Irena Sendler was a young Polish woman living in Warsaw during World War II. Irena smuggled thousands of children out of the walled Jewish ghetto in toolboxes and coffins, snuck them under overcoats at checkpoints, and slipped them through the dank sewers and into secret passages that led to abandoned buildings, where she convinced her friends and underground resistance network to hide them.

    Survivors Club tells the unforgettable story of how a father’s courageous wit, a mother’s fierce love, and one perfectly timed illness saved Michael’s life, and how others in his family from Zarki, Poland, dodged death at the hands of the Nazis time and again with incredible deftness. Working from his own recollections as well as extensive interviews with relatives and survivors who knew the family, Michael relates his inspirational story with the help of his daughter, Debbie Bornstein Holinstat. Shocking, heartbreaking, and ultimately uplifting, this narrative nonfiction offers an indelible depiction of what happened to one Polish village in the wake of the German invasion in 1939.

    Anita Lobel was barely five when the war began and sixteen by the time she came to America from Sweden, where she had been sent to recover at the end of the war. This haunting book, illustrated with the author's archival photographs, is the remarkable account of her life during those years. Poised, forthright, and always ready to embrace life, Anita Lobel is the main character in the most personal story she will ever tell.Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now.

    And then the dizzy spells start. Soon gravely ill with leukemia, the "atom bomb disease," Sadako faces her future with spirit and bravery. Recalling a Japanese legend, Sadako sets to work folding paper cranes. For the legend holds that if a sick person folds one thousand cranes, the gods will grant her wish and make her healthy again. Based on a true story, Sadako and the Thousand Paper Cranes celebrates the extraordinary courage that made one young woman a heroine in Japan.

    But when she discovers the diary her Jewish great-grandmother wrote chronicling her escape from Holocaust-era Europe, Imani begins to see family in a new way.Imani knows exactly what she wants as her big bat mitzvah gift: to meet her birthparents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. When her mom's grandmother--Imani's great-grandma Anna--passes away, Imani discovers an old diary among her books. It's Anna's diary from 1941, the year she was twelve--the year she fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn. Written as a series of letters to the twin sister she had to leave behind, Anna's diary records her journey to America and her new life with an adopted family. Anna's diary and Imani's birthparent search intertwine to tell the story of two girls, each searching for family and identity in her own time and in her own way.

    Though Japanese, eleven-year-old Yoko has lived with her family in northern Korea near the border with China all her life. But when the Second World War comes to an end, Japanese on the Korean peninsula are suddenly in terrible danger; the Korean people want control of their homeland and they want to punish the Japanese, who have occupied their nation for many years. Yoko, her mother and sister are forced to flee from their beautiful house with its peaceful bamboo grove. Their journey is terrifying -- and remarkable. It's a true story of courage and survival.

    One memory. Vienna. 1936. Three young friends—Leo, Elsa, and Max—spend a perfect day together, unaware that around them Europe is descending into a growing darkness and that they will soon be cruelly ripped apart from one another. With their lives taking them across Europe—to Germany, England, Prague, and Poland—will they ever find their way back to one another? Will they want to? Inspired by a true story, When the World Was Ours is an extraordinary novel that is as powerful as it is heartbreaking and that shows how the bonds of love, family, and friendship allow glimmers of hope to flourish, even in the most hopeless of times.

    Sometimes people only go off of what they see. Like the Mexican boxer Canelo Álvarez, twelve-year-old Güero is puro mexicano. He feels at home on both sides of the river, speaking Spanish or English. Güero is also a reader, gamer, and musician who runs with a squad of misfits called Los Bobbys. Together, they joke around and talk about their expanding world, which now includes girls. (Don't cross Joanna--she's tough as nails.)Güero faces the start of seventh grade with heart and smarts, his family's traditions, and his trusty accordion. And when life gets tough for this Mexican American border kid, he knows what to do: He writes poetry.Honoring multiple poetic traditions, They Call Me Güero is a classic in the making and the recipient of a Pura Belpré Honor, a Tomás Rivera Mexican American Children's Book Award, a Claudia Lewis Award for Excellence in Poetry, and a Walter Dean Myers Honor.

    Few Parisians were willing to risk their own lives to help. Yet during that perilous time, many Jews found refuge in an unlikely place--the sprawling complex of the Grand Mosque of Paris. Not just a place of worship but a community center, this hive of activity was an ideal temporary hiding place for escaped prisoners of war and Jews of all ages, especially children.Beautifully illustrated and thoroughly researched (both authors speak French and conducted first-person interviews and research at archives and libraries), this hopeful, non-fiction book introduces children to a little-known part of history. Perfect for children studying World War II or those seeking a heart-warming, inspiring read that highlights extraordinary heroism across faiths.Includes a bibliography, a recommended list of books and films, and afterword from the authors that gives more details behind the story.

    But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is.

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    Having conducted extensive interviews with Sachiko Yasui, Caren Stelson chronicles Sachiko’s trauma and loss as well as her long journey to find peace. This book offers readers a remarkable new perspective on the final moments of World War II and their aftermath.

    Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor. But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.

    In a heartbreaking narrative that flows like a novel, we follow Ludie from childhood to falling in love and getting married, through the birth of her own children, and on into old age. This is the story of one woman’s experiences in a hard­scrabble coal-mining town, a story that brims with universal themes about life, love, and family—and all of the joy, laughter, heartache, and loss that accompany them. Would she tell you that six children were too many, that some disappointed, that others surprised, but that, all in all, six were too many and onewould have been just fine. Would she tell you that she married that boy at fifteen not only because he was tall and kind but also because she needed a way out.              —from LUDIE’S LIFE

    In another life we might have all been friends together. But this was Birchwood. As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz. Every dress she makes could be the difference between life and death. And this place is all about survival. Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration wth her captors, or is it a means of staying alive?Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose?One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.