They shifted shape and position with even the gentlest of forces. Even a tiny puff – a shrug – could bring about change, move a handful of thoughts to a new understanding, a new authority. A gale, like today’s, and whole dunes – lives and futures – were relocated, reimagined.Grace had not had twelve people at her table for a while. This wasn’t the kind of family who shared regular Sunday meals. But you don’t turn 70 every day.As her friends and family arrive for lunch, memories are rekindled but not all of them are welcome. As the meal is served, it becomes clear that events of the past have left their mark on everyone at the table in vastly different ways. Grace is reminded that age is no guarantee of wisdom and there is much still to learn from the young at heart. As the family finally confront a shocking event in their past, Grace is forced to face her own shortcomings as a parent and wife and left to contemplate the ways in which grief and regret have resonated through her life. This moving and often funny novel dissects the lives of women over three generations, explores the pull and power of memory and celebrates the triumph of endurance.

    Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates.Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

    A high-school dropout, she's not sure how she got this job - but she's been sent by her Australian newspaper right to the heart of the London music scene a the most exciting time in music history: 1967. Drawing on her own experience as a young journalist, the bestselling author of 'Too Many Men' has created an unforgettable character in the unconventional and courageous Lola. Genuinely funny and deeply moving, 'Lola Bensky' shows why Lily Brett is one of Australia's most distinctive and internationally acclaimed authors.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.

    At four am she starts work at Earthly Delights, her bakery in Calico Alley.But one morning Corinna receives a threatening note saying "The wages of sin is death" and finds a syringe in her cat's paw. A blue-faced junkie has collapsed in the dark alley and a mysterious man with beautiful eyes appears with a plan for Corinna and her bread. Then it is Goths, dead drug addicts, witchcraft, a homeless boy and a missing girl and it seems she will never get those muffins cooked in time.With flair, chutzpah and a talent for kneading, Corinna Chapman will find out who exactly is threatening her life and bake some beautiful bread.

    She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .