But her widow's weeds belie a determined young woman with a big ambition: Amy is going to build the grandest rural hotel in the colony of New South Wales, complete with its very own ‘ascending cabinet'.Meanwhile, her best friend, Eliza Miller, has dreams of her own - to become one of Australia's first female doctors. However when she returns to Millbrooke from her medical studies at the Sorbonne, she finds the job she thought was hers has been taken … by a man.Over the course of two turbulent years both women will face difficult choices – love or duty? Career or marriage? Is it possible to have it all …?

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.

    But he'd just fallen in love and wasn't so sure he really wanted it. It took a weekend of soul searching to realise that this would be the experience of a lifetime.From covering India's endearingly over-the-top response to the death of cricketing legend Don Bradman to being the only Australian journalist in Afghanistan on September 11 2001, Lost in Transmission is Harley's exciting, often moving, funny and disarmingly honest account of the three years he spent, lurching from one hair-raising misadventure to the next, reporting from one of the most exotic and, as events unfurled, alarming corners of the planet.Shifting effortlessly between the serious, the sublime and the ridiculous, this is the story of a stranger at something of a loss in an even stranger land - a young man struggling to comprehend and comment on life in a part of the world that never quite makes sense...

    From books to TV, music to cooking, friendship to films, there’s little cultural terrain Annabel Crabb and Leigh Sales haven’t traversed in their oddly named but nonetheless wildly popular podcast Chat 10 Looks 3.Now, in their first book together, the pair takes a stroll through some of the issues of our time, offering advice for would-be writers, thoughts on developing a rich reading life, tips for navigating the perilous world of social media, and the secrets of a great friendship, all with the digressions that listeners of their podcast have come to love. Here Crabb and Sales discuss kindness, success and failure, and not taking yourself – or others – too seriously, with a liberal sprinkling of fairy wrens, granny pants, show tunes, creative insults, diabolical mum bags and CLANGS.Whether you’re a devoted listener of Chat 10 Looks 3, curious as to what all the fuss is about, or simply looking to cry-laugh on public transport, WELL HELLO is the book for you.

    On board were: writers, artists, honeymooners, sportsmen, priests, reverends, fashion designers, aristocrats, millionaires, children, crew and emigrants looking for a better life.This book tells of their lives, and shines the spotlight on: Some of the great ship’s surprising treasures Her fêted voyage from Belfast’s Harland & Wolff shipyard The fascinating museums devoted to her memory, including Titanic Belfast The iconic music and movies Her winged and four-legged passengers The sister ships of Olympic and Britannic Tales of heroism Theories surrounding Titanic’s fatal collision The lifeboats and just how close the SS Californian was on that tragic night How Arctic explorer Ernest Shackleton and the inquiries viewed events These stories and much more lie inside.

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    Based on his column in the acclaimed magazine "mental_floss," this collection of conversations is incredibly funny, but each interview is also based on serious research, so in addition to laughing, readers actually learn real history. "The Dead Guy Interviews" includes discussions with: Alexander the Great Beethoven Napol?on Bonaparte Buddha Julius Caesar Caligula George Washington Carver Catherine the Great Winston Churchill Cleopatra Confucius Crazy Horse Salvador Dal? Charles Darwin Emily Dickinson Albert Einstein Benjamin Franklin Sigmund Freud Genghis Khan Vincent van Gogh Henry VIII J. Edgar Hoover Harry Houdini Thomas Jefferson Joan of Arc Robert Johnson Frida Kahlo Leonardo da Vinci Abraham Lincoln Mao Tse-tung Karl Marx Michelangelo Montezuma Mozart Nostradamus Edgar Allan Poe William Shakespeare Sun Tzu Mae West Oscar Wilde

    He was eager to begin his first practice, but it turned out to be more than he bargained for. In just two years, in September, 1918, the entire village was sickened in rapid succession in the flu pandemic that killed quickly and indiscriminately throughout the world. It was wartime, and Nixon was unable to find help., This story is an up close and personal account of what it was like to be sick with the HINI type virus in 1918. It is a tale of a dedicated doctor whose selflessness, compassion and courage helped the villagers survive in the pandemic that killed more people in a year than the Black Death killed in a century...

    But it’s nothing to do with him. That’s just the way the Aborigines have always been treated. In the summer of 1965 racial tensions in the town are at boiling point, and something headed Walgaree’s way will blow things apart. It’s time for Robbie to take a stand. Nothing will ever be the same.

