Nicolaes Tulp" was the first major work by Rembrandt to be proclaimed a masterpiece. The novel opens on the morning of the medical dissection, and, as they prepare for that evening's big event, it follows several characters: a one-handed coat thief called Aris the Kid, who is awaiting his turn at the gallows; Flora, the woman pregnant with his child who hopes to save him from the noose; Jan Fetchet, a curio collector who also moonlights as an acquirer of medical cadavers; René Descartes, who attended the dissection in the course of his quest to understand where the human soul resides; and the 26-year old young master himself, who feels a shade uneasy about his assignment. Then there's Pia, an art restorer who is examining the painting in contemporary times. As the story builds to its dramatic and inevitable conclusion, the events that transpire throughout the day sway Rembrandt to change his initial composition in a fundamental way.Bringing to life the vivid world of Amsterdam in 1632, The Anatomy Lesson offers a rich slice of history and a textured story by a masterful young writer.

    BOOKS

    Whether you are printing by hand on your kitchen table or on a press in a print studio, this book gets you started and goes on to explore the myriad creative applications of linocut. It encourages you to experiment with different approaches to image making and explores new ways of thinking about how linocut can be used. Nick Morley shares his experience and specialist knowledge to make this practical guide an essential companion for everyone interested in this addictive and absorbing medium.

    Always together—and sometimes with their fellow funny-page characters—the regular Pearls clan weighs in on everything from modern technology to current events to human nature. All the members of the skewed gang are here as Zebra engages in a never-ending war of neighborly hate with the Crocs. As always, Goat offers a voice of reason amid the ongoing chaos that Pastis creates, either from behind the pen or as a character within the strip itself. Includes all cartoons from the collections I Scream, You Scream, We All Scream Because Puns Suck and Floundering Fathers.

    Longtime skateboard artist Sean Cliver put together this staggering survey of over 1,000 skateboard graphics from the last 30 years, creating an indispensable insiders' history as he did so.Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as: Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk.The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face.

    "And if we work in that faith, it seems to me that there's a chance that our hopes won't be in vain." His prediction would come true. In his brief and explosively creative life—he committed suicide a few years later at the age of thirty-seven—Van Gogh made us see the world in a new way. His shining landscapes of Provence and somber portraits of workers shattered the relationship between light and dark, and his hallucinatory visions were so bright they nearly blinded the world.He was a great writer as well. In his six hundred–plus letters to Theo he chronicled with heartbreaking urgency his mental breakdowns, acrimonious family relations, and struggles with art dealers, who largely ignored him until the last years of his life. Shading this dark story is the artist’s acquaintance with prostitutes and penury, stormy scenes with his friend Paul Gauguin, and dissipated Parisian nights with Henri de Toulouse-Lautrec.Julian Bell’s passion for his subject brings the painter to life. Bell writes with slashing intensity, at once scholarly and defiantly partisan. “I have written this book out of my love for Vincent van Gogh, the uniquely exciting painter, and Vincent van Gogh, the letter writer of heart-piercing eloquence,” he declares. For Bell, Van Gogh was an artistic genius and more: he was a wonder of the world.

    Monica Savage is delighted when new neighbours move in next door, and she and Joan Copperfield quickly become firm friends. While Monica's father has a good job as a guard on the railway, Joan's family are harder up, with her sailor dad Billy mostly off at sea, and restless when he's home - Mersey View is no substitute for the exotic places he sails to. Though money's tight, the Copperfield women are spirited and independent, and it's her friendship with the more confident Joan that gives Monica the courage to challenge her parents and pursue her dream of becoming a hairdresser. Joan is lucky enough to get a job at Crawford's biscuit factory, where she's even allowed to buy broken biscuits cheaply as a perk.But there are dark secrets lurking. When an abandoned child arrives unexpectedly on the Copperfields' doorstep, her arrival will change everything. As war clouds gather, can the girls make their back street dreams reality, or will the families of Mersey View be torn apart?

    Pretty and outspoken, she often alarmed her best friend Amy by expressing doubts - about parents, teachers and, most of all, religion, which according to their strict 1950s Catholic upbringing in Rivington Cross seemed certain, Amy thought, to send them both to Hell. What, after all, was wrong with being a Protestant, Madeleine would ask? Or a Jew? The good-looking boy they both noticed on their way to school was, it was rumoured, Jewish - his family having fled from Poland at the beginning of the war.Father Sheahan, the whiskey-soaked priest from the local church, had discovered that his secret past was catching up with him, and went in fear of his life. Amy, too, had a secret - a secret which caused her to visit the Bell House, an ancient charnel house outside the village. As they grow up, this place of death becomes a meeting place for the friends, who have to learn that differences in religion can cause unexpected heartache.

