Now he is starting over, and he wants his family back more than anything.This is the story of Joseph and his wife, Zoe; of their children, Scarlet, Theo and Ben, for whom nothing will be the same; and of Zoe's parents, who can't forgive or understand.A compelling, moving and ultimately optimistic story of one man who will do almost anything to be reunited with his children. And of the grandparents who are determined to stop him.

    When her life unravels after a breast cancer scare, Jordan decides to join her wildest childhood friend in San Francisco and track down her drifter brother, Cam, who harbors secrets of his own. When Cam suddenly flees the country, Jordan follows, determined to bring him home. Her journey takes her to the farthest reaches of majestic Nepal, where she encounters tests-and truths-about love and family that she never could have imagined. Funny, heartbreaking, and suspenseful, Sleeping Tigers reminds us all that sometimes it's better to follow your heart instead of a plan. "Sleeping Tigers is the kind of book you wish didn't have to end. Fast-moving and funny, loaded with sex, adventure, and characters who feel like your oldest friends, it takes the reader through fabulous, keenly-observed settings as it follows one woman on a brave journey of self-discovery. Robinson's prose crackles with wit and humanity - it brims with all the energy that's released when life and love are unleashed and allowed to roam. With wisdom to spare, Robinson shows how being honest and brave today can bring healing to the past and a new shape to the future. You won't be able to read this book without imagining all your favorite actors in the roles." Elisabeth Brink, author of Save Your Own

    Contents:· The Night of Light · na F&SF Jun ’57 · A Few Miles · nv F&SF Oct ’60 · Prometheus · na F&SF Mar ’61 · Father · na F&SF Jul ’55 · Attitudes · nv F&SF Oct ’53

    Small enough to keep in purse or pocket for quick conversations with God, lovely enough to give as a special gift to encourage and draw the hearts of friends and loved ones to the Lord in prayer, these books will help unlock the power of praying. More than a "how to get what I want in prayer" kind of book, this sweet gathering of prayers from a woman's heart will help readers seek the Father and be transformed in the process. At His feet is the answer to a woman's every need; in His hands is hope and joy for her life.

    Malzberg · in 11 · Introduction · in 15 · Don’t Hold Your Breath · ss Saving Worlds, ed. Roger Elwood & Virginia Kidd, Garden City, NY: Doubleday, 1973 38 · All We Have on This Planet · ss Stopwatch, ed. George Hay, NEL, 1974 47 · War of Nerves [Beagle] · nv Other Worlds May ’50 72 · The Rull [Rulls] · nv Astounding May ’48 99 · The Semantics of Twenty-First Century Science · ar, 1976 120 · Future Perfect · nv Vertex Aug ’73 146 · Being an Examination of the Ponsian and Holmesian Secret Deductive Systems · ar The Pontine Dossier v1 #2 ’71; speech given at the annual banquet of the Praed Street Irregulars in 1971. 152 · Home of the Gods [Clane] · nv Astounding Apr ’47 178 · The Violent Male · ar, 1976; last of a series of five talks given on radio station KPFK in 1964/65. 192 · Prologue to “The Silkie” [Silkie] · ex If Jul ’64 201 · The Proxy Intelligence [William Leigh] · na If Oct ’68 253 · Final Comment · aw

    An hour later he's on an Air Force jet to Washington. Michaels hasn't seen or spoken to President Kennedy since they met at Stanford in the fall of 1940, but now JFK needs his help to defuse the threat posed by Soviet missiles in Cuba. In both the Pentagon and the Kremlin, pro-war generals want a showdown, not a humiliating compromise. As the world races toward nuclear holocaust during a fine and dangerous autumn, Michaels finds himself spinning in a maelstrom of statecraft, espionage, love, and betrayal."A compelling story, written with a sure hand... Raffel definitely has his game on." Steve Berry, author of The King's Deception. "A rare historical novel, exciting and utterly believable, with Jack Kennedy as you've never seen him. Raffel is a master storyteller. I loved A Fine and Dangerous Season." Gayle Lynds, author of The Book of Spies

    A mysterious deity called Rama Kushna gives Boston Brand the chance to revisit the land of the living as Deadman, with the mission of finding his murderer.DEADMAN features spectacular, bravura artwork by Neal Adams, then leading the field with an amazing, hyper-realistic style and trompe-l’oeil unlike anything seen in comics before or since.

