Things take an unexpected turn when Bheeshma disrupts the swayamvar and kidnaps the three princesses for his brother, Vichi-travirya, the ruler of Hastinapur. Amba vows to avenge the insult meted out to her. She appeals to several kings and princes to help her destroy Bheeshma but they all refuse as he is too powerful an adversary to challenge. Disappointed and filled with rage, Amba decides to take revenge herself and prays to Shiva to guide her. Amar Chitra Katha tells the compelling story of one who played a crucial role in the final outcome of the epic battle of Kurukshetra.

    In the Mahabharata battle, Jayadratha had shamelessly hidden himself away, for Arjuna had taken a terrible vow to put an end to his own life if he failed to kill the villain before sunset that day. With the wise Krishna by his side, would the mighty Arjuna fail to find his mark?

    

    The princess Lakshmana is determined to marry Krishna. Her father must ensure that during the swayamwara only Krishna will win his daughter. Sage Narada provokes Satyabhama into agreeing to give him Krishna, unless she can find something heavier than him. But all her possessions together prove to be lighter than Krishna.

    In this her fourth book she reveals in depth the techniques she uses to produce her stunning works of art. Every aspect of botanical painting is covered, including the materials and tools you need, preserving your specimens, drawing, painting, color mixing and composition. Richly illustrated throughout with step-by-step demonstrations and examples of Billy’s work, this book is a visual feast as well as an invaluable source of expert guidance and inspiration. With a diverse range of subjects that include flowers, foliage, fruit and vegetables, Billy provides an insight into her painting techniques that artists of all abilities will find both informative and inspirational.

    Yet the questions remain; how does one practise Hinduism today under the neon glare of modernity? And is there any contradiction in the practice of Hinduism and our roles in modern life?Like the lotus that grows in water whose leaves and petals remain dry, the yogi derives nourishment from the material world but remains undefiled and untouched by its seductions. In this way, one who wishes to lead a spiritual life can simultaneously perform the role of a responsible member of modern society; neither necessarily compromises the other. With care, practice and knowledge one can reap the benefits of both worlds - to be spiritual you do not have to run away from the world. This book examines the philosophy, spiritual teachings, metaphysics and cultural practices of Hinduism- known collectively as the Sanatana Dharma - and attempts to give one a grasp of its true essence.ForewordHinduism is a many-splendoured and multi-faceted edifice, containing and reflecting an endless array of possibilities for spiritual growth and integration. Based essentially upon the sublime teachings of the Upanishads, the secret of Hinduism’s continued vitality down through the long and tortuous corridors of time, despite repeated invasions and repression, lies in its capacity for creative reinterpretation. Indeed, the whole history of Hinduism can be viewed as a series of challenges and creative responses, a process which continues down to the present day. In the emerging global society it is my conviction that the universal principles of Hinduism are becoming increasingly relevant as we hurtle headlong into the third millennium A.D. astride the irreversible arrow of time.Theoretical formulations apart, Hinduism involves treading a spiritual path, and there are many. It is these individual pathways involving a creative interaction between the Guru and the disciple that provide the circulatory life-blood of Hinduism, making it a powerful vehicle for inner growth and spiritual realisation. In this context, the experience of individuals who have trodden the path is of great value. The present book Jewel in the Lotus revolves around the life experience and teachings of Mumtaz Ali, better known as ‘M’. Some may find it surprising that a person born a Muslim should have such a deep insight into and experience with the Hindu tradition, but the real spiritual path knows no boundary of race or religion, sex or creed, language or nationality. And the mystics of all the world’s great religions – the Rishis, the Siddhas, the Tirthankaras, the Bodhisattvas, the Sufis, the Gurus and the saints have all illuminated one or other facets of the immeasurable resplendence of the Divine.I have had occasion to know ‘M’ over the last few years, and we have spoken together on several occasions including a three-day workshop on the Kena Upanishad over which I presided. He combines an excellent grasp of theUpanishadic teachings with deep insight into the heart of the spiritual tradition, based on his own remarkable experiences. This book in which he has dealt with some of the deeper aspects of Hinduism will, I am sure, be of great interest to students of contemporary religion, as well as seekers of truth around the world.— Dr. Karan Singh

    Then Lord Brahma gave him eyes and beauty and he became a proud tyrant who refused to see the truth. But Andhaka was the son of Shiva, after all and even Indra, Vishnu and Brahma wished him no harm. Eventually, it was Shiva's firm hand that led him back to happiness.

