The play explores her fight to retain her independence and the subsequent effect of her decline on her family, especially her grandson. Inspired by Lonergan's own grandmother, it's an ode to an extraordinary woman, and to the humor and strength of a family in crisis. Kenneth Lonergan once again shows himself to have one of the keenest ears of any working playwright. Also the screenwirter of the deeply funny Analyze This, he's known for his incisive humor and brilliant knack for capturing the heart and soul of human interaction.

    She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.

    The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

    Symons reveals Poe as his contemporaries saw him a man struggling to make a living out of hack journalism and striving to find a backer for his new magazine, and a man whose life was beset by so many tragedies that he was often driven to excessive drinking and a string of unhealthy relationships. Fittingly written by another master in the art of crime writing, this volume brilliantly portrays the original creator of the detective story and reveals him as the genius and unashamed plagiarist that he was."

    Twenty astounding stories by Karen Joy Fowler, Glen Hirshberg, Samantha Hunt, Shelley Jackson, Rosalind Palermo Stevenson, Greer Gilman, and more.

    P. Lovecraft's Cthulhu Mythos by one of horror's biggest legends. This volume contains the very best of Brian Lumley's Mythos novellas.   Table of ContentsIntroductionThe Horror at OakdeeneBorn of the WindsThe Fairground HorrorThe TaintRising with SurtseyLord of the WormsThe House of the Temple

    Alternating between their New York City apartment and a smoke-filled music club, Clifford narrates the story of his broken family and the decline of jazz as popular entertainment. Clifford recalls the key moments in his life, such as the day when he, fresh out of college, picked up his first unemployment check and was congratulated by Gene and his band mates. Gene's music career on the big band circuit ultimately crumbles with the advent of Elvis and rock-n-roll. Terry begs him to get a nine-to-five job to support the family, but Gene refuses to enter the "straight world" of regular paychecks, mortgages and security. For Gene, who knows jazz better than his own son, music is not just a job; it's his life. Their marriage slowly dissolves and young Clifford is witness to it all. As things worsen, Clifford assumes the role of parent and throws the hopeless Gene out of his mother's apartment. When an adult Clifford visits Gene in a rundown jazz club after years of separation, he requests that the old man play his mother's favorite song, the old standard "Why was I Born?" Clifford then asks, "Dad, why was I born?" It becomes Clifford's last, heart-breaking plea for his father's love.

    Includes three previously unpublished stories, and two stories which have been filmed for "The Hunger" TV series: 'The Secret Shih-Tan' and 'Anais.'

    But below the surface, there are scars.Then his world changes. For reasons he doesn't understand, Sam is thrust back in time to 1968, the summer he turned thirteen. He meets his parents and his own childhood self.That summer changed Sam's world. Monsters walked the streets of his hometown, and now Sam will come face to face with those monsters again, this time as an adult.Nothing will ever be the same.

     Filled with Lindy's trademark wit, humour and the usual zany cast of characters, Thin Girls Don’t Eat Cake is MORE than a girl meets boy story. It’s a tale of love, loss and growth mixed with a dash of laughter and a bowl full of frosting. Enjoy Sophie Kinsella, Trisha Ashley and Jill Mansell? Looking for a fun, beach read? A holiday read? THIN GIRLS DON’T EAT CAKE is all that and more… You'll want to grab a cupcake, make a coffee ant get ready to curl up with this wonderfully humorous romantic read. Everyone wants love and no-one more than Olivia Merrifield. After being dumped because her bottom looks like an unpeeled orange, discovering she’s heavy enough to appear on The Biggest Loser and mistaken for a pregnant woman, Olivia Merrifield is understandably depressed. So depressed, that the only way she can console herself is with a bag of peppermint slices. Since finishing her degree, the road has become rocky for Olivia. Her longing for a baby has led to an unhealthy relationship with cake. Her inability to choose a boyfriend who’s not married, weird or a player has given her self-esteem a swift kick to the kerb. Moving back to her hometown of Merrifield hasn’t helped either. Her friends are playing happy families and her mother is on her case — when she’s not joining a Kama Sutra yoga class or taking a younger lover, that is. Deciding it’s time to make over her life, Olivia embarks on a diet regime. She meets the gorgeous Cole Anderson, a former property renovator who’s recently moved to town and is causing quite a stir every time he bends over. But between grieving the death of his daughter, setting up a business and avoiding the bevy of reporters who want to document his every move, Cole hasn’t had a lot of time to get life back on an even keel. He’s merely existing until Olivia comes along. Cole likes Olivia and Olivia definitely likes Cole. He’s hot, sensible and a natural with babies. If only he didn’t own that cupcake shop across the road….