    Okay, not really. He just makes you think he’s sawing someone in half or that he’s trapped in a trunk. All Cole wants is to continue the love of magic that he and his late father shared by becoming the best tween magician in the Las Vegas area. But when Cole and his mother get a mysterious note from a rare book collector, he’s forced to search among his father’s belongings for A Lesson in Magick, an old book of spells connected to an ancient group of magickers. What he finds instead are a series of coded clues his dad left for him - clues that send Cole and his best friends Ethan and Sanchez on a wild scavenger hunt throughout Las Vegas, in search of A Lesson in Magick. Cole must use every hack and magic trick he’s got, because he knows that if the book falls into the wrong hands, disaster will strike. As danger mounts, who can this clever, funny, and determined group of friends really trust in a world filled with professional magicians, strange professors, and scary Elvis impersonators?Listening Length 6 hours and 18 minutes

    Overcome by grief, he shuns the doctor, convinced he could have done more to save her. He also refuses to take notice of his daughter, Shona, until years later, when she falls in love with the doctor's son.

    With Venice and Paris as a backdrop, the frailty of the emotions that connect the characters is exposed through Flor's decline into insanity.

    #1 New York Times bestselling author ROBYN CARR explores the challenges facing women today as they are valued for what's on the outside rather than the inside.Jennifer Chaise is proud of her life. Coming from nothing, she's used her beauty to her advantage and is swept up in a glamorous world of wealth and privilege as the mistress of a high-flying businessman. But when she walks in on a violent scene in their Las Vegas hotel room, Jennifer knows she can no longer ignore the truth about her boyfriend and she flees. Desperate to escape the men searching for her, she invents a whole new persona—with a new look and a new name—as she hides out in a small Nevada town.Working as a waitress in the local diner, she finds a mentor in Louise, a retired professor who takes her in. As Jennifer begins to embrace a new life, she realizes how much was missing from her old one: a sense of community and purpose… But it's not easy to simply disappear. Her neighbor Alex is a cop, and while he's friendly enough, he may also suspect that Jennifer is not what she seems.Although she is under constant threat of being discovered, Jennifer is surprised to realize that, for the first time, she's genuinely happy. Suddenly this real world is all she wants. But will it be enough when her past catches up with her?

     Jimmy Madden, a fiercely independent high school basketball star with big dreams for his future, sees them dim one Fourth of July when his debutante girlfriend May Tilley tells him she is pregnant. Twelve years later, Jimmy grudgingly endures the workaday drudgery of his father-in-law's tobacco warehouse; May, equally dissatisfied, wonders if love alone can make, and save, a marriage. But it is young Joey who bears the brunt of his parents' unhappy union. As he struggles to cope with his fractured family life, Joey turns to his grandfather, who explains that "a time may come when a person has to let go of what he loves in order to save himself." Set in 1950's North Carolina, rich with the windswept beauty of its Outer Banks, Ruin Creek is a major work by one of the most insightful students of family writing fiction in America today. Writing in the contrapuntal voices of Joey, May, and Jimmy, David Payne examines the early life of characters from Gravesend Light, creating a portrait of a family that breaks apart, heals, and endures. "Full of life, full of wisdom, full of words that singe, sing, and somehow console." (The Boston Globe) "Masterful.... Somewhere between Faulkner and Conroy." (The Denver Post)

    He answered.A successful radio deejay embarks on a thrilling, long distance love affair with a charismatic entrepreneur, a relationship that plays havoc with her carefully controlled life—and heart.On a hot summer's day in 1986, Southern California radio deejay Desiree Germain is hosting a contest on the air when she's entranced by the deeply masculine voice of caller number twelve.Voices never matched faces. Desiree knows that better than anyone. As KICK's hottest radio host, she has a sultry voice that leads people to expect a tall, voluptuous bombshell. Petite in every sense of the word, she hardly lives up to that image.To Desiree's surprise, caller number twelve turns out to be Kyle Harrison, a handsome, wealthy businessman from Seattle. Kyle has come to claim his prize—and her heart.They are soon involved in a whirlwind love affair that makes Desiree's heart sing. Is it worth the risk? All the rules say that long-distance romance and radio don't mix. But a man who is answering a siren's call doesn't care about rules.This novel can be read as a standalone … or enjoy the series!Newly revised edition, previously published as Songbird.

    But the truth is very different - countless brave and bold women have used their voices to inspire change, transform lives and radically alter history.In this timely and personal anthology, Yvette Cooper MP tells the story of 30 inspirational speeches given by women. From Boudica to Margaret Thatcher and from Malala to gun-control activist Emma Gonzalez, each speech will be reproduced in full and introduced by Yvette. This is not only a much-needed celebration of women's speeches throughout history, but also proof that powerful and persuasive oratory can be decidedly female.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus