Davis Prize for Fiction "Storm Riders examines the conflicted love of a single father struggling to raise his adopted Native American son, who was born with fetal alcohol syndrome. When a small girl mysteriously drowns near a student-housing complex, the boy is implicated and the father wrestles with his own doubt, guilt, and responsibility. Bringing to life the austere beauty of the Tlingit Alaskan village of the boy's family, as well as the highly educated pockets of the East Coast, Lesley vividly portrays a father and a son struggling to come to terms with each other and above all, with the truth. This novel, as "The Chicago Tribune noted, is "a powerful tale with a strong emotional core."

    The first half of the book follows the original plot closely, despite transforming the unremarkable protagonist Douglas Quail into a musclebound man of action. Frustrated with his life, Quail decides to purchase a memory of a two-week adventure on Mars because he can't afford the real thing. However, while under heavy sedation preparatory to the installation of the memory, Quail remembers that he actually was on Mars as an intelligence agent and killer. Now that he has recovered the memory which had been suppressed by his employers, his life is in jeopardy. Here the novel deviates from Dick's philosophical original, becoming a more pedestrian if exciting slam-bang chase thriller. Judged on its own terms, the book works and it's fun.Library JournalDouglas Quail's dreams are haunted by images of Mars--a place where he has never been--until his visit to a company that specializes in memory implants catapults him into a conspiracy that overturns the basic premise of his life. Based on the Philip K. Dick story, ''We Can Remember It for You Wholesale,'' this sf adventure (to be released as a movie in 1990) by one of the genre's most prolific and respected authors features fast-paced action and vivid imagery.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    His father, Patrick Riley, is a New York City cop. His grandfather, a fireman for thirty years, is a man who firmly believes that all of life’s great lessons are explained in baseball lore. In the wake of the assassinations of Dr. King and Bobby Kennedy, as the neighborhood changes around him, Scooter is forced to see that life, like baseball, is a game in which a few extraordinary moments–moments of either courage or cowardice–will define the man he becomes.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    Now, after celebrating a decade together, everyone thinks they're about to get engaged. A romantic escape to Dubai is the perfect moment, but instead of the proposal Lizzy hopes for, Ian reveals he's not sure he even wants her anymore.Lizzy is heartbroken. But through the tears, she realises this is her chance to seize the opportunities she missed as Ian's other half. But what does she want? How much of her is really Lizzy, and how much was Ian's influence? Determined to discover who she is at heart, Lizzy sets out to rediscover the girl she was before - and in the meantime, have a little fun . . .

    

    But the dead man isn’t just any punk. He’s the son of Howard Saint, the powerful Florida tycoon whose hot-spot nightclub has made him famous, and whose multimillion-dollar money-laundering business has made him as rich—and as ruthless—as any of his gangster clients.Saint wants payback—with interest—for his boy’s death. And he gets it, by orchestrating a massacre that claims the lives of Frank Castle’s beloved wife and son—and almost kills Castle. But almost doesn’t count. Now Frank Castle—ex–FBI agent, ex–Special Forces commando, ex-husband and father—is canceling his retirement and starting a new career. One that begins with teaching Howard Saint the ultimate lesson: No evil deed goes unpunished.From the Paperback edition.

    She inherits their house while her twin brother Mark is left the family steel works. When World War I breaks out, Mark joins the RAF, and the management of the business is left in Isabel's hands, which is not welcomed by the town's industrialists. She makes many enemies and has to struggle to keep her business alive. After much unhappiness, she finally finds love with the manager of a local foundry as well as the identity of her real father.

    Her parents are exasperated at the way in which she flits from one thing to another. A chance encounter helping Dulcie, an elderly lady who has had a fall in the street, leads to Gemma becoming housekeeper to Dulcie and her friend, Rupert.Following a lottery win, Dulcie and Rupert rent a Spanish villa for six months and Gemma goes with them for a working holiday. It’s all one long adventure for the three of them, filled with fun days out, nights in the best restaurants and plenty of laughter.Dario, the local taxi driver becomes fond of Gemma. Likewise, she thinks a lot of him too, but he harbours a secret.Jamie, Dulcie’s grandson, pops over to Spain to check on his grandmother. but she’s not his only reason for visiting.Craig, an old friend of Gemma’s, is also an acquaintance of Dulcie and Rupert. When he visits from England, Gemma’s life becomes a little uncomfortable.How can ONE SUMMER IN SPAIN change everyone’s life? Will it be for the good, and how do their lives pan out after the six month holiday is over?

    But now the very future of the world depends on his finding one special relic.With a bullwhip in his hand and a beautiful lady at his side, Jones journeys from Nepal and Cairo to the Mediterranean, dodging poisons, traps and snakes, battling rivals old and new, all in pursuit of an ancient artifact said to give invincible power to its possessor.It's a battle to a startling finish, a finish dictated by the magic, the light—and the power—of the Lost Ark.

    Gaitskill is uniquely attuned to the moment.' Sunday Times'Gaitskill achieves a superb feat. She distils the suffering, anger, reactivity, danger and social recalibration of the #MeToo movement into an extremely potent, intelligent and nuanced account.' Sarah Hall, Guardian'I don't know why I behaved the way I did, and I kept doing it; he kept doing it. And though I might once have easily brushed it away, suddenly I could not. Nor could I confront him. The conversation moved too quickly.'This is Pleasure is an extraordinary work by one of the world's finest writers, and achieves more in 15,000 words than most full-length novels. Following the unravelling of the life of a male publisher undone by allegations of sexual impropriety and harassment, and the female friend who tries to understand, and explain, his actions, it looks unflinchingly at our present moment and rejects moral certainties to show us that there are many sides to every story.Mary Gaitskill has spent her whole career mining the complexity of human relationships on both an individual and societal scale with wisdom and grace. Here her insights are more piercing and timely than ever.

    Nelson and Angela Armstrong are wealthy, successful, determined, and stubborn. The freshness of their love has gradually turned to the staleness of noncommunicating separateness. And Angela wants the separateness to be permanent. Nelson acquiesces, for he knows no way to recapture the glow which Angela seems so determined to snuff out entirely. But there is someone else who is concerned - one who died in 1848, yet his presence is uncannily real. And because of his own mistakes, he is determined to teach the Armstrongs what he learned about life, love, and survival.

    He knows he will be the vampire's next victim. But no one will believe him: not the police, not his girlfriend Amy, not even the school weirdo, Evil Ed. Charley's last chance is to enlist the help of Peter Vincent, Vampire Killer, star of a hundred horror movies and host of TV's Fright Night.Nobody thinks he's telling the truth—until Evil Ed becomes a vampire and Amy is dragged into his next-door neighbour's evil, foul-smelling house of death!

    J. Caruso, and starring Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Agron, Kevin Durand and Callan McAuliffe. The film is based on the novel I Am Number Four, the first book in a planned six-book series written by authors Jobie Hughes and James Frey and published by HarperCollins. The screenplay was adapted by Al Gough and Miles Millar, and Michael Bay and Steven Spielberg are producing the film through DreamWorks Studios. The Hollywood Reporter projected the budget to be between $50 and $60 million for the film; a February 18, 2011 release date is scheduled.