In this superb trilogy, Fiona McIntosh weaves a gripping story of action and intrigue.

     Mayan legends tell of a location where the secret to surviving the end of the world may be found. One part of that legend is recorded on a stone tablet in the dusty attic of Lord ‘Ratty’ Ballashiels’ crumbling manor. The other twin part disappeared from a Berlin museum when the Nazis took power. When Ratty seems about to sell his tablet to the adopted son of Josef Mengele, his friend, the archaeologist Ruby Towers, is appalled. Soon it is clear that more than archaeology is at stake. The quest to rescue historic Central American artefacts becomes a race to prevent an apocalyptic threat when Ruby discovers that the ancients have set in motion something that will threaten the world today.

    William Barker is such a man. He has a good job, a nice house, a son named James, and a marriage he is trying desperately to hold together. A tragic accident takes this life away and William finds himself alone in his house with terrible mental and physical scars that are a constant reminder of what happened. With no one willing to employ a man with such visible and disturbing scars, William is lost and has no answers for how to live his life. That is when he meets the man who will change that life forever, Roland Skelton, the owner of Skelton’s Spectacular Traveling Carnival. Where others saw a man to be shunned, Roland sees a man he may be able to help. Roland convinces William to join the Carnival as the headliner of the ten-in-one. With the name ‘Frankenstein’s Monster,’ William is a hit with the paying audience and finds that being onstage is a release from his pain and guilt. In time, William realizes that those he works with understand him better than he could have hoped. While working at the carnival, William finds a new happiness, an enemy, purpose, and even love. The Man Who Became Frankenstein’s Monster is a moving novel about a man who rises above adversity set against the backdrop of the golden age of the carnival.

    A Discovery of Witches, Shadow of Night, and The Book of Life, now available in an eBook bundleWith more than a million copies sold in the United States, A Discovery of Witches and Shadow of Night have landed on all of the major bestseller lists, garnered rave reviews, and spellbound legions of loyal fans.The Book of Life brings the number one New York Times bestselling series to a deeply satisfying close, and we are now pleased to offer all three books in a lavishlydesigned boxed set, perfect for fans and newcomers alike.

    Stefan, the future duke of Montmouth, no doubt thought his words were welcomed but he couldn't have been more wrong. Oh, he was handsome as a pagan Norse god, but that was unimportant when her life as well as those of her family hung in the balance. With less than six weeks left, Rosalind has stopped believing in the fairy tale, the prince on the white horse, and the stolen kiss that would awaken her from her worst nightmares. Resigned to her fate, she waits for the inevitable curse to run it’s course. "We must marry at once!" Stefan declared, fully expecting Rosalind to be delighted that he had come to save her, but he was sorely mistaken. Rosalind was no simpering docile female; she was a fiery temptress with a stubborn streak only matched by his horse, Samson. Insulting, infuriating, intoxicating and alluring enough to drive a man mad. Stefan found himself thankful for the curse that required him marry her, thankful for the betrothal contract he had so recently tried to release her from...With the fortitude of a sailor shipwrecked, abandoned, and a solider warring for his life Stefan decides to lay siege to the greatest prize, Rosalind's heart.

    She learnt the ropes from her dad when he returned from the War. But when tragedy struck, Meg had no choice but to continue alone, with only her trusty dog Spot and beloved horse Stella for company. Now the meagre money she earns is the only thing that stands between her family's safety and predatory rent collector Hawk Jackson...Many say it's no job for a woman - especially a beauty like Meg who's noticed everywhere she goes. When she catches the eye of charming Clarky it looks like she might have found a protector and a chance of happiness. But is Clarky really what he seems? And could Adam, Meg's loyal childhood friend, be the one who really deserves her heart? 'I found it difficult to believe that this was a debut novel, as "brilliant" was the word in my mind when I reached the end. I enjoyed it enormously, being totally absorbed from the first page. I found it extremely well written, and having always loved sagas, one of the best I've read' Margaret Kaine Look out for Glenda's next compelling saga, The Tuppenny Child.

