She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields. Her misery was compounded by her own misdiagnosis of a terminal illness, all of which contributed to crippling anxiety and an actual diagnosis of PTSD. Many of those events and themes would eventually be transformed and recast as fictional gold in Morrissey's novels.In another writer's hands, Morrissey's account of her personal story could easily be a tragedy. Instead, she combines darkness and light, levity and sadness into her tale, as her indomitable spirit and humour sustain her. Morrissey's path takes her from the drudgery of being a grocery clerk (who occasionally enlivens her shift with recreational drugs) to western oilfields, to marriage and divorce and working in a fish-processing plant to support herself and her two young children. Throughout her struggles, she nourishes a love of learning and language.Morrissey layers her account of her life with stories of those who came before her, a breed rarely seen in the modern world. It centers around iron-willed women: mothers and daughters, wives, sisters, teachers and mentors who find the support, the wind for their wings, outside the bounds given to them by nature. And it is a mysterious older woman she meets in Halifax who eventually unleashes the writer that Morrissey is destined to become.An inspiring and insightful memoir, Pluck illustrates that even when you find yourself unravelling, you can find a way to spin the yarns that will save you--and delight readers everywhere.

    

    It seems like a wish come true. But she quickly realizes that not all change is positive. Her dad has a mysterious new girlfriend, Moura, who slowly drives a wedge between Jen and her father. Furthermore, Moura has an unusually strong—almost obsessive—interest in the antiques that fill the mansion, especially a beautiful glass globe that Jen finds hanging in a window. When Jen’s cat accidentally breaks the globe, which Moura calls a “witch catcher,” strange things begin to happen. . . .    An odd-looking girl wearing a torn dress appears, seemingly out of nowhere, and Moura’s behavior becomes more sinister, leading Jen to believe that her father is a pawn in an evil scheme. Soon Jen finds herself caught in the midst of a supernatural war, with the fate of an enchanted race—and her family—at stake.    Inspired by the age-old legend of witch catchers, Mary Downing Hahn brings a magical cast of characters to life in this compelling fantasy adventure. Author’s note.

    Sometimes touching, sometimes heart-breaking, but always memorable, Rabbit weaves these tales into the spaces of his own life experiences, gaining insight and understanding of the higher purposes of life.

     From the Aztec plumed serpent to the Christian dove to Plato's vision of the human soul growing wings, religion and philosophy use birds to represent our aspirational selves. Winged creatures appear in mythology and folk tales, and in literature by writers as diverse as Ovid, Thoreau, and T. S. Eliot. They've been omens, allegories, and guides; they've been worshipped, eaten, and feared. Birds figure tellingly in the work of such nature writers as Gilbert White and Peter Matthiessen, and are synonymous with the science of Darwin.Gibson spent years collecting this gorgeously illustrated celebration of centuries of human response to the delights of the feathered tribes. The Bedside Book of Birds is for everyone who is intrigued by the artistic forms that humanity creates to represent its soul.

    Brought to life with lyrical text by award-winning author Donna Jo Napoli and stunning artwork by award-winning illustrator Christina Balit, the tales of gods and goddesses such as Zeus, Aphrodite, Apollo, and Athena and heroes and monsters such as Helen of Troy, Perseus, and Medusa will fascinate and engage children’s imaginations.   National Geographic completes the book with embellishments of each story: sidebars for each god, goddess, hero, and monster link the myths to constellations, geography, history, and culture to help young readers connect the stories to real life events, people, and places. A family tree and a “cast of characters” profile page help make relationships between the characters clear, and a mapping feature adds to the fun and fascination. Resource notes and ample back matter directing readers to more information round out this luminous book. Sure to dazzle all those intrigued with the fantastic tales of Greek mythology and enchant new readers, this vibrant book will soon become a family keepsake.National Geographic supports K-12 educators with ELA Common Core Resources.Visit www.natgeoed.org/commoncore for more information.

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    Folklore of the seas and rivers has a resonance in cultures all over the world. Watery hopes, fears and dreams are shared by all peoples where rivers flow and waves crash. This fascinating book covers English sailor superstitions and shape-shifting pink dolphins of the Amazon, Scylla and Charybdis, the many guises of Mami Wata, the tale of the Yoruba River spirit, the water horses of the Scottish lochs, the infamous mystery of the Bermuda Triangle, and much more.Accompanied by stunning woodcut illustrations, popular authors Dee Dee Chainey and Willow Winsham explore the deep history and enduring significance of water folklore the world over, from mermaids, selkies and sirens to ghostly ships and the fountains of youth.With this book, Folklore Thursday aims to encourage a sense of belonging across all cultures by showing how much we all have in common.

    Fifteen-year-old Corinna Stonewall — the only Folk Keeper in the city of Rhysbridge — sits hour after hour with the Folk in the dark, chilly cellar, "drawing off their anger as a lightning rod draws off lightning." The Folk are the fierce, wet-mouthed, cave-dwelling gremlins who sour milk, rot cabbage, and make farm animals sick. Still, they are no match for the steely, hard-hearted, vengeful orphan Corinna who prides herself in her job of feeding, distracting, and otherwise pacifying these furious, ravenous creatures. The Folk Keeper has power and independence, and that's the way she likes it.One day, Corinna is summoned by Lord Merton to come to the vast seaside estate Cliffsend as Folk Keeper and family member — for she is the once-abandoned child he has been looking for. It is at Cliffsend that Corinna learns where her unusual powers come from, why she is drawn to the sea, and finally, what it means to be comfortable in her own skin. Written in the form of a journal, The Folk Keeper is a powerful story of a proud, ferociously self-reliant girl who breaks out of her dark, cold, narrow world into one of joy, understanding, and even the magic of romance.

    If you’re feeling brave, turn the page.A game of hide-and-seek goes on far too long…A look-alike doll makes itself right at home… A school talent-show act leaves the audience aghast…And a summer at camp takes a turn for the braaaains… This collection of all-new spooky stories is sure to keep readers up past their bedtimes, laughing, gasping, and looking over their shoulders to see what goes bump in the night.

    Finally, a ghost story that reminds you why the basement is so terrifying!’ Brett McNeill of Rue Morgue Magazine ‘Ashforth does Edgar Allen Poe and Bram Stoker proud delivering a solid contribution to the literary movement. It is time that the ghost story made a comeback. With writers like Benedict Ashforth writing Abbot’s Keep, a revival just might be at hand.’ Matthew J. Barbour of Horror Novel Reviews ‘A really entertaining read with a delightful frisson of fear.’ Simon Ball of Horror Hothouse ‘Ashforth builds on the tension and the feeling of unease with each page to revel in a wonderfully tense and unnerving finale.’ Jim Mcleod of Ginger Nuts of Horror ‘Reminiscent of Poe, Abbot's Keep by Benedict Ashforth is a haunting novella with unique form and beautiful prose.’ Michael Bailey (HWA Bram Stoker Award Nominee) ‘. . . an eerie, atmospheric ghost story . . . has a gentle eeriness that keeps the reader wanting to find out more.' Julie K Top 50 Reviewer ‘Perfect ghost story.’ Christine Waddington 'Ashforth successfully builds a dark and relentless dread that steadily creeps through the text. Extremely accomplished.’ L Sharif ‘A gripping read right from the beginning. Couldn't put it down.’ D Boydell ‘I just could not put this story down. I wanted to know what happened as soon as I picked up my kindle. Strongly recommend.’ Mr Tony Cordon ‘The actual writing is wonderful, beautifully descriptive.’ Fiona White ‘I could not stop reading! it was as though I was in a trance, the story is captivating and very original.’ Safa R ‘A fantastic read, lots of twists and turns. Would recommend this to all Mystery readers. A book that is hard to put down.' Ms P Frain ‘. . . great plot and a well developed storyline. It is elegantly told with well built atmosphere and tension . . . a well conceived idea and would make excellent viewing were it ever to be dramatized.’ Cate Hamilton Read over 190 more reviews on amazon.co.uk

    In this collection, stories from Ireland, Scotland, Wales, the Isle of Man, Cornwall, and Brittany show their common Celtic heritage in their love of extravagance and poetry, their quick wit, and their daring sense of adventure.Here, retold much as they were around Celtic peat fires a hundred years ago, are the enthralling tales of "Fair, Brown, and Trembling," "The Brown Bear of the Green Glen," and "The Ship that Went to America." Some of the stories give familiar tales a Celtic twist: "Duffy and the Devil" is a comic Cornish take on the Rumpelstiltskin story; "The Black Cat" is a dark and mysterious Breton "Cinderella." Others seem new and strange: the doomed love of "Lutey and the Mermaid," or the mystic rapture of "The Little Bird."Perhaps most riveting of all is the Irish tale of "The Soul Cages," in which a fisherman makes friends with one of the sea-people, Coomara, and uses that friendship to fee the souls of drowned sailors, kept by Coomara in lobster pots in is house beneath the waves.Illustrated in watercolor and gold leaf by acclaimed artist Isabelle Brent, these tales are full of Celtic magic.

    Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids—more than anyone will be able to imagine—he tried.

    It's bad enough that she has no idea what her special talent is, but some of her behavior is remarkably, well, human. Prilla is heartbroken that she does not seem to fit in. She desperately needs help from Mother Dove, the most important creature in Neverland, who created and cares for the magical egg that prevents all who live in Neverland from growing old and dying. But tragedy strikes as the island is hit by a hurricane, and the Never egg is destroyed. Mother Dove must pick three fairies to set out on a dangerous quest to repair the egg. She chooses Rani, the best water-talent fairy; Vidia, the most selfish, but fastest fast-flying-talent fairy; and, to everyone's surprise-Prilla. The three embark on a journey filled with danger, sacrifice, and adventure. The fate of Neverland-and their world as they know it-rests on their shoulders.

    There were no roads, no cars and no telephones. The tiny village that nestled among the rocky hills of Newfoundland's desolate southern coast had existed for generations with ancient customs and patterns of speech that still endured-while the modern world waited impatiently in the wings. Drawing on a wealth of first-hand experience-the Mowats lived in the outport community for five years-Claire Mowat has written a fictional memoir that beautifully recreates an almost vanished world. A world where life revolved tightly around the home and neighbours watched over one another. A world where one's kitchen was open to anyone who might drop in, day or night. A world that Claire Mowat grew to love.