Teeming with frank sexuality and heartfelt compassion, this book is an important window on to the experience of loss and love in the Arab world.

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter’s health, and even the brother of a security officer killed in clashes with protestors. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet. Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life. Written with dark, subtle humor, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it.From the Trade Paperback edition.

    I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    He’s carrying a briefcase whose contents he’s selling to a representative from the Vatican; the briefcase contains a wealth of information about the violent history of the Zone—the lands of the Mediterranean basin, Spain, Algeria, Lebanon, Italy, that have become Mirković’s specialty.Over the course of a single night, Mirković visits the sites of these tragedies in his memory and recalls the damage that his own participation in that violence—as a soldier fighting for Croatia during the Balkan Wars—has wreaked in his own life. Mirkovic´ hopes that this night will be his last in the Zone, that this journey will expiate his sins, and that he can disappear with Sashka, the only woman he hasn’t abandoned, forever . . .One of the truly original books of the decade—and written as a single, hypnotic, propulsive, physically irresistible sentence—Mathias Énard’s Zone provides an extraordinary and panoramic view of the turmoil that has long deviled the shores of the Mediterranean.

    In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.

    In a country that appears to have forgotten the importance of remembering, a former schoolteacher and bar regular nicknamed Broken Glass has been elected to record their stories for posterity. But Broken Glass fails spectacularly at staying out of trouble as one denizen after another wants to rewrite history in an attempt at making sure his portrayal will properly reflect their exciting and dynamic lives. Despondent over this apparent triumph of self-delusion over self-awareness, Broken Glass drowns his sorrows in red wine and riffs on the great books of Africa and the West. Brimming with life, death, and literary allusions, Broken Glass is Mabanckou’s finest novel — a mocking satire of the dangers of artistic integrity.

    The first takes place in the desert between 1909 and 1912 and evokes the migration of a young adolescent boy, Nour, and his people, the Blue Men, notorious warriors of the desert. Driven from their lands by French colonial soldiers, Nour's tribe has come to the valley of the Saguiet El Hamra to seek the aid of the great spiritual leader known as Water of the Eyes. The religious chief sends them out from the holy city of Smara into the desert to travel still further. Spurred on by thirst, hunger, and suffering, Nour's tribe and others flee northward in the hopes of finding a land that can harbor them at last.The second narrative relates the contemporary story of Lalla, a descendant of the Blue Men. Though she is an orphan living in a shantytown known as the Project near a coastal city in Morocco, the blood of her proud, obstinate tribe runs in her veins. All too soon, Lalla must flee to escape a forced marriage with an older, wealthy man. She travels to France, undergoing many trials there, from working in a brothel to success as a highly paid fashion model, but she never betrays the blood of her ancestors.

    Set in Dublin during the 1916 Easter rebellion, it tells of a nubile beauty who finds herself trapped in the central post office when it is seized by a group of rebels. But Gertie Girdle is no common pushover, and she quickly devises a coolly lascivious strategy by which, in very short order, she saves the day for king and country. Queneau's wickedly funny send-up of cheap smut—his response to a popular bodice-ripper of the 1940s—exposes the link between sexual fantasy and actual domination, while celebrating the imagination's power to transmute crude sensationalism into pleasure pure and simple.

    The Sand Child tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

    A young Iraqi girl and her best friend find themselves living in war-torn Baghdad during the first Gulf War. Populated by a host of colourful characters, we share the two girls' dreams, music, school life and first loves as they grow up in a city torn apart by civil war. And as the bombs fall, the international sanctions bite and friends begin to flee the country, the city services collapse while abandoned dogs roam the streets and fortune-tellers thrive amidst the fear and uncertainty. This poignant debut novel will spirit readers away to a world they know only from the television, revealing just what it is like to grow up in a city that is slowly disappearing in front of your eyes, and showing how in the toughest times, children can build up the greatest resilience.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    A plainspoken writer of consummate wryness, grace, and humor, the Egyptian author chronicles the lives of a polyglot Cairene upper crust, shortly after the fall of King Farouk, who are thoroughly unprepared to change their neo-feudal ways. This is the best book to date about post-Farouk Egypt.-Sylvie Drake, Los Angeles Times

    How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.--from Kiffe Kiffe Tomorrow "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story." -- Sandra Cisneros, author of THE HOUSE ON MANGO STREET The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help-- from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW."Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight." -- Laila Lalami, author of Hope and Other Dangerous PursuitsFaïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.