As they see matters, wealth in the form of means of production and wealth in the form of consumers’ goods are essentially indistinguishable. For all practical purposes, they have no awareness of the existence of capital and of its importance. Thus, capitalists are generally depicted as fat men, whose girth allegedly signifies an excessive consumption of food and of wealth in general, while their alleged victims, the wage earners, are typically depicted as substantially underweight, allegedly signifying their inability to consume, thanks to the allegedly starvation wages paid by the capitalists.The truth is that in a capitalist economic system, the wealth of the capitalists is not only overwhelmingly in the form of means of production, such as factory buildings, machinery, farms, mines, stores, warehouses, and means of transportation and communication, but all of this wealth is employed in producing for the market, where its benefit is made available to everyone in the economic system who is able to afford to buy its products.Consider. Whoever can afford to buy an automobile benefits from the existence of the automobile factory and its equipment where that car was made. He also benefits from the existence of all the other automobile factories, whose existence and competition served to reduce the price he had to pay for his automobile. He benefits from the existence of the steel mill that provided the steel for his car, and from the iron mine that provided the iron ore needed for the production of that steel, and, of course, from the existence of all the other steel mills and iron mines whose existence and competition served to hold down the prices of the steel and iron ore that contributed to the production of his car.And, thanks to the great magnitude of wealth employed as capital, the demand for labor, of which capital is the foundation, is great enough and thus wages are high enough that virtually everyone is able to afford to a substantial degree most of the products of the economic system. For the capital of the capitalists is the foundation both of the supply of products that everyone buys and of the demand for the labor that all wage earners sell. More capital—a greater amount of wealth in the possession of the capitalists—means a both a larger and better supply of products for wage earners to buy and a greater demand for the labor that wage earners sell. Everyone, wage earners and capitalists alike, benefits from the wealth of the capitalists, because, as I say, that wealth is the foundation of the supply of the products that everyone buys and of the demand for the labor that all wage earners sell. More capital in the hands of the capitalists always means a more abundant, better quality of goods and services offered for sale and a larger demand for labor. The further effect is lower prices and higher wages, and thus a higher standard of living for wage earners.Furthermore, the combination of the profit motive and competition operates continually to improve the products offered in the market and the efficiency with which they are produced, thus steadily further improving the standard of living of everyone.In the alleged conflict between the so-called 99 percent and the so-called 1 percent, the program of the 99 percent is to seize as far as possible the wealth of the 1 percent and consume it. To the extent that it is enacted, the effect of this program can only be to impoverish everyone, and the 99 percent to a far greater extent than the 1 percent. To the extent that the 1 percent loses its mansions, luxury cars, and champagne and caviar, 99 times as many people lose their houses, run-of-the mill cars, and steak and hamburger.

    Art has succumbed to the techniques of advertising and in politics, the battle for hearts and minds has become a mere convergence of opinion. TV ratings have triumphed over universal suffrage. The events of September 11 reflect both the manipulation of a global sub-proletariat and the delusions of an elite of rich students and technicians who resemble the ‘suicidal members of the Heaven’s Gate cybersect’. And, in this post-humanist dystopia, we are morally rudderless before the threat of biological manipulations as yet undreamt.About the series: Appearing on the first anniversary of the attacks on the World Trade Center and the Pentagon, these series of books from Verso present analyses of the United States, the media, and the events surrounding September 11 by Europe’s most stimulating and provocative philosophers. Probing beneath the level of TV commentary, political and cultural orthodoxies, and ‘rent-a-quote’ punditry, Baudrillard, Virilio, and Žižek offer three highly original and readable accounts that serve as fascinating introductions to the direction of their respective projects, and as insightful critiques of the unfolding events. This series seeks to comprehend the philosophical meaning of September 11 and will leave untouched none of the prevailing views currently propagated.

    15,000 first printing.

