With unprecedented access to the Lee family and new interviews with stars and celebrities—including Denzel Washington, Halle Berry, Rosie Perez, Adrien Brody, John Turturro, and many others—film critic Kaleem Aftab chronicles Spike Lee's explosive rise to stardom, exploring such important issues as Black Nationalism, Hollywood stereotyping, and the rise of a powerful black middle class. Lee's prominence in American culture continues in 2006 with the release of The Inside Man and a forthcoming documentary on Hurricane Katrina. Spike Lee tells us as much about the last two decades of American social history as it does about the life of this fascinating director.

    Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

    "Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.

    It's the hard that makes it great.” – Tom Hanks Tom Hanks is a much-beloved American film actor whose cheerful everyman persona made him a natural for starring roles in many popular films. He is one of the most critically acclaimed actors in Hollywood today and with good reason. Throughout the span of his successful and impressive career, Hanks has excelled in nearly every genre, heading the casts of some of the most well-received films in history. Widely regarded as one of Hollywood’s nicest actors, Hanks is known for his amiable, approachable personality and his ability to portray characters audiences can relate to and love. His characters are often immensely likeable ordinary guys. Despite the fact that he originally wanted to be an astronaut, Hanks has enjoyed great success and fulfillment as an actor. He may even have predicted his future career in film when he was just a teenager. In 1974, Hanks wrote a letter to industry big shot George Roy Hill, the Oscar-winning director of the film Butch Cassidy and the Sundance Kid (1969), with the hope that he might one day be “discovered.” Hanks was eighteen years old at the time and most likely wrote the letter before studying theatre at a junior college in Hayward, California. Hanks was grateful for his community college experience, describing himself as an underachieving high school student with lousy SAT scores and the junior college as one that was humble, but offered salvation and opportunity for many young men and women just like him, all with simple, hometown America roots, and a desire to do something great. In the letter, Hanks introduces himself to Hill as “a nobody.” he continues, saying that no one has ever heard of him, that his looks are not stunning, and that he can’t even grow a mustache. He outlines the details of his future discovery for Hill so that he might recognize the opportunity in the future. Toward the end, Hanks reminds Hill, “I do not want to be some big time, Hollywood superstar with girls crawling all over me, just a hometown American boy who has hit the big time, owns a Porsche, and calls Robert Redford 'Bob'." Hanks was indeed discovered, albeit not by Hill, and has enjoyed enormous success. But the part of Hanks’ prediction that has held remarkably true is that he never has strayed far from his beginnings. Hanks has indeed remained that likeable hometown boy who rubs elbows with – and, in fact, has become friends with – some of the greatest names in movie making history... Buy Now and Discover the Entertaining Story of Tom Hanks

    Here they offer 140 strategies for making movies no matter what. Amateurs as well as seasoned veterans can pick up this entertaining and incredibly useful guide in any place--at any point of crisis--and find tactics that work. Whether it's raising money or cutting your budget; dealing with angry landlords or angry cops; or jump-starting the production or stalling it while you finish the script, these strategies are delivered with funny, illustrative anecdotes from the authors' experiences and from veteran filmmakers eager to share their stories. Irreverent, invaluable, and a lot cheaper than a year's tuition, this friendly guide is the smartest investment any future filmmaker could make.Strategies from the book include: Love your friends for criticizing your work--especially at the script stage; Shyness won't get you the donuts; Duct tape miracles; Don't fall in love with cast or crew (but if you do...).

    When he found his old console from when he was a kid, he dusts it off and sets it up. He played his old games, but he had finished them all long ago. So, what does he do? He takes a trip to the local game shop to browse the used titles. Browsing the old cartridges, he finds one that he never heard of: Dark Ages: The Death of Magic. When a store attendant tells him that game is rumored to never have been beaten, he had to have it. Occupying all his free time he finally beats the unbeatable game. What happens next, he never would have guessed. He is introduced to the System. Something that has always existed but not everyone knew about. Join Dean as he is introduced to the seedy underbelly of a world where the myths of magic from the past read like history. Joined by his childhood friend, he must survive in a world of magic hidden from everyone. A world that has remained secret through the blood of those who have discovered it. And to top it all off, he discovers that his childhood friend—his best friend—isn’t even human.

    Among filmmakers and film buffs, Cassavetes is revered, almost as a god. A major star of live television and a serious actor, he stumbled into making his first film, Shadows, and created a template for working outside the Hollywood system that would produce some of the most piercing and human films of the last thirty years including A Woman Under the Influence and Husbands. He became the prototypical outsider fighting the system for much of his career. Film critic Marshall Fine had unprecendented access to Cassavetes' wife, Gena Rowlands, and other members of their inner circle, as well as industry insiders who worked with Cassavetes -- some speaking publicly for the first time. Together, they tell his daring, tumultuous, and compelling story.

    Illustrated throughout with behind-the-scenes photos.

