Slowly, inevitably, Europe and Islam came together, through trade and war, crusade and diplomacy. The ebb and flow between these two worlds for seven hundred years, illuminated here by a brilliant historian, is one of the great sagas of world history.

    memory. In recent years, the culture wars over the way that slavery is remembered and taught have reached a new crescendo. From the argument about the display of the Confederate flag over the state house in Columbia, South Carolina, to the dispute over Thomas Jefferson's relationship with his slave Sally Hemings and the ongoing debates about reparations, the questions grow ever more urgent and more difficult.Edited by noted historians James Oliver Horton and Lois E. Horton, this collection explores current controversies and offers a bracing analysis of how people remember their past and how the lessons they draw influence American politics and culture today. Bringing together some of the nation's most respected historians, including Ira Berlin, David W. Blight, and Gary B. Nash, this is a major contribution to the unsettling but crucial debate about the significance of slavery and its meaning for racial reconciliation.Contributors: Ira Berlin, University of MarylandDavid W. Blight, Yale UniversityJames Oliver Horton, George Washington UniversityLois E. Horton, George Mason UniversityBruce Levine, University of IllinoisEdward T. Linenthal, University of Wisconsin-OshkoshJoanne Melish, University of KentuckyGary B. Nash, University of California, Los AngelesDwight T. Pitcaithley, New Mexico State UniversityMarie Tyler-McGraw, Washington, D.C.John Michael Vlach, George Washington University

    (Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.