    In The House on the Hill, Susan Duncan reaches an age where there's no point in sweating long-term ramifications. There aren't any. This new understanding delivers an unexpected bonus - the emotional freedom and moral clarity to admit to hidden and often fiendish facts of ageing and, ultimately, the find ways to embrace them. This, in turn, unleashes an overwhelming desire to confront her intractable 95-year-old mother with the dreadful secrets of the past before it is too late, no matter the consequences. It is the not-knowing, she says, that does untold damage. Interwoven with stories from the land - building a sustainable eco-house on the mid-coast of New South Wales with her engineer husband, Bob, and grappling with white-eyed roans, dogs, bawling cattle markets, droughts and flooding rains, not to mention blunt-speaking locals - this is a book about a mother and daughter coming to terms, however uneasy, with the awful forces that shaped their relationship.As the inconstancies of age slow her down, Susan Duncan writes with honesty about discovery and forgiveness, and what it takes to rework shrinking boundaries into a new and rich life.

    Equipped with a historian’s inquiring mind, he embarks on a journey through time, seeking to understand the extraordinary deep history of the Australian continent.Deep Time Dreaming is the passionate product of that journey. In this original, important book, Griffiths investigates a twin revolution: the reassertion of Aboriginal identity in the second half of the twentieth century, and the simultaneous uncovering of the traces of ancient Australia by pioneering archaeologists.Deep Time Dreaming is about a slow shift in national consciousness. It explores what it means to live in a place of great antiquity, with its complex questions of ownership and identity. It brings to life the deep time dreaming that has changed the way many Australians relate to their continent and its enduring, dynamic human history.When John Mulvaney began his fieldwork in January 1956, it was widely believed that the first Australians had arrived on this continent only a few thousand years earlier. In the decades since, Australian history has been pushed back into the dizzying expanse of deep time. The human presence here has been revealed to be more ancient than that of Europe, and the Australian landscape, far from being terra nullius, is now recognised to be cultural as much as natural, imprinted with stories and law and shaped by the hands and firesticks of thousands of generations of Indigenous men and women. The New World has become the Old …

    The comedy of the novel revolves around his attempts to understand English as it was spoken in Australia by the working classes in the 1950s and 1960s. Nino had previously only learned 'good' English from a textbook.The novel is a social commentary on Australian society of the period; specifically male, working class society. Women mostly feature as cameos in the story with the exception of Kay (whose surname is not revealed in the novel), who becomes Nino's wife. In the novel, Nino meets Kay in a cafe in Manly and their introduction is effected by Nino trying to teach Kay that she cannot eat spaghetti using a spoon.The final message of the novel is that immigrants to Australia should count themselves fortunate and should make efforts to assimilate into Australian society, including learning to speak Australian English. However, there is also a satirical undercurrent aimed at Australian society as a country of migrants.

    In Bowraville, all three of the victims were Aboriginal. All three were killed within five months, between 1990 and 1991. The same white man was linked to each, but nobody was convicted.More than two decades later, homicide detective Gary Jubelin contacted Dan Box, asking him to pursue this serial killing. At that time, few others in the justice system seemed to know – or care – about the murders in Bowraville. Dan spoke to the families of the victims, Colleen Walker-Craig, Evelyn Greenup and Clinton Speedy-Duroux, as well as the lawyers, police officers and even the suspect involved in what had happened. His investigation, as well as the families’ own determined campaigning, forced the authorities to reconsider the killings. This account asks painful questions about what ‘justice’ means and how it is delivered, as well as describing Dan’s own shifting, uncomfortable realisation that he was a reporter who crossed the line.Praise for the Bowraville podcast:'It is a gripping true crime tale and an essay on racism; a challenge to the lies Australia tells itself about its treatment of Aboriginal and Torres Strait Islander people told through the voices of three Aboriginal families who have been indisputably let down … The podcast has galvanised the public in a way that two decades of print and television reporting on the Bowraville murders have not.’ The Guardian 'A masterful example of crime reporting which forensically details the worst of human nature, inexplicably compounded by the gross negligence of the only people who could provide justice. It’s stirred thousands, including the prime suspect, to re-engage with the case after trusting the journalist to take them to dark places.’ Walkley judges’ comments ‘Outstanding.’ Leigh Sales‘Moving, brilliant.’ Annabel Crabb'If you haven't listened to Bowraville by Dan Box, then you should.’ David Campbell

    From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    Ned Kelly emerges as a man who hated conflict yet never escaped it. A thorough account of a most remarkable life. Author Biography: As an historical writer, IAN JONES has written for television and film, his work including THE SULLIVANS, AGAINST THE WIND, THE LAST OUTLAW and THE LIGHTHORSEMEN.