    But Jameson International isn't just any company. It's owned by thirty-two-year-old business mogul and celebrity, Red Jameson. Red is known for his high flying lifestyle; dating models and hanging with the rich and famous. The powerful billionaire can have any woman he wants, and the naive college graduate can't imagine making much of an impression on her new CEO. But when Red Jameson takes notice of her and invites her up to his secluded office one day, everything changes. As it turns out, the powerful businessman also has a voracious sexual appetite, and it's been whetted by none other than Nicole herself. And Red needs to be in charge at every turn. Nicole isn't just any girl though, and Red Jameson's shocked to find that the young intern is more than a match for him in a battle of wits and will. What He Wants (Ten Books): Twenty-one-year-old law student Charlotte Holloway isn’t the type of girl to lust after things she can’t have. But when she starts working for the sexy and mysterious Noah Cutler, Charlotte can’t help but dream about the gorgeous billionaire, even though she knows it’s just a fantasy. Men like Noah – gorgeous, dark, and driven-- usually aren’t interested in women like her. Noah Cutler is a man who doesn’t take no for an answer. His drive to go after exactly what he wants has made him one of the most powerful men in the city. And while he could have his pick of any woman, his sights are set on Charlotte. And he won’t stop until he’s taken control of every inch of her deliciously curvy body…

    . . Now complete in one volume! I never asked Hemi Te Mana to rescue me. It was true that I had a lousy job. Not to mention a lousy apartment and too much responsibility, although it was a responsibility I wouldn’t have given up for the world. That still didn’t mean I needed rescuing, if that was what you’d call the situation I ended up in. And anyway, I knew that a multimillionaire Maori CEO with too many muscles, a tribal tattoo, and a take-no-prisoners attitude was way, way out of my league. So, no, I didn’t ask him to, but he rescued me anyway. Because Hemi was fierce. But you know what I found out? So was I. Note: This started as the “book within a book” that Faith is writing in Just in Time: Escape to New Zealand. And, yes, it has more steam than the "Escape" books. Because Faith had a lot of sexual frustration to work through. If you don't like strong, determined alpha men and very spicy (but fully consensual) sex, DON'T buy this book. Maybe head for New Zealand instead.

    Plough the Furrow begins in 1910. Esther Everatt, shunned by her family and desperate for work and a place to say, finds her way to Sam Brumby's farm. Able to work alongside any man, she earns old Sam's grudging respect. Prepared to risk everything to secure her future, Esther marries a local farmhand. But as war arrives she comes to understand that only the truest of love can survive the passing of the seasons. Sow the Seed follows the story of Kate, Esther's daughter. Kate is determined to marry her childhood sweetheart, Danny. But when she reaches eighteen Kate is told the bitter truth of her family's past and the reasons why marriage to Danny can never happen. Heart-broken Kate witnesses many things amidst the chaos and destruction of WWII, which finally lead her to experience a love that allows her to leave the past behind. Reap the Harvest is set in the aftermath of the disastrous Lincolnshire floods of 1953. Kate's daughter Ella finds herself compelled to live at Brumby's Farm with her grandmother, Esther. This story of love, war, secrets and tragedy seems destined to repeat itself in heartache before coming full circle and bringing this glorious trilogy to a close.

    Now completely revised and updated, it clearly and concisely covers what today's filmmaker needs to know about camera structure and operation, lenses, film stocks, filters, lighting and light measuring, and accessory equipment. In addition it provides up-to-date information on sound recording, editing, video transfer, studio and location shooting, production logistics, and modern techniques of picture manipulation with optical printers -- a subject rarely treated in such detail in existing film books. Building on the groundwork he lays, Kris Malkiewicz explores more advanced techniques of overall picture quality control -- how the filmmaker can translate the envisaged image to the screen through coordinating all aspects of cinematography. As Malkiewicz explains, whatever concept is desired, the filmmaker must be in full control of the technology in order to ensure success. Illustrated with more than 350 photographs and drawings, this new second edition of "Cinematography" will continue to prove invaluable to filmmakers, film students, and film teachers.

    Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises.The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.

    Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set--and even further behind the scenes--of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone. Revealing the intimate details of Allen's filmmaking process, Lax shows us the screenplay being shaped, the scenes being prepared, the actors, cinematographers, other crew members, the editors, all engaged in their work. We hear Allen's colleagues speak candidly about working with him, and Allen speaking with equal openness about his lifetime's work. An unprecedented revelation of one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the seeming magic of the artistic process.

    You'll learn how to structure your visuals as carefully as a writer structures a story or a composer structures music. Understanding visual structure allows you to communicate moods and emotions, and most importantly, reveals the critical relationship between story structure and visual structure.The Visual Story offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, or multimedia work. An understanding of the visual components will serve as the guide to strengthening the overall story. The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories. Bruce Block has the production credentials to write this definitive guide. His expertise is in demand, and he gives seminars at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe.The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future.• Now in full color!• Written by a renowned producer, visual consultant, and teacher• The material in this books applies to any kind of visual story, including films, animated pieces, video games, and television