    What is not so well known, however, is that the gentle, lovelorn Shakuntala immortalized by Kalidasa is very different from the original Shakuntala of the Mahabharata—a strong, fiery woman who stood up for her rights when she was spurned by her beloved.In this thoughtful retelling of the story of Shakuntala, Utkarsh Patel brings to the fore the original heroine, the bold and beautiful daughter of Menaka and Vishwamitra who fights to get herself and her son the recognition they deserve. She does not surrender to anyone, not even the king of Hastinapur. Retold to suit the modern-day context, Shakuntala: The Woman Wronged is a must-read to understand one of the most powerful yet underrated female characters of the Mahabharata.

    She extracted a promise from him that he would forgive Shishupala a hundred offences. As he grew up Shishupala had enough reasons to be angry with Krishna. Especially after he was jilted by Princess Rukmini, in favour of the merry-eyed cowherd. He provoked Krishna repeatedly and was forgiven a hundred times. And then one day Shishupala committed his hundred and first offence.

    For the first time, take a sneak peak into the life of the sister of the God who shaped Mahabharata to become the progenitor of the Kuru race after everything was reduced to nothing in the battle of Kurushetra.Krishna’s sister is a mythological fiction of the life and story of Princess Subhadra in the backdrop of the great Mahabharat war and the sacrifice and pain that she went through. It also explores the relationship she shared with her brother and mentor Lord Krishna as well as her husband Arjuna and co-wife Draupadi. Subhadra is also worshipped as a deity in the Jagannath Puri, one of the holiest shrines in India.About the AuthorCorporate Communication professional, an avid travel blogger, foodie and movie buff all rolled into one Priyanka Bhuyan has been doing freelancing since her college days. Her debut book-Kaleidoscope of Love, a collection of short stories is on the varied emotions of love was published in the year 2019 and was adjudged among the top 100 debut authors by Literature Light. She hails from the beautiful green state of Assam and Guwahati is where she calls her home. Currently in a workaholic phase, she has her parents, brother and her dog as her family. For more info you can follow her blog girlsliketotravel.comConnect with Priyanka onInstagram: AuthorpriyankaTwitter:Priyankabhuya16Facebook:Priyanka Bhuyan

    It consists of 143 paintings of small size, rarely larger than 20 x 30 inches, many of them now considered icons of 20th century art, most of them seIf-portraits. The reasons for this ostensible narcissism were closely bound up with Kahlo's biography, with the country and epoch in which she grew up, and with her decidedly eccentric character. It was no coincidence that the major enigmatic minds of the 16th century, namely Hieronymous Bosch and Pieter Bruegel the Elder, were among her favorite painters. For Frida Kahlo never displayed her wounds directly--be it the physical wounds caused by accidents and illness, or the psychological inner wounds. Hers is a subtly enciphered symbolic language, rich in metaphors drawn from almost all the world's cultures. Aztec myths of creation. Far Eastern and Classical Greek mythology, and popular Catholic beliefs all mingle in Kahlo's pictures with Mexican folklore and the stuff of quotidian life, with Marx and Freud. Andre Breton, one of her many admirers among the European avant-garde, once described Kahlo's art as a "colored ribbon round a bomb." Exotic and explosive, sensuous and fascinatingly vital in terms of artistic statement. Kahlo's paintings shed a complex and often frightening light on her soul, her "inner reality." as she called it. If the incessant commercial marketing of Kahlo's paintings over the past decade had obscured a clear view of her extraordinary oeuvre, this present monograph attempts to make amends "Frida Kahlo: The Painter and Her Work returns to the heart, to 42 select masterpieces, reproduced in full and in detail. The painterly quality, the beauty, and theimmense wealth of details in Kahlo's paintings is laid out before the reader's eyes, as is the abyss in which the artist found herself.

    His talent soon caught the eye of 16th-century rulers, and he moved on to the imperial courts of Ferdinand I, Maximilian II, and Rudolf II in Prague, where he created the scenes for his Seasons. In Arcimboldo's allegorical paintings, Spring appears as a young man composed entirely of flowers, Summer as a composition of fruits, Autumn as a head made of grapes, and Winter as a gnarled old man twined with ivy. Arcimboldo remained true to the allegorical principles informing the artistic and philosophical world view of the 16th century. His paintings are not only full of references to ancient classical gods and goddesses, but above all they reflect the courtly cosmos of the art chambers and wonder cabinets in which countless exotic and bizarre objects were housed. With the decline of this allegorical world vision between the Renaissance and Mannerism, Arcimboldo was forgotten- only to be rediscovered by modern artists.

    His empathetic studies of the great and the grotesque remain seminal works, all surveyed in this study that also shows his enormous influence on later artists including Picasso and Francis Bacon.

    This is the man who picks his nose on the bus, who will fight for his country and fight you to do it his way. He will shout you into submission while astounding you with his tenderness towards his wife. His standard answer to all you questions is "nothing." Singaporean to the core, this volume of short stories narrated in a mixture of colloquial Singlish and standard English reinvents classic prose forms from the ghost story to the university admissions essay through the figure of Uncle.

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