The nation knows him as a sharpshooter, buffalo hunter, moving pictures pioneer, and one-time proprietor of the greatest Wild West show the nation has ever seen. Some of the stories are true, some exaggerated, and some rank among the wildest of tall tales. But for a man who has lived like Colonel Cardiff, the facts trump the myth. In the spring of 1868, Denver is the richest, wildest city west of the Mississippi. When an overweight Easterner named Dr. Bogardus rolls into town to announce a shooting contest with a $1,000 prize, ears prick up. Young Hugh wins the shoot with an ancient muzzle-loading rifle, knocking glass balls out of the air and missing only four out of one hundred targets. He is famous at nineteen, and the Colonel’s wild life is just getting started.

    Will Anderson, a flinty old rancher, has a huge herd of cattle ripe for market when his regular hands, inflamed by gold fever, desert him. In desperation, he hires the only "men" available for the perilous 400 mile drive - a pack of scraggly schoolboys. Through skill and harsh discipline, Wil Anderson whips them from greenhorns into seasoned cowhands. But before the long drive is over, the boys discover that the price they must pay for manhood is a terrible one- murder and revenge! the stunning, heartbreaking climax of this extraordinary story will surprise you - and perhaps even sock you.

    The story unfolds with vivid immediacy and describes the pivotal battle from the perspective of the Mexican attackers as well as the American defenders. Filled with dramatic scenes, and abounding in fictional and historical personalities--among them James Bowie, David Crockett, William Travis, and General Santa Anna--The Gates of the Alamo enfolds us in history and, through its remarkable and passionate storytelling, allows us to participate at last in an American legend.

    This is the bloody saga of Beecher Island.Historian Dee Brown dramatically recounts the nine-day siege between Plains tribes and Major James William Forsyth’s scouts. Based on historical sources, the novel is told from a variety of viewpoints, including that of Lieutenant Frederick Beecher, still wounded from the Civil War and charged with clearing out American Indian settlements to make way for the Kansas Pacific Railroad. Beecher is joined by General Sheridan and Major Forsyth, as well as the scouts—from seasoned frontiersmen to young boys—employed to take part in the perilous mission. On the other side are the famous American Indian players in the battle: Turkey Leg and Roman Nose. With this complex assortment of characters, Brown vividly recreates the 1868 siege, as well as the competing worldviews of life on the prairies. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.

    C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Eighteen-year-old Maud Nail lives with her rogue father and sensitive brother on one of the allotments parceled out by the U.S. Government to the Cherokees when their land was confiscated for Oklahoma’s statehood. Maud’s days are filled with hard work and simple pleasures, but often marked by violence and tragedy, a fact that she accepts with determined practicality. Her prospects for a better life are slim, but when a newcomer with good looks and books rides down her section line, she takes notice. Soon she finds herself facing a series of high-stakes decisions that will determine her future and those of her loved ones.Maud’s Line is accessible, sensuous, and vivid. It will sit on the bookshelf alongside novels by Jim Harrison, Louise Erdrich, Sherman Alexie, and other beloved chroniclers of the American West and its people.

    As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    Dobie's book, originally published in 1941, tells their story. Gaunt, wiry, intractable, they were themselves pioneers in a hard, strange land. He writes of Texas cowboys, rustlers and catches the terrible excitement of the stampede, the poetry of lighting on a sea of seething horns. No historian or naturalist has ever so related an animal to the land, to men, and to history.

    Michener’s monumental saga chronicles the epic history of Texas, from its Spanish roots in the age of the conquistadors to its current reputation as one of America’s most affluent, diverse, and provocative states. Among his finely drawn cast of characters, emotional and political alliances are made and broken, as the loyalties established over the course of each turbulent age inevitably collapse under the weight of wealth and industry. With Michener as our guide, Texas is a tale of patriotism and statesmanship, growth and development, violence and betrayal—a stunning achievement by a literary master.  Praise for Texas   “Fascinating.”—Time   “A book about oil and water, rangers and outlaws, frontier and settlement, money and power . . . [James A. Michener] manages to make history vivid.”—The Boston Globe   “A sweeping panorama . . . [Michener] grapples earnestly with the Texas character in a way that Texas’s own writers often don’t.”—The Washington Post Book World  “Vast, sprawling, and eclectic in population and geography, the state has just the sort of larger-than-life history that lends itself to Mr. Michener’s taste for multigenerational epics.”—The New York Times

    Will Dryden followed the trail of a missing man to the Redstone Ranch, where he will have to find the truth about three other murdered men.

    Even during his lifetime, tales of the sharpshooting, skilled woodsman were—to his delight—told, retold, and elaborated on. As a US congressman, the former Creek War militiaman steadfastly opposed President Andrew Jackson’s Indian Removal Act. As a soldier, he made the ultimate sacrifice fighting for an independent Texas. Nearly two centuries after his untimely demise, he remains a legendary figure in American lore.   In this fictional account of Crockett’s life, author Cameron Judd offers a nuanced portrait of the man behind the myth. He depicts Crockett’s triumphs as a hunter, cattle drover, warrior, and legislator in riveting detail and poignantly illustrates his subject’s hardscrabble youth and complicated relationship with his father. Meticulously researched and rich in vibrant action, Crockett of Tennessee captures the charisma, ambition, and bravery of the man known as the “King of the Wild Frontier.”

    ARMY OUTPOST AND A YOUNG WOMAN'S TERRIFYING PASSAGE ACROSS THE AMERICAN FRONTIER. Set in 1871 in the unforgiving wasteland of the Arizona Territory, Shavetail is the story of Private Ned Thorne, a seventeen-year-old boy from Connecticut who has lied about his age to join the Army. On the run from a shameful past, Ned is desperate to prove his worth -- to his superiors, to his family, and most of all, to himself. Young and troubled, Ned is as green and stubborn as a "shavetail," the soldiers' term for a dangerous, untrained mule. To endure in this world, Ned must not only follow the orders of the camp's captain, Robert Franklin,but also submit to the cruel manipulations of Obediah Brickner, the camp's mule driver. Both Franklin and Brickner have been damaged by their long military service, both consider themselves able to survive the dangers of the desert -- floods, scorpions, snakes, and Indians -- and both imperil Ned. Yet there are other characters, all richly drawn, who also confront Ned: half-wit soldiers, embattled Indians hidden in cliffs, a devious and philosophical peddler, and the fleshy whores who materialize in the desert as soon as the paymaster has left camp and dance with drunken soldiers around a fire late into the night. After a band of Apaches attack a nearby ranch, killing two men and kidnapping a young woman, Ned's lieutenant -- a man seeking atonement for his own mistakes -- leads Ned and the rest of his patrol on a near-suicidal mission through rugged mountains and into Mexico in hopes of saving the woman's life. It is unlikely any can survive this folly, and those who do will be changed forever. Meticulously researched and vividly told, Shavetail renders a time when the United States was still an expanding empire, its western edge bloody with the deaths of soldiers, settlers, and Indians. In language both spare and brilliant, Cobb brings readers this lost American landscape, untouched by highways or electricity and without the comforts of civilization. Shavetail also marks the return of a great American literary voice. Cobb's first and only other novel, Crazy Heart, was published in 1987 to great acclaim and was edited by the legendary editor Ted Solotaroff. Cobb is also a former student of Donald Barthelme, who described Crazy Heart as "a bitter, witty psychological profile of genius." Brutal and deft, laced with both violence and desire, Shavetail plunges into the deepest human urges even as it marks the ground where men either survive or perish.

    Torn between two races, he is propelled across the vast, unexplored Northwest wilderness of the early 1800s in a desperate mission to defend his adopted people from invasion by ruthless white fur traders.

    Johannes Verne was soon to be rescued by outlaws, but no one could save him from the lasting memory of his grandfather’s eyes, full of impenetrable hatred. Raised in part by Indians, then befriended by a mysterious woman, Johannes grew up to become a rugged adventurer and an educated man. But even now, strengthened by the love of a golden-haired girl and well on his way to making a fortune in bustling early-day Los Angeles, the past may rise up to threaten his future once more. And this time only the ancient gods of the desert can save him.