    (He died on July 31st, 2012 at the age of 86.) The triumphant arc of Vidal’s literary career wasn’t solely a mastery of language, though that never hurts. Handsome, poised, slim, charismatic, able to hold his own in verbal fisticuffs without losing his imperious cool, Vidal was the premiere star author of his generation, the one who elevated the role of talk-show guest to a command performance--a theatrical event. He brought the electronic crackle of the TV screen to his prose and the tactical precision of his prose to combat debate on TV. His near-violent altercations on camera with William F. Buckley, Jr. and Norman Mailer are the stuff of YouTube legend and the secret to The Gore Supremacy. A contributing writer to Vanity Fair, a partisan observer of pop culture, and the author of the New York-in-the-70s memoir Lucking Out (which comes out in paperback this fall), James Wolcott has been a closeup observer of Vidal on-camera and off for more years than seems respectable. This, his first Kindle Single, is his way of paying homage--and saying goodbye.

    This was the crucial half-century of Rome's spectacular rise to imperial status, but Roman interest in its eastern neighbors began a little earlier, with the First Illyrian War of 229, and climaxed later with the infamous destruction of Corinth in 146.Taken at the Flood chronicles this momentous move by Rome into the Greek east. Until now, this period of history has been overshadowed by the threat of Carthage in the west, but events in the east were no less important in themselves, and Robin Waterfield's account reveals the peculiar nature of Rome's eastern policy. For over seventy years, the Romans avoided annexation so that they could commit their military and financial resources to the fight against Carthage and elsewhere. Though ultimately a failure, this policy of indirect rule, punctuated by periodic brutal military interventions and intense diplomacy, worked well for several decades, until the Senate finally settled on more direct forms of control.Waterfield's fast-paced narrative focuses mainly on military and diplomatic maneuvers, but throughout he interweaves other topics and themes, such as the influence of Greek culture on Rome, the Roman aristocratic ethos, and the clash between the two best fighting machines the ancient world ever produced: the Macedonian phalanx and Roman legion. The result is an absorbing account of a critical chapter in Rome's mastery of the Mediterranean.

    wars are getting repetitive. Always the same old scenario. The mainstream media alert public opinion to the latest "villain" supposedly threatening to slaughter "his own people." The U.S. does the job instead with its drones and missiles. The new "villain" is soon forgotten, but his country is left in a shambles, with competing fanatics vying to dominate the chaos. Something new is needed. How about a woman War President? Hillary Rodham Clinton has painstakingly groomed herself for the role. Her record as Secretary of State shows that she is fully qualified to be the first woman to be known as the "mother of all drones" or even to launch World War III.

    Some are known only to their own countrymen; others, like Robin Hood, Rob Roy and Jesse James, are famous throughout the world. Setting the historical figures against the ballads, legends and films they have inspired, the author's examples range across the last four hundred years and come from Europe, the Americas, Africa and Asia.

    A bold and frequently illuminating attempt to investigate the relationship of a single social custom to the central features of our historical experience....A book which always asks interesting questions and provides many provocative answers.

    But how do the citizens really feel about a system where they are powerless? America Jara and Bennett Beeny grow up as best friends, living a fairly trouble-free life in a dangerous city… bar the odd encounter with a Judge. Time draws them apart, and when they are brought back together, Beeny is a successful singer and America has become involved with a terrorist organisation – with the Judges in its sights! Written by John Wagner (A History of Violence) with art by Colin MacNeil (Judge Dredd: The Chief Judge’s Man) this dark and complex tale is a true 2000 AD classic!

    From Gillian Beer's reading of Virginia Woolf, Rachel Bowlby's cultural history of Uncle Tom's Cabin and Francis Mulhern's study of Leaviste's 'English ethics'; to Doris Sommer's study of the 'magical realism' of Latin American fiction and Sneja Gunew's analysis of Australian writing, Nation and Narration is a celebration of the fact that English is no longer an English national consciousness, which is not nationalist, but is the only thing that will give us an international dimension.

    Whether they realize it or not, scientists always choose sides. The Dialectical Biologist explores this political nature of scientific inquiry, advancing its argument within the framework of Marxist dialectic. These essays stress the concepts of continual change and codetermination between organism and environment, part and whole, structure and process, science and politics. Throughout, this book questions our accepted definitions and biases, showing the self-reflective nature of scientific activity within society.

    William Marshal is portrayed as being brave, intelligent - but flawed and human too.” Michael Arnold William Marshal was born in a time of civil war. In a time of bloodshed and honour. As a boy he is used as a pawn, during the conflict between Stephen and Matilda. But as a young man he trains as a knight. Marshal learns his trade in England and Normandy, fighting in tournaments and war-games, gaining friends and enemies alike. But the boy must become a man - and the squire must become a knight. Marshal soon finds himself embroiled in the campaigns of Henry II and the rivalry between French Kings. Where once he fought for fame and riches, the young knight finds himself fighting for his life. The Knight Banneret is the first book in an epic series chronicling the story of William Marshal, “the Greatest Knight”. For fans of Bernard Cornwell, Conn Iggulden and Michael Jecks. Praise for Richard Woodman: “This series could develop into something very special. Richard Woodman knows how to tell a story, but has a healthy respect for history... Compulsive reading.” Saul David “Brings medieval Europe to life. The well-crafted action and historical insights enthral and entertain.” Richard Foreman, author of Band of Brothers. ‘Richard Woodman reminds us of the importance of merchant ships and our debts to the seafarers – men and women – who manned.’ HRH Princess Anne ‘If Neptune’s Trident sets the standard for what is to follow - we can at least rest assured that there is a series that truly does justice to our proud merchant maritime past.’ Nautilus UK Telegraph ‘Richard Woodman tells many a good tale in this first volume and it is fascinating to read. I highly recommend this first volume in the Neptune s Trident for anyone with an interest in the early modern period. If the rest of the series is as good as this one, they should all be on the bookshelves of those studying the history of Britain, from the sixteenth to the twentieth centuries.’ Open History Captain Richard Martin Woodman LVO is an English novelist and naval historian. He is the author of the series ‘A History of the British Merchant Navy’ and the Sword of State trilogy, which recreates the true story of George Monck, a giant of the 17th Century.

    Joy White tells uncomfortable truths and blows apart our understanding of racism, crime and policing in our inner-cities.Since the 1980s, austerity, gentrification and structural racism have wreaked havoc on inner-city communities, widening inequality and entrenching poverty.In Terraformed, Joy White offers an insiders view of Forest Gate -- an urban neighbourhood in London -- analysing how these issues affect the black youth of today. Connecting the dots between music, politics and the built environment, it centres on the lived experiences of black youth who have had it all: huge student debt, invisible homelessness, custodial sentences, electronic tagging, surveillance, arrest, police brutality, issues with health and well-being, and of course, loss.Part ethnography, part memoir, Terraformed uses the history of Newham, London as an example of inner-city life across the globe and considers how young black lives are affected by racism, capitalism and austerity.

    Carr is the acknowledged authority on Soviet Russia. In The Russian Revolution from Lenin to Stalin 1917 - 1929, he provides the student and general reader alike with insights and knowledge of a lifetime's work. This book, now available in a brand new edition, is, without doubt, the standard short history of the Russian Revolution and now contains a new introduction by R.W. Davies.

    Inspired by the author’s own experiences of US military operations during the Vietnam War, Boot is a debut literary novel that charts the journey of Marine George Orwell Hill, known affectionately as G. O. by his brothers-in-arms, as he comes to grips with the psychological impacts of war in the jungles and rice paddies of Southeast Asia. Faced with military life ranging from the sublime to the ridiculous, G. O. must navigate the absurdity of warfare and suppress his humanity to survive psychologically. The war challenges his presuppositions—about the world, about life, about himself—as soon as he lands in Vietnam. And his pondering deep questions about humanity becomes a fruitless task in a situation forcing him to accept life for what it is in every gory, absurd detail. Boot is a credible contribution to new literary fiction about the Vietnam War, combining satire and psychology in historical fiction.