Although she is reluctant to track down a woman who may not want to be found, Gray's search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman's secrets and the truth she's hidden from her friends and family.Featuring two complicated women in a dangerous cat and mouse game, And Now She's Gone explores the nature of secrets -- and how violence and fear can lead you to abandon everything in order to survive.

    Allie's desperate to make a good first impression. Then she's framed for murder.It all starts at a neighborhood party when a local dad corners Allie and calls her by an old, forgotten nickname from her dark past. The next day, he is found dead.Soon, the police are knocking at her door, grilling her about a supposed Tinder relationship with the man, and pulling up texts between them. She learns quickly that she's been hacked and someone is impersonating her online. Her reputation--socially and professionally--is at stake; even her husband starts to doubt her. As the killer closes in, Allie must reach back into a past she vowed to forget in order to learn the shocking truth of who is destroying her life.

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    When Dawn brings her new boyfriend home from college for a visit, her parents and sister try to hide their doubts because they're glad that Dawn - always an awkward child - appears to have grown into a confident, mature young woman in her relationship with Rud. But when Hanna and her husband, Joe, are beaten savagely in their bed, Rud becomes the chief suspect and stands trial for Joe's murder. Claiming her boyfriend's innocence, Dawn estranges herself from her mother, who survived the attack with serious injuries and impaired memory. When Rud wins an appeal and Dawn returns to the family home saying she wants to support her mother, Hanna decides to try to remember details of that traumatic night so she can testify to keep her husband's murderer in jail, never guessing that the process might cause her to question everything she thought she knew about her daughter.

    Why do psychopaths act as they do? How do they come to be? Why don’t they feel any remorse for the suffering they cause? And are there better ways of spotting and stopping them?After having been kidnapped, tortured and left for dead when she was just a teenager—by her high school boyfriend—she’s determined to understand how someone she trusted so much could turn on her. So she’s established a revolutionary new medical health center in the remote town of Hilltop, Alaska, where she studies the worst of the worst.But not everyone in Hilltop is excited to have Hanover House and its many serial killers in the area. Alaskan State Trooper, Sergeant Amarok, is one of them. And yet he can’t help feeling bad about what Evelyn has been through. He’s even attracted to her. Which is partly why he worries.He knows what could happen if only one little thing goes wrong...

    But she knows why they are there. Be careful who you let in...A house swap becomes the eerie backdrop to a crumbling marriage, a long-buried affair, and the fatal consequences that unfold.When Caroline and Francis receive an offer to house swap--from their city apartment to a house in a leafy, upscale London suburb--they jump at the chance for a week away from home, their son, and the tensions that have pushed their marriage to the brink.As the couple settles in, the old problems that permeate their marriage--his unhealthy behaviors, her indiscretions--start bubbling to the surface. But while they attempt to mend their relationship, their neighbor, an intense young woman, is showing a little too much interest in their activities.Meanwhile, Caroline slowly begins to uncover some signs of life in the stark house--signs of her life. The flowers in the bathroom or the music might seem innocent to anyone else--but to her they are clues. It seems the person they have swapped with is someone who knows her, someone who knows the secrets she's desperate to forget. . . .Be careful who you let in. . .

    To her own surprise, seventeen-year-old Miranda finds the others looking to her as their leader. But she’s hiding a big secret—and she’s not the only one. The group has only three choices—run, hide, or fight back. The wrong decision will have fatal consequences.

    What could be interesting about an unhappy housewife who drowns her sorrows in ice cream and wine and barely leaves her house?Only one knows why.When a new family moves in across the street--the exuberant Vicki, who just might become the gossipy best friend Phoebe's always wanted, and her handsome college-bound son, Jake, who offers companionship of a different variety--Phoebe finds her dull routine infused with the excitement she's been missing. But with her head turned she's no longer focused on the woman in the car. And she really should be...An addictive domestic thriller for fans of The Last Mrs. Parrish and The Couple Next Door, The Other Mrs. Miller serves up a delicious brew of dark secrets and stunning plot twists that will keep you captivated until the very last page.

    Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.

    And they're both thrilled when Maggie gets an unexpected chance to be a mother to Anna, the daughter she once thought she'd lost forever.But when seventeen-year-old Anna arrives, everything changes - and the darkest turn of events will shatter their lives in ways no one could have imagined.

    As Serena and 4-year-old Lana walked up the long driveway, little did they know the dark secrets that lay within.When Serena Green accepted the role of housekeeper for wealthy widower Hayden Ramsay, she never imagined her new home would be Ramsay Hall, an ancient, sprawling mansion in Northern England.Serena quickly becomes an integral part of the household, making friends with Hayden’s younger son Hugh, despite Jack, his older brother’s, coldness towards her and Lana.But the hall’s beautiful exterior hides many ugly secrets. Though Serena and Jack begin to grow closer, she’s confused by his behaviour around Lana. What is he guilty of? And is there more to their mother’s death than the Ramsay men will admit, even to themselves?As the harrowing past of Ramsay Hall unravels, Serena fresh start becomes a fresh horror. She fears for her and Lana’s safety, but what are the bleak secrets in Serena’s own past?This house is built on a lifetime of lies… and the truth might just bring the walls crashing down.A twisty, gripping and utterly unputdownable new thriller that fans of Lisa Jewell, C.L. Taylor and Mark Edwards will love.

    Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there. And they don't come much richer than Fred and Sheila Merton. But even all their money can't protect them when a killer comes to call. The Mertons are brutally murdered the night after an Easter Dinner with their three adult kids. Who, of course, are devastated.Or are they? They each stand to inherit millions. They were never a happy family, thanks to their capricious father and neglectful mother, but perhaps one of them is more disturbed than anyone knew. Did one of them snap after that dreadful evening? Or was it someone else that night who crept in with the worst of intentions? It must be. After all, if one of your siblings was a psychopath, you'd know.Wouldn't you?

    The latest is an unidentified female in her early teens, discovered in a local cemetery. More shocking than the girl’s injuries—for Maggie at least—is the fact that no one has reported her missing. She and the detectives assigned to the case (including her cop ex-husband) are determined to follow every lead, run down every scrap of evidence. But the monster they seek is watching each move, closer to them than they could ever imagine. Jack Renner is a killer. He doesn’t murder because he savors it, or because he believes himself omnipotent, or for any reason other than to make the world a safer place. When he follows the trail of this Jane Doe to a locked room in a small apartment where eighteen teenaged girls are anything but safe, he knows something must be done. But his pursuit of their captor takes an unexpected turn.Maggie Gardiner finds another body waiting for her in the autopsy room—and a host of questions that will challenge everything she believes about justice, morality, and the true nature of evil …

    When she responds to a domestic violence call, she finds the victim, Tempe Brown, trying to protect her abuser, a married man named Darren Goodall, a decorated Scotland Yard detective afraid of no one. As Philomena pursues the case against him, she not only encounters resistance from her police force colleagues but also becomes dangerously entangled with the victim—who is not at all whom she appears to be—much to the increasing endangerment of herself and Henry, her fiancée. Complicating matters is Philomena’s estranged father Edward McCarthy, a powerful man who has built a criminal empire along with his brothers. Philomena has long tried to pursue her career as a police officer without her father’s involvement, but as she falls under suspicion of stalking and harassing Goodall, her father becomes involved. As the situation escalates, Tempe’s sinister maneuvers further entangle Philomena in a web of secrets, corruption, and murder, putting Philomena’s impending marriage, career, and very survival in jeopardy…​ Spellbinding, suspenseful, and filled with complex characters that could be heroes or villains, Robotham has crafted a smart and propulsive thriller that’s impossible to put down.