    This haunting gem of medieval art, a subtle and beautiful portrait of a wealthy Bruges merchant and his wife, intrigues all who see it. Is the painting the celebration of marriage or pregnancy, a memorial to a wife who died in childbirth, a fashion statement or a status symbol? Using her acclaimed forensic skills as an art historian, Carola Hicks set out to decode the mystery.She also tells the fascinating story of the painting's survival through fire and battle, and of its owners. Uniquely, for a masterpiece of its age, its provenance can be tracked through every single owner - from the mysterious Mr Arnolfini via various monarchs to being an early star of the National Gallery in 1842- and these owners have a cameo appearance too, in this enthralling story of how an artwork of genius can speak afresh to each new generation.

    In this exceptionally positive and encouraging book, Stephanie Dowrick frees the journal writer she believes is in virtually everyone, showing through stories and examples that a genuine sense of possibility can be revived on every page. Creative journal writing goes way beyond just recording events on paper. It can be the companion that supports but doesn?t judge, a place of unparalleled discovery, and a creative playground where the everyday rules no longer count. Proven benefits of journal writing include reduced stress and anxiety, increased self-awareness, sharpened mental skills, genuine psychological insight, creative inspiration and motivation, strengthened ability to cope during difficult times, and overall physical and emotional well-being. Combining a rich choice of ideas with wonderful stories, quotes, and her refreshingly intimate thoughts gained through a lifetime of writing, Dowrick?s insights and confidence make journal writing irresistible?and your own life more enchanting. Included in Creative Journal Writing are: u stories of how people have used journal writing to transform their lives; · inspirational instructions, guidelines, and quotes; · key principles, practical suggestions, and helpful hints; · 125 starter topics, designed to help even the most reluctant journal writer; · more than forty powerful exercises; · and much more!

    When she married Theo van Gogh, Johanna had everything she wanted - a husband who adored her, an exciting life as part of Paris's thriving art scene, and escape from a doting but oppressive father. Her happiness evaporated with Vincent's suicide. Shattered by his brother's death, Theo suffered a mental collapse from which he never recovered. When he died, Johanna was left with an infant son and an art collection most thought worthless. The Impressionist and Independent artists Theo had championed, such as Monet and Gauguin, were considered incompetents by all but the most avant-garde critics. Determined not to live with her parents, Johanna supported herself and her child by opening a boardinghouse, which shortly became a gathering place for the literati and modern artists of Amsterdam, as well as the feminists of that period.

    Langdon faces a scientist bent on destruction: a scientist who finds inspiration in Dante Alighieri's Inferno. Langdon awakes in a Venice hospital with no memory of how he got there. He has little time to collect his thoughts or make sense of the visions that tell him to "seek and find" before an assassin arrives. Langdon must set off to put the pieces together. This comprehensive review gives you a complete overview of the plot, key characters, and the author's writing style, both good and bad. Inferno navigates topics such as human overpopulation and social responsibility while Langdon tries to make sense of his visions and come to terms with the feeling that he is the only person who can save the world. In this review, you'll also find critical opinions of the novel as well as an evaluation of the novel's high and low points. Fans of Dan Brown won't be disappointed by this offering, as it has all the trappings of his previous works. Conversely, while the action will keep readers turning pages, some may find his prose weak, as his storytelling relies heavily on his common tropes. Nevertheless, Brown's fourth Robert Langdon novel has plenty to offer.

    Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.

    He spent a large part of his life on the run, leaving a trail of illuminated chaos wherever he passed, most of it recorded in criminal justice records. When he did settle for long enough to paint, he produced works of staggering creativity and technical innovation. He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.

    Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter—he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over which the great artist painfully toiled for four long years. Linking Michelangelo's personal life to his work on the Sistine Chapel, Graham-Dixon describes Michelangelo's unique depiction of the Book of Genesis, tackles ambiguities in the work, and details the painstaking work that went into Michelangelo's magnificent creation. Complete with rich, full-color illustrations and Graham-Dixon's articulate narrative, Michelangelo and the Sistine Chapel is an indispensable and significant piece of art criticism. It humanizes this heavenly masterpiece in a way that every art enthusiast, student, and professional can understand and appreciate.