As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

    

    Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ]+++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sacrifice: And Other Plays Rabindranath Tagore The Macmillan company, 1917 Drama

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    Even all the way in California, no one’s safe. In the 5th installment of the Coke Dreams series, all your favorite couples are back and once again they are racing the clock to fight for love in this ever gripping tale where nothing is what it appears to be. Lines are crossed and battle lines are drawn. Who will come out on top and who will pay the ultimate price with their life?

    He has been muttering two names in his sleep: Kriti and Rohan. Ravish is an introvert associated with the technology world. Neha is an outrageously curious woman and a firm optimist.What brings them together? Who are Kriti and Rohan and what’s their story?Welcome to this tale of emotions and the fight against consequences of our desire

     Here the first three books in the series are presented together. The Illegal Gardener Driven by a need for some control in her life, Juliet sells up on impulse and buys a dilapidated farmhouse in a tiny Greek village, leaving her English life behind. The house is livable by local standards, but the job of restoring the garden is too big. It requires strength. Juliet cannot bring it to life on her own. Around the olive tree, hidden beneath the covering of bindweeds, are mattresses, broken chairs, shepherds' crooks, and old goat bells, the remains of past lives intertwined in a slow decay. The beauty of the garden is lost with the years of neglect and no one to appreciate it. Juliet reluctantly enlists casual labour. She has no desire to share her world with anyone. The boys have grown, Mick has gone. This is her time now. Aaman has travelled to Greece from Pakistan illegally. His task is to find work and raise money for the harvester his village desperately needs to deliver them out of poverty. Poverty that is sending the younger generation to the cities, dividing families, and slowly destroying his community. What he imagined would be a heroic journey in reality is fraught with danger and corruption. He finds himself in Greece and follows the work, a little here, a little there. As time passes, he loses his sense of self. He is now an immigrant worker, illegal, displaced, unwanted, with no value. Some days he does not have enough money to feed himself, let alone to return home to Pakistan. In the village square, he waits for work, dawn not even broken. Juliet hires Aaman. Neither is entirely comfortable with their role. Juliet the Westerner, who has money and a valid passport, resents the intrusion even though she wants her garden cleared. Aaman needs the work and money but resents the humiliation. As the summer progresses, even though they are from vastly different backgrounds, cultures apart, they discover they have something in common, an event that has defined how they interact and even how they view themselves. Pieces of their lives they have kept hidden even from themselves are exposed. They are each other's catalysts to facing their own ghosts... ) Although the island looks harmless, Marina knows it harbours ghosts from the past. Nothing would induce her to visit there again - except to protect her daughter. Sara Alexi's second book is a romp packed with a troupe of colourful characters intertwining in a gripping story. By turn uproariously funny, touching or sad this book is the stuff of which all families are made. Hopes, fears, secrets and misunderstandings beset relationships. Discovery and acceptance bridge a divide. The Explosive Nature of Friendship Do you like books about people? Then you'll love this intimate portrait of a man searching for meaning... Set in an idyllic Greek village, with a backdrop of sea and sun, this book will transport you... Mitsos has spent the last twenty years trying to comes to terms with the events of a single day and all that led up to it. In his twilight years a surprising turn of events gives him a chance to rectify his biggest wrong and give himself the peace he is seeking. But is what he has wanted for the last twenty years what he still wants now and is he the man he thought he was? Set against a backdrop of a small Greek farming village, comedy and tragedy are present in equal measures.Sara transports you to a land of sea and sun as she explores what it means to be human, and fallible.The book examines the nature of friendship, and how our choices and our perceptions of our place in society can define us.