    She never made it. Her brutal murder with a golf club in her own backyard made national headlines. But for years no one was arrested, despite troubling clues pointing to the Skakels, a rich and powerful family related to the Kennedys. After the police department's first unsuccessful attempts to catch the killer, the case lay dormant, and the culprit remained free.Enter Leonard Levitt. In 1982, the Stamford Advocate and Greenwich Time newspapers asked investigative reporter Levitt to look into the murder and the undying rumors of a cover-up. Levitt soon uncovered groundbreaking information about how the police had bungled the investigation, and he learned that Tommy and Michael had lied about their activities on the night of the murder. But Levitt's articles about his findings -- and the haunting questions they raised -- almost never saw the light of day. For years, Levitt's superiors mysteriously refused to publish the stories. Convinced that the Moxley family deserved the peace and closure they had so long been denied, Levitt fought desperately to keep his discoveries alive. Finally, after Levitt's first article appeared, the case was reopened.Enter Frank Garr. As the newly appointed investigator on the Moxley case, the seasoned Greenwich detective doggedly pursued unexplored leads and became increasingly convinced that for over a decade, his colleagues had been pursuing the wrong suspects. At first mistrustful of one another, as reporters and detectives often are, Levitt and Garr became friends, encouraging each other in their quest for the truth as the obstacles against them piled up.In 2002, more than twenty-five years after Moxley's death, a shocked world watched as Michael Skakel was convicted of the murder, thanks largely to the evidence Garr alone had marshaled against him.Now, for the first time, Leonard Levitt tells the amazing true story of Garr's fight to solve the case and of how their friendship with each other, and with Martha Moxley's mother, Dorthy, sustained them over the years. A riveting, suspenseful drama that unfolds like a mystery novel, this incredible memoir also reveals how a police officer and a reporter refused to give up, and how they helped justice to prevail, against all odds.

    All of the characters have a common desire to imagine and invent rather horrifying stories about the lives of people around them. As the novel develops, certain phrasings and images recur improbably, drawing the reader into a subtle linguistic game that calls into question the nature of authorship, the ways we inhabit and invade each other's lives, and the shape of fiction itself.

    A piece of the moon is buried. A ferryman falls into the Styx. Wee Willie Winkie brings a waking nightmare. A new father dresses a fallen warrior princess. A sniper picks off clowns one by one. Margo Lanagan’s stories will stay with you, haunting you with their quiet beauty and fine balance.

    After all, fashionable friends are arriving at her country estate near London, teas are being served, and her coming out party promises to be a resplendent affair. Everything is falling nicely into place, until, suddenly—it isn't. For Petronella discovers that her guardian, Uncle Augustus T. Percival, has developed a most un-Victorian compulsion: He must eat bugs. Worse still, because he is her guardian, Uncle Augustus is to attend her soiree and his current state will most definitely be an embarrassment.During the festivities, when Petronella would much rather be sharing pleasantries with handsome Lord James Sinclair (swoon), important guests are disappearing, kidnapping notes are appearing, many of the clues are insects, and Uncle Augustus is surreptitiously devouring evidence. It's more than one sixteen-year-old girl should have to deal with. But, truth be told, there is far more yet to come . . .

    in World War II England.“When I was nine, I fell in love with a girl of twenty called Barbara, who killed herself.”Theo, a university lecturer, has his early life brought uncomfortably back when, in 1964 he is approached by an American girl called Alice. She wants to be told about her father, a GI hanged for murder in Somerset during World War II. As a boy, Theo had been a principal witness for the prosecution.Alice persuades him to revisit the farm where Theo was evacuated. She is too young to have known her father, but is staunchly determined to discover the true facts. The horrors of the past take on a frightening immediacy when another murder is committed.