Anne was determined to shape her own destiny, first through a secret engagement to Henry Percy, the heir of the Earl of Northumberland, and later through her insistence on marriage with the king, after a long and tempestuous relationship as his mistress. Their love affair was as extreme as it was deadly, from Henry's 'mine own sweetheart' to 'cursed and poisoning whore' her fall from grace was total.

    Daughter of a well-bred lady and a strolling player, she lived her early years in peaceful obscurity. But then her father died-and her new stepfather wanted none of her. So she was sent to her aunt, Kat Ashley-governess to the young Elizabeth Tudor.In the tumultuous household of the princess in exile, Eloise finds her destiny- best friend, confidante, lady-in-waiting, and favored seamstress of the fiery girl who would become the greatest monarch of all time.Through a decade of plots and counter-plots, tragedies and triumphs, Eloise, like her aunt, is a constant in Elizabeth's life. Risking her heart- and her head-in service to the cause of seeing Elizabeth on the throne, Eloise is a bright, brave, sprightly witness to history. This is her story.

    On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society. When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .

    The jewel in the French crown, Katherine de Valois, is waiting under lock and key for King Henry V. While he's been slaughtering her kinsmen in Agincourt, Katherine has been praying for marriage to save her from her misery. But the brutal king wants her crown, not her innocent love. For Katherine, England is a lion's den of greed, avarice and mistrust. And when she is widowed at twenty-one, she becomes a prize ripe for the taking—her young son the future monarch, her hand in marriage worth a kingdom. This is a deadly political game, one the dowager queen must learn fast. The players—the Duke of Gloucester, Edmund Beaufort and Owen Tudor—are circling. Who will have her? Who will ruin her? This is the story of Katherine de Valois.

    It is almost midnight and the cream of the English nobility hold their breath as King Henry VIII prepares to face his God. As the royal physicians wring their hands and Archbishop Cranmer gallops through the frigid night, two dispossessed princesses pray for their father’s soul and a boy, soon to be king, snivels into his velvet sleeve. Time slows, and dread settles around the royal bed, the candles dip and something stirs in the darkness … something, or someone, who has come to tell the king it is time to pay his dues. The Kiss of the Concubine is the story of Anne Boleyn, second of Henry VIII’s queens.

    The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women Margaret of Anjou, Anne Boleyn and Catherine Howard were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable "la belle dame sans merci." In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. "The Tudor Queens of England" is the first book of its kind to intimately examine these questions and more.

    Bridget Manning is forced to leave the safety and tranquillity of her home at Rivers Abbey in order to join the household of the queen, Anne Boleyn. Once there she enters a world seething with intrigue and plots against her new mistress. Will Bridget be able to navigate her way through the dangerous maze of the court or will it destroy her as it is destroying her queen?

     All that history knows of Grace Plantagenet is that she was an illegitimate daughter of Edward IV and one of two attendants aboard the funeral barge of his widowed queen. Thus, she was half sister of the famous young princes, who -- when this story begins in 1485 -- had been housed in the Tower by their uncle, Richard III, and are presumed dead. But in the 1490s, a young man appears at the courts of Europe claiming to be Richard, duke of York, the younger of the boys, and seeking to claim his rightful throne from England's first Tudor king, Henry VII. But is this man who he says he is? Or is he Perkin Warbeck, a puppet of Margaret of York, duchess of Burgundy, who is determined to regain the crown for her York family? Grace Plantagenet finds herself in the midst of one of English history's greatest mysteries. If she can discover the fate of the princes and the true identity of Perkin Warbeck, perhaps she will find her own place in her family.

    They marry despite parental misgivings, but their passion quickly fades, and the ambitious Dudley returns to court. Swept up in the turmoil of Tudor politics, Dudley is imprisoned in the Tower. Also a prisoner is Dudley's childhood playmate, the princess Elizabeth. In the shadow of the axe, their passion ignites. When Elizabeth becomes queen, rumours rage that Dudley means to free himself of Amy in order to wed her. And when Amy is found dead in unlikely circumstances, suspicion falls on Dudley - and the Queen...Still hotly debated amongst scholars - was Amy's death an accident, suicide, or murder? - the fascinating subject matter makes for an enthralling read for fans of historical fiction.

    No longer stuck in Cat's shadow, Kitty's now caught between two men--the object of her affection and the object of her desire. But court is also full of secrets, lies, and sordid affairs, and as Kitty witnesses Cat's meteoric rise and fall as queen, she must figure out how to keep being a good friend when the price of telling the truth could literally be her head.

