor wants to put Kit in an orphanage and Josie in an appropriate institution. The compassionate Doctor Hodgins becomes their staunch defender against both do-gooders and those plotting Kit's downfall. This first novel is a female coming-of-age story of the rural variety, replete with endemic poverty, good-hearted and downright evil village people, and the constant irritant of Newfoundland's raw, nasty weather. It is also the touching story of Kit's first love, and it reads like a breeze. --Mark Frutkin

    The Wopuld family built its fortune on a board game called Empire!, now a hugely successful computer game. So successful, the American Spraint Corp wants to buy the firm out. Young renegade Alban, who has been evading the family clutches for years, is run to ground and persuaded to attend the forthcoming family gathering—part birthday party, part Extraordinary General Meeting—convened by Win, Wopuld matriarch and most powerful member of the board, at Garbadale, the family's highland castle. Being drawn back into the bosom of the clan brings an inevitable and disconcerting confrontation with Alban's past. What drove his mother to take her own life? And is he yet ready to see Sophie, his beautiful, enchanting cousin and teenage love, at the EGM? Grandmother Win's revelations will radically alter Alban's perspective for ever.

    Ella’s growing consciousness begins to shake the foundations of her life, and she comes to the realization that she is irrevocably changed—and that to be true to herself, she must make painful choices.First published in 1972, Ella Price's Journal is a deeply authentic literary rendering of a woman’s struggle to give voice to what Betty Friedan in The Feminine Mystique called “the problem that has no name,” and a novel that affirms the possibility of growth toward a richly intense and authentic life at any age.

    

    For Kirsty MacLeod, the love of Murdo promises a new life away from the scrape of the land and the repression of the church. But the Great War looms.

    The professor swears it's a Vermeer -- but why exactly has he kept it hidden so long? The reasons unfold in a gripping sequence of stories that trace ownership of the work back to Amsterdam during World War II and still further to the moment of the painting's inception.

    Tom Reasons thought that a money bet was enough for him. Then he put his career, his love, even his life on the line. Tom is just a year out of school, a paralegal in a Wall Street firm, and he's already asking himself, "Is this all there is?" He's not finding any thrills on the job, and off it he sees his friends sliding into marriages and careers. He also finds himself spending way too much time thinking about his ex-girlfriend, Lisa. Tom's pleasures are few and simple - chasing good times in bars with his old gang from school, leading his dart team. But his real escape is gambling. Every Friday night he bets his paycheck on a single game. If he wins, he lives the high life - checking out bands, standing his friends drinks, going after girls. If he loses, it's ramen noodles and TV until his next check. Win or lose, though, it's all worth it to Tom, because the thrill of risking it all is what reminds him he's alive. Tom's life works surprisingly well - until he crosses Joe Duggan. Duggan is the tough Irish captain of the meanest dart team in the league, an outfit from Hell's Kitchen known as the Hellions. After Tom's team has the nerve to beat the Hellions for the league championship, Duggan wants a rematch - this time for a little money. When a little money becomes a lot, Tom's scramble through the underworld of New York to raise the money brings him, his friends, and Lisa into dangerous territory. When it all comes down to one throw of a dart, with everything on the line, Tom discovers what he's really wanted, really needed, all along.

    This haunting story explores the seedy past of Victorian asylums, the oppression of family secrets, and the way truth can change everything.In the middle of tending to the everyday business at her vintage clothing shop and sidestepping her married boyfriend’s attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital - where she has been locked away for over sixty years. Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face. Esme has been labeled harmless - sane enough to coexist with the rest of the world. But Esme’s still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit? Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.