When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. Monster.Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.O'BrienLet me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .SteveYou think we're going to win ?O'Brien (seriously)It probably depends on what you mean by "win."Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

    He's consumed with guilt for driving the night of the accident after a long evening of drinking and partying. With perceptiveness and compassion, Sharon M. Draper portrays an African-American teenager who feels driven to consider suicide in the wake of a devastating tragedy.

    He and his best friend Walt (aka Swing) have been cut from the high school baseball team for the third year in a row, and it looks like Noah’s love interest since third grade, Sam, will never take it past the “best friend” zone. Noah would love to retire his bat and accept the status quo, but Walt has big plans for them both, which include making the best baseball comeback ever, getting the girl, and finally finding cool.To go from lovelorn to ladies’ men, Walt introduces Noah to a relationship guru—his Dairy Queen-employed cousin, Floyd—and the always informative Woohoo Woman Podcast. Noah is reluctant, but decides fate may be intervening when he discovers more than just his mom’s birthday gift at the thrift shop. Inside the vintage Keepall is a gold mine of love letters from the 1960s. Walt is sure these letters and the podcasts are just what Noah needs to communicate his true feelings to Sam. To Noah, the letters are more: an initiation to the curious rhythms of love and jazz, as well as a way for him and Walt to embrace their own kind of cool. While Walt is hitting balls out of the park and catching the eye of the baseball coach, Noah composes anonymous love letters to Sam in an attempt to write his way into her heart. But as things are looking up for Noah and Walt, a chain of events alters everything Noah knows to be true about love, friendship, sacrifice, and fate. In Swing, bestselling authors Kwame Alexander and Mary Rand Hess (Solo) present a free-verse poetic story that will speak to anyone who’s struggled to find their voice and take a swing at life.

    No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. She’s got a crazy name, and she’s been through more crazy than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.

    Miss Saunders is tough and through this, Maleeka learns to stand up to tough-talking Charlese.

    If it were, Mama would still be alive. Papa wouldn't have died. Thirteen-year-old Lafayette's older brother, Charlie wouldn't have done time at a correctional facility. And oldest brother Ty'ree would have gone to college instead of having to work full time to support the three of them. If things were the same, Lafayette wouldn't be so full of questions, like why Mama had to die, why Charlie hates him so much now, and how they're all supposed to survive these times together when so much seems to be set against them.This is the story of three remarkable young men; brothers who have only each other to rely on and who must decide whether they'll work with that or let it tear them apart.

    His life is not what it may seem to anyone looking at him. Not even those who love him best have any idea what he is truly like. In this extraordinary and powerful first novel, the reader learns to look beyond the obvious and finds a character whose spirit is rich beyond imagining and whose story is unforgettable. My life is like one of those "good news-bad news" jokes. Like, "I've got some good news and some bad news—which do you want first?" I could go on about my good news for hours, but you probably want to hear the punch line, my bad news, right? Well, there isn't that much, really, but what's here is pretty wild. First off, my parents got divorced ten years ago because of me. My being born changed everything for all of us, in every way. My dad didn't divorce my mom, or my sister, Cindy, or my brother, Paul—he divorced me. He couldn't handle my condition, so he had to leave. My condition? Well, that brings us to the guts of my bad news.

     And for twelve years, Marley's hometown has lived up to its name. She lives in a house by the river, has loving parents, a funny younger brother, good friends, and receives frequent letters from her mysterious Uncle Jack. Then one day a letter arrives from Alabama, and Marley's life is turned upside down. Marley doesn't even know who she is anymore -- but where can she go for answers, when she's been deceived by the very people she should be able to trust the most?

    Young Ju has heard enough about Mi Gook to be sure the place they are moving to is paradise, that she and her family are going to heaven.After flying through the sky for a long time, Young Ju finds out that Mi Gook is actually a regular earthly place called America. And it doesn't feel at all like heaven. A STEP FROM HEAVEN follows Young's life from the age of 4 all the way up until she is ready for college, as we watch her change from a hopeful girl into a hardened young adult.

    One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn't even know who Yaqui is, never mind what she's done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn't Latin enough with her white skin, good grades, and no accent. And Yaqui isn't kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she's never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy's life. Is there any way for Piddy to survive without closing herself off or running away? In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine who is forced to decide who she really is.

    But when Jeffrey is diagnosed with leukemia, Steven's world is turned upside down. He is forced to deal with his brother's illness and his parents' attempts to keep the family in one piece. Salted with humor and peppered with devastating realities, Drums, Girls & Dangerous Pie is a heartwarming journey through a year in the life of a family in crisis.

    The bad news is that they don't have a pool. The good news is that only one of them can swim anyway. A group of misfits brought together by T. J. Jones (the J is redundant), the Cutter All Night Mermen struggle to find their places in a school that has no place for them. T.J. is convinced that a varsity letter jacket exclusive, revered, the symbol (as far as T.J. is concerned) of all that is screwed up at Cutter High will also be an effective tool. He's right. He's also wrong. Still, it's always the quest that counts. And the bus on which the Mermen travel to swim meets soon becomes the space where they gradually allow themselves to talk, to fit, to grow. Together they'll fight for dignity in a world where tragedy and comedy dance side by side, where a moment's inattention can bring lifelong heartache, and where true acceptance is the only prescription for what ails us.

    But what they find is that the owner, G.T., isn't quite ready to give up yet - in fact, he's decided to run for mayor against a corrupt candidate. And as Hope starts to make her place at the diner, she also finds herself caught up in G.T.'s campaign - particularly his visions for the future. After all, as G.T. points out, everyone can use a little hope to help get through the tough times... even Hope herself.Filled with heart, charm, and good old-fashioned fun, this is Joan Bauer at her best.

    Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot.Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.With a foreward by Markus Zusak & interviews with Sherman Alexie and Ellen Forney