Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    The locations and bodies are exaggerated to reach a more realistic and sensorial state. This is an awesome debut comic."— Dash Shaw, author of titles such as Cosplayers, Doctors, Bodyworld, and Bottomless Belly Button"Parrish has one of my favourite traits in a cartoonist: intense passion for the craft. They are rapidly evolving and experimenting wildly and it’s joyful to watch."— Simon Hanselmann, author of NY Times bestselling titles such as Megahex and Meg and Mogg in AmsterdamPerfect Hair, the debut graphic novel by Tommi Parrish, is a vivid set of vignettes that balances emotional honesty with a keen cultural awareness. Deploying their bold, innovative style to navigate topics such as fear, loneliness, identity, body politics, and more, Parrish is a promising newcomer from the burgeoning Australian altcomics scene. Tommi Parrish is a cartoonist, illustrator, and art editor based in Melbourne, Australia. Their work has appeared in various anthologies, magazines, mini comics, gallery shows in New York, Argentina, and throughout Australia, as well as the online column Advicecomics. They are also the art editor of the Australian literary journal The Lifted Brow.

    Together they set out to solve the mystery of his disappearance, embarking on a journey that leads to a strange kingdom under the waves and into the heart of a royal power struggle, where the answer to Victual s true identity could save or doom them all!

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    But this strange society exists in an uneasy truce, in the aftermath of uprisings seeking freedom and acceptance, that have only ended in tragedy. As the ambitious, the desperate and the hopeful inhabitants of the asteroid struggle to decide their shared fate, a force greater than either animal or human seems to be silently watching the conflict, waiting for either side to finally answer the question: what is worthy of being human? EMMA RiOS (PRETTY DEADLY, ISLAND) and HWEI LIM (LALAGE, HERO) present MIRROR: THE MOUNTAIN, the first arc of a story about the mage-scientists of The Synchronia and the sentient animals of Irzah colony.

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Please have an adventure.