    As powerful men and women around her became victims of Henry’s ruthless and absolute power, including her own husband and sister-in-law, Queen Anne Boleyn, Jane’s allegiance to the volatile monarchy was sustained and rewarded. But the price for her loyalty would eventually be her undoing and the ruination of her name. For centuries, little beyond rumor and scandal has been associated with “the infamous Lady Rochford.” But now historian Julia Fox sets the record straight and restores dignity to this much-maligned figure whose life and reputation were taken from her.Born to aristocratic parents in the English countryside, young Jane Parker found a suitable match in George Boleyn, brother to Anne, the woman who would eventually be the touchstone of England’s greatest political and religious crisis. Once settled in the bustling, spectacular court of Henry VIII as the wife of a nobleman, Jane was privy to the regal festivities of masques and jousts, royal births and funerals, and she played an intimate part in the drama and gossip that swirled around the king’s court. But it was Anne Boleyn’s descent from palace to prison that first thrust Jane into the spotlight. Impatient with Anne’s inability to produce a male heir, King Henry accused the queen of treason and adultery with a multitude of men, including her own brother, George. Jane was among those interrogated in the scandal, and following two swift strokes from the executioner’s blade, she lost her husband and her sister-in-law, her inheritance and her place in court society.Now the thirty-year-old widow of a traitor, Jane had to ensure her survival and protect her own interests by securing land and income. With sheer determination, she navigated her way back into royal favor by becoming lady-in-waiting to Henry’s three subsequent brides, Jane Seymour, Anne of Cleves, and Catherine Howard. At last Jane’s future seemed secure–until an unwitting misstep involving the sexual intrigues of young Queen Catherine destroyed the life and reputation Jane worked so hard to rebuild.Drawing upon her own deep knowledge and years of original research, Julia Fox brings us into the inner sanctum of court life, laced with intrigue and encumbered by disgrace. Through the eyes and ears of Jane Boleyn, we witness the myriad players of the stormy Tudor period. Jane emerges as a courageous spirit, a modern woman forced by circumstances to fend for herself in a privileged but vicious world.

    Her fury at her husband's betrayal has enough momentum to survive centuries, but in Threads she learns that she has been assigned a hard task: she must review their history together through a number of past lives, and find it within herself to forgive him. This may prove difficult and take some time. The husband in question is Henry Tudor, the notorious Henry VIII. The narrator is the stubborn, volatile Anne Boleyn, who is not at all inclined to forgive. It is a very unusual love story.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    Endowed with English royal blood on her mother's side, she was betrothed in infancy to Arthur, Prince of Wales, eldest son of Henry VII of England, an alliance that greatly benefited both sides. Yet Arthur died weeks after their marriage in 1501, and Catherine found herself remarried to his younger brother, soon to become Henry VIII. The history of England-and indeed of Europe-was forever altered by their union.Drawing on his deep knowledge of both Spain and England, Giles Tremlett has produced the first full biography in more than four decades of the tenacious woman whose marriage to Henry VIII lasted twice as long (twenty-four years) as his five other marriages combined. Her refusal to divorce him put her at the center of one of history's greatest power struggles, one that has resonated down through the centuries- Henry's break away from the Catholic Church as, bereft of a son, he attempted to annul his marriage to Catherine and wed Anne Boleyn. Catherine's daughter, Mary, would controversially inherit Henry's throne; briefly and bloodily, she returned England to the Catholicism of her mother's native Spain, foreshadowing the Spanish Armada some three decades later.From Catherine's peripatetic childhood at the glittering court of Ferdinand and Isabella to the battlefield at Flodden, where she, in Henry's absence abroad, led the English forces to victory against Scotland to her determination to remain queen and her last years in almost monastic isolation, Giles Tremlett vividly re-creates the life of a giant figure in the sixteenth century. Catherine of Aragon will take its place among the best of Tudor biography.

    Misremembered as the ‘Nine Days Queen’, she has been mythologized as a child-woman destroyed on the altar of political expediency. Behind the legend, however, was an opinionated and often rebellious adolescent who died a passionate leader, not merely a victim. Growing up in Jane’s shadow, her sisters Katherine and Mary would have to tread carefully to survive.The dramatic lives of the younger Grey sisters remain little known, but under English law they were the heirs – and rivals – to the Tudor monarchs Mary and Elizabeth I. The beautiful Katherine ignored Jane’s dying request that she remain faithful to her beliefs, changing her religion to retain Queen Mary’s favour only to then risk life and freedom in a secret marriage that threatened Queen Elizabeth’s throne.While Elizabeth’s closest adviser fought to save Katherine, her younger sister Mary remained at court as the queen’s Maid of Honour. Too plain to be considered significant, it seemed that Lady Mary Grey, at least, would escape the burden of her royal blood. But then she too fell in love, and incurred the queen’s fury.Exploding the many myths of Lady Jane’s life and casting fresh light onto Elizabeth’s reign, acclaimed historian Leanda de Lisle brings the tumultuous world of the Grey sisters to life, at a time when a royal marriage could gain you a kingdom or cost you everything.