Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    Here, their voices bubble up from the depths, enraged and sardonic, sorrowing and wild, finding themselves on new ground -- scattered across the American continent, marking a path for the seeker to follow, from New England universities to Hawaiian volcanoes, from dilapidated factories to Chinatown kitchens, from the Old East to the New West...

    Where did this demi-god of death and destruction come from and...more importantly what does he want?

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.

    The freedom to tell each other the stories of ourselves, to retell the stories of our culture and beliefs, is profoundly connected to the larger subject of freedom itself.”—Salman Rushdie, editorIntroduction / by Salman Rushdie --Admiral / T.C. Boyle --The year of silence / Kevin Brockmeier --Galatea / Karen Brown --Man and wife / Katie Chase --Virgins / Danielle Evans --Closely held / Allegra Goodman --May we be forgiven / A.M. Homes --From the desk of Daniel Varsky / Nicole Krauss --The king of sentences / Jonathan Lethem --The worst you ever feel / Rebecca Makkai --The wizard of West Orange / Steven Millhauser --Nawabdin Electrician / Daniyal Mueenuddin --Child's play / Alice Munro --Buying Lenin / Miroslav Penkov --Vampires in the lemon grove / Karen Russell --Puppy / George Saunders --Quality of life / Christine Sneed --Missionaries / Bradford Tice --Straightaway / Mark Wisniewski --Bible / Tobias Wolff

    The first collection of Ludlum's works ever to be published, this omnibus contains three of his most famous and bestselling thrillers, The Holcroft Covenant, The Matarese Circle, and The Bourne Identity, unavailable in hardcover elsewhere.

    Many of the stories in this collection were published during the heyday of popular science fiction magazines from the 1930s to the 1950s.Included within this work are stories by Poul Anderson, Jules Verne, H.G. Wells, Phillip K. Dick, Randall Garrett, Paul Ernst, Kurt Vonnegut, Jack Williamson, Phillip Jose Farmer, Lester Del Rey, Leigh Brackett, Fredric Brown, Murray Leinster, Ben Bova, and many others.This collection includes an active table of contents for easy navigation.A Strange Manuscript found in a Copper Cylinder (James De Mille)A World by the Tale (Randall Garrett)A World is Born (Leigh Brackett)Accidental Death (Peter Baily)Arena (Fredric Brown)Atom Boy (Ray Cummings)Beyond Lies the Wub (Phillip K. Dick)Blind Spot (Bascom Jones)Cully (Jack Egan)Dead Giveaway (Randall Garrett)Dead Ringer (Lester Del Rey)Dead World (Jack Douglas)Divinity (Joseph Samachson)Four Miles Within (Anthony Gilmore)Heist Job on Thizar (Randall Garrett)Hex (Laurence Janifer)In the Year 2889 (Jules Verne)Indulgence of Negu Mah (Robert Arthur)Lease to Doomsday (Lee Archer)Lost in Translation (Laurence Janifer)McIlvane’s Star (August Derleth)Missing Link (Frank Herbert)Next Logical Step (Ben Bova)Pandemic (J.F. Bone)Remember the Alamo (T.R. Fehrenbach)Salvage in Space (Jack Williamson)Security (Poul Anderson)Subspace Survivors (E.E. “Doc” Smith)The Aliens (Murray Leinster)The Big Trip Up Yonder (Kurt Vonnegut)The Chronic Argonauts (H.G. Wells)The Cosmic Express (Jack Williamson)The Day Time Stopped Moving (Bradner Buckner)The Eternal Wall (Raymond Z. Gallun)The Gifts of Asti (Andre Norton)The Hated (Frederick Pohl)The Last Evolution (John W. Campbell)The Man Who Saw the Future (Edmond Hamilton)The Memory of Mars (Raymond F. Jones)The Moon is Green (Fritz Leiber)The Nothing Equation (Tom Godwin)The Power and the Glory (Charles W. Diffin)The Radiant Shell (Paul Ernst)The Stoker and the Stars (Algis Budrys)The Street That Wasn’t There (Carl Jacobi and Clifford D. Simak)The World Behind the Moon (Paul Ernst)There is a Reaper (Charles De Vet)They Twinkled Like Jewels (Phillip José Farmer)Waste Not, Want (Dave Dryfoos)Year of the Big Thaw (Marion Zimmer Bradley)

    This essential collection is perfect for the poetry lover who wants to carry around their favorite poems, and ideal for the reader seeking an introduction to the greatest poems world literature has to offer. The authors included are each represented by his or her best-known and best-loved work, from the Classics (Homer, Sappho, Virgil, Ovid) to the Renaissance (Dante, Petrarch, Villon, Shakespeare) to the Romantics (Schiller, Wordsworth, Shelley, Keats) to the 20th Century giants (Pound, Eliot, Frost, Stevens) down to the present day (Ginsberg, Plath, Angelou). Each poem is introduced by a brief head note which details the poet’s life history as well as the poem’s significance.

    This is the least of what happens, for the local watering hole soon becomes an out-and-out attraction for various eccentric characters ranging from uncouth rogues to members of academia.

    As a self-help philosophy, Wayfinding means being aware of our environment and our responses to outside stimuli. It also means learning about the environment for which we evolved, and how it differs from the environment in which we live. Wayfinding is not a destination. It is a neverending journey. It doesn't have to be yours; it is simply a description of the path that I am on, with all my bumbling and lack of expertise on full display.

    Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.

    When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear--they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.Finalist for the T. S. Eliot PrizeFinalist for the Forward Prize for Best Collection

    Whether fictionalizing his dramatic exploits as a Royal Air Force pilot during World War II or concocting the ingeniously plotted fables that were dramatized on television as Tales of the Unexpected, Dahl was brilliant at provoking in his readers the overwhelming desire to know what happens next—and at satisfying that desire in ways that feel both surprising and inevitable.In this collection:-A Fine Son-Death of an Old Man-Parson’s Pleasure-Poison-The Hitch-Hiker-The Wish-Mrs. Bixby and the Colonel’s Coat-Dip in the Pool-The Landlady-Skin-Lamb to the Slaughter-Man from the South-The Way Up to Heavan-The Umbrella Man-Taste-The Swan-William and MaryFilled with devilish plot twists, his tales display a tantalizing blend of macabre humor and the absurdly grotesque. Dahl’s creations amuse and shock us in equal measure, gleefully reminding us of what might lurk beneath the surface of the ordinary.

    In graphic detail he describes the suffering of the convicts - their squalor and degradation, their terror and resignation, from the rampages of a pyschopath to the brief serenity of Christmas Day. Amid the horror of labour in the sub-zero work camp, we hear the stories of the prisoners, and live through the freezing isolation and pain of day after day of misery. We see a young intellectual forced to live, eat and sleep with men from a background of cruelty, coarseness and brutality.Alternate edition of ISBN-10: 1840226293 / ISBN-13: 9781840226294

    In a story like Bartleby, the Scrivener -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In Benito Cereno, he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.