    It's a story of love and hate and Viking action, infused with Norse mythology. Does Sigurd’s love for Yljali lead to his dark deeds, or do other powers force him to act?The stage is set in the Scandinavian Viking Age in 967 AD. Young Sigurd is in love with Ylajali, a mysterious foreign thrall girl. Helgi Blackbeard, the king's captain of arm, discovers her beauty and wants to marry her. Blackbeard is a powerful man, a friend of the king, but he is not the only one to lust for the girl. Harald Chieftain, Sigurd's father, has sworn an oath never to touch Yljali.Sigurd has friends. Grim teaches him the use of runes, and Gisli owns the best sword at Vik. When Sigurd decides to act, he sparks a chain of event he is unable to control. In the book you’ll meet Odd the Squinter, Big Bork and his brother Bork Berserk, Skarphedin the Second-Sighted, Hakon, Hild, Sigrunn Silkyhair, and the Witch from Spedale. They are all unique characters who play pivotal roles in the plot. Will Sigurd get Yljali?The Slayer Rune is the first book in The Viking Series.

    Young John Hawkwood is forced to leave his home and seek a life in London. There he learns how to survive and, more importantly, how to fight. Leaving his life as an apprentice tailor he follows the army and King Edward to fight the Scots. He has a skill; he can not only use a bow, but he can use a sword and his mind. It is the start of a life of war for the young man.He fights first in the Low Countries at the battle of Cadzand before heading to Gascony to fight under the charismatic leader and cousin of the King, Lord Henry Plantagenet. As he fights so his skills improve and the novel follows his progress until he fights in the two great battles of 1346, Crécy and Neville’s Cross.This is just the start for John Hawkwood who will become, in the fullness of time, one of the greatest condottiere the world has ever seen, a man who, at the Battle of Castagnaro in 1387, shows the world that he was a great leader, too.

    It is the price of concealing their strange and dangerous family secret.But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband -- who is not quite the man she thought she married.Together, Barrie Anne and Charlotte must decide how far they are willing to go to protect themselves -- and the child they think of as their own -- from suspicious neighbors, the government, and even their own family...

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    He must, however, work a deal with her. She needs money to save her ranch and he needs access to the spring on her property. Seems simple, right? But nothing’s ever easy with Pearl. The woman is steely and stubborn, but she’s lovely too, with a carefully concealed, vulnerable side. As much as he tries not to notice, thoughts of Pearl distract him plenty. She stirs all sorts of protective notions. He yearns to shield her from the dangerous outlaws that lurk in the nearby canyons. When whispered rumors turn into deadly threats, Levi vows to do whatever it takes to keep Pearl safe.

    For sisters Sophie and Maria, though, the upheaval is just beginning. For they have no choice but to leave their beloved home on the Isle of Man. It is a huge wrench for eighteen-year-old Maria, who can't forget Hans Bonhoeffer, a young Austrian, interned on the island during the war. For widowed Sophie, Liverpool offers a new beginning with her daughter Bella. She has no room for distractions - until she falls in love with Frank Ryan, a man married to a woman who, although she doesn't love him, has no intention of letting him go. Without the men they love, will the sisters ever find happiness?

    James was accused of witchcraft...Only one man tried to free her from the hangman's noose--Duncan, the town minister, who died trying to save her. Three hundred years later, the accused witch still lives and longs for her love...At last, after centuries of loneliness, Raven has found her precious Duncan. But as he awakens to the passion of his past life, so too does the evil that tore them apart. Now Raven and Duncan must prove their love for all eternity...

    For her, nothing will be the same again. Decades later, in Edinburgh, Connie sews coded moments of her life into a notebook, as her mother did before her. More than 100 years after his grandmother’s sewing machine was made, Fred discovers a treasure trove of documents.  His family history is laid out before him in a patchwork of unfamiliar handwriting and colourful seams.  He starts to unpick the secrets of four generations, one stitch at a time.

    Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield—her brother, fighting with the enemy—the brother she watched die five years ago.Faced with her brother's betrayal, she must survive the winter in the mountains with the Riki, in a village where every neighbor is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family.She is given no choice but to trust Fiske, her brother’s friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she’s spent her life hating.Part Wonder Woman, part Vikings—and all heart.