Brinkley explores the colorful diversity of Alaska’s wildlife, arrays the forces that have wreaked havoc on its primeval arctic refuge—from Klondike Gold Rush prospectors to environmental disasters like the Exxon-Valdez oil spill—and documents environmental heroes from Theodore Roosevelt to Dwight Eisenhower and beyond. Not merely a record of Alaska’s past, Quiet World is a compelling call-to-arms for sustainability, conservationism, and conscientious environmental stewardship—a warning that the land once called Seward’s Folly may go down in history as America’s Greatest Mistake.

    All at once a love letter to his wife, a nervy reckoning with his own fallibility, a meditation on the impact of porn on American culture, and an attempt to understand marriage (one marriage, the idea of marriage, all marriages), The Trouble with Men is exquisitely balanced between the personal and the anthropological, nakedness and restraint. While unashamedly intellectual, it’s also irresistibly readable and extremely moving. Over five increasingly intimate chapters, Shields probes the contours of his own psyche and marriage, marshalling a chorus of other voices that leaven, deepen, and universalize his experience; his goal is nothing less than a deconstruction of eros and conventional masculinity. Masterfully woven throughout is an unmistakable and surprisingly tender cri de coeur to his wife. The risk and vulnerability on display are in the service of radical candor, acerbic wit, real emotion, and profound insight—exactly what we’ve come to expect from Shields, who, in an open invitation to the reader, leaves everything on the page.

    He went to Londolozi Game Reserve. Founded over eighty years ago by Boyd Varty's great-grandfather, Londolozi started as a hunting safari. But in 1973, Boyd's visionary father, Dave, transformed it into a nature reserve, creating a blueprint for modern-day conservation. This transformation is the backdrop of Boyd's family history and his own personal odyssey.Alongside his feisty, daring sister, Bronwyn, Boyd grows up learning to track lions, raise leopard cubs, and pilot Land Rovers. The two of them tag along with their larger-than-life uncle, John, who repeatedly flung them in danger's way to capture the best footage for his legendary wildlife videos. Boyd survives harrowing rhino charges and a vicious crocodile attack, but his most difficult challenge was a private crisis of purpose. After a period of intense spiritual questing, Boyd reconnects with nature and is able to "rediscover the track."With conviction, hope and humor, Boyd sweeps readers along his journey of discovery and rediscovery, making a passionate claim for the power of the wild to heal and restore the human spirit.

    She crisscrossed America and beyond with her daughter in tow, history shadowing their steps, always intensely aware of how they were perceived, not just as mother and child but as black women. From the San Francisco of settlers’ dreams to the slave-trading ports of Ghana, from snow-white Maine to a festive yet threatening bonfire in the Virginia pinewoods, Dungy finds fear and trauma but also mercy, kindness, and community. Penetrating and generous, this is an essential guide for a troubled land.

    It is a journal filled with strong emotions about a wondrous place on the American landscape. Her entries tell the sad saga of the decision to flood Glen Canyon on the Colorado River. Her words and songs make the canyon come alive and they provide a vivid picture of what has been lost.

    He also found the notes Darwin kept throughout Annie's illness, the eulogy he delivered at her funeral—and provocative new insights into Darwin’s views on nature, evolution, and the human condition. In Darwin, His Daughter & Human Evolution, Keynes shows that Darwin was not "a cold intellect with no place for love in his famous 'struggle for existence,' [but]...a man of uncommon warmth" (Scientific American).Creation: The True Story of Charles Darwin is now a major motion picture and the movie tie-in paperback is also available from Riverhead Books.

    "I am black--and brown, too," writes Emily Bernard. "Brown is the body I was born into. Black is the body of the stories I tell."The storytelling, and the mystery of Bernard's storytelling, of getting to the truth, begins with a stabbing in a New England college town. Bernard writes how, when she was a graduate student at Yale, she walked into a coffee shop and, along with six other people, was randomly attacked by a stranger with a knife ("I remember making the decision not to let the oddness of this stranger bother me"). "I was not stabbed because I was black," she writes (the attacker was white), "but I have always viewed the violence I survived as a metaphor for the violent encounter that has generally characterized American race relations. There was no connection between us, yet we were suddenly and irreparably bound by a knife, an attachment that cost us both: him, his freedom; me, my wholeness."Bernard explores how that bizarre act of violence set her free and unleashed the storyteller in her ("The equation of writing and regeneration is fundamental to black American experience").She writes in Black Is the Body how each of the essays goes beyond a narrative of black innocence and white guilt, how each is anchored in a mystery, and how each sets out to discover a new way of telling the truth as the author has lived it. "Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably . . . Race is the story of my life, and therefore black is the body of this book."And what most interests Bernard is looking at "blackness at its borders, where it meets whiteness in fear and hope, in anguish and love."