It's full of family trips to the beach and long afternoons at the local pool with her older sister Kathy, which they mostly use as an excuse to ogle Billy Barnes, who works the concession stand there. A rising senior and local basketball star, Billy has been an unending source of intrigue for both girls since he jumped off the school roof in fifth grade, and their fascination with him is one of the few things the increasingly different sisters have in common. By summer’s end Billy and Kathy are an item—an unthinkable stroke of luck that ends in an even more unthinkable tragedy.Set over the course of fifteen years, Notes on Your Sudden Disappearance is narrated by Sally as she addresses Kathy before, during, and after her death. We watch as Kathy’s absence creates a gaping hole that only Billy—now firmly off-limits to Sally—understands and might possibly begin to fill. Charting years of their shared history and missed connections, Notes on Your Sudden Disappearance is both a breathtaking love story between two broken people who are unexplainably, inconveniently drawn to each other, and a wry, sharply observant coming-of-age story that looks at the ways the people we love the most continue to shape our lives long after they’re gone.

    A LUXURY RETREAT. IT'S GOING TO BE MURDER.It's been years since Grace, Felicity, Alice, and Hannah were together. The "Wild Girls," as they were once called, are no longer so wild. Alice is a teacher. Hannah has a new baby. Grace is a homebody. Only Felicity seems to have retained her former spark.Then Felicity invites them all on the weekend of a lifetime--a birthday bash in Botswana. It will be a chance to have fun and rekindle their once bomb-proof friendship... and finally put that one horrible night, all those years ago, behind them for good.But soon after arriving at the luxury safari lodge, a feeling of unease settles over them. There's no sign of the party that was promised. There's no phone signal. They are on their own... and things start to go very, very wrong.A fresh approach to the classic locked-room mystery, The Wild Girls is sure to appeal to fans of Ruth Ware and Lucy Foley.

    I found out the hard way when I started a fire with my excessive use of a high-powered massager. But to be fair, electricity has always been out to get me. Okay, maybe we’re more like frenemies. My flatiron depends on it, but I also fear the zap it sends through me on an unwelcome, regular basis.How do I explain this to the tattooed, hot electrician that shows up at my front door?BEARShe was festive, I’ll give her that. The jerry-rigged self-satisfaction station Monday Blue had in her bedroom was unique. Hell, it was flashing to a beat. Ever since I checked her fuse box, I wanted to fix a whole lot more than her current. Blinky lights have never been so tempting before.There’s a strict no fraternizing policy between the apartment residents and our family-run electric company. I have no way to rationalize the humongous, naked mural she’s painted of me on her wall. I need to face the girl of my dreams and demand she see things my way.Can Bear and Monday turn each other on long enough to let a flicker become a spark?

    While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.

    Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative--all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, Andr� Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, �ric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination's power to forge a zone outside of time's intractable hold.

    If you wish to know your Lord in a deeper way, your are invited to join the numerous Christians who, over three centuries, have turned to this book in order to begin that journey to the depths of Christ.