The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    The Skeleton, translated from Punjabi into English by Khushwant Singh, is memorable for its lyrical style and depth in her writing. Amrita Pritam portrays the most inmost being of the novel s complex characters. The Man is a compelling account of a young man born under strange circumstances and abandoned at the altar of God.

    . . .The yellow glowed beautifully in the morning light. There was something different about this particular yellow. This one entered through his eyes, dissolved in his blood, and went straight to his heart.” Uday Prakash’s novel of contemporary India is a tender love story—university student Rahul is swept away by a “sweet fever” of love for Anjali, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love.

    But when the shadows of the past, of a friend he has lost forever and of a woman he can never be with, finally catch up to him, Arjun finds himself fighting the biggest battle of his life. For at stake is not just his iron hold over the government, but something even bigger---- his family...and his soul.Spanning five decades and two generations, Sultan of Delhi: Ascension is an explosive saga of ambition, greed, love and passion

    Millions displaced, thousands slaughtered, families divided and redefined, as home became alien land and the unknown became home. So much has been said about it but there is still no writer, storyteller or poet who has been able to explain the madness of Partition. Using the oral narratives of four generations of people - mainly Pakistanis but also some Indians - Anam Zakaria, a Pakistani researcher, attempts to understand how the perception of Partition and the 'other' has evolved over the years. Common sense dictates that the bitter memories of Partition would now be forgotten and new relationships would have been forged over the years, but that is not always the case. The memories of Partition have been repackaged through state narratives, and attitudes have only hardened over the years. Post-Partition events - wars, religious extremism, terrorism - have left new imprints on 1947. This book documents the journey of Partition itself - after Partition.

    Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Gods, Demons and Others is a collection of short stories by R. K. Narayan adapted from Indian history and mythology, including epics like The Ramayana and The Mahabharatha. In this book, Narayan provides both vitality and an original viewpoint to ancient legends. Gods, Demons and Others is a collection of ancient tales from India's complex history and mythology presented in their traditional setting, albeit with Narayan's urbane and affectionate, satirical style, bereft of any didactic interludes. The selection of stories includes only those that center on outstanding personalities who transcend the boundaries of time and age. The book consists of 15 stories. LavanaThe story of Lavana, an asura from the Ramayana. ChudalaThe story of a king trying to attain self realisation. YayatiThe story of Yayati, an asura king. DeviThe story of the Goddess Devi, responsible for all, in Hindu mythology. ViswamitraStory of Viswamitra, one of the most revered rishis of ancient India, who attains enormous power but stays unsatisfied until he realizes that the power should not be used for self-gratification. ManmataStory of Manmata, the cupid of Indian mythology. RavanaStory of the asura king Ravana, Rama's nemesis in the Ramayana. ValmikiStory of Adi Kavi Valmiki, the author of the Ramayana who is said to have discovered the first loka that set the base for Sanskrit poetry. DraupadiStory of Draupadi, the wife of the Pandavas in the Mahabharatha. NalaThe story of how Nala a pure and righteous king is corrupted by a demon and thereby s...More: http: //booksllc.net/?id=2352047

    A vivid depiction of the widespread disillusionment and seismic upheavals of the Partition era that lead to the creation of Pakistan and Bangladesh, there has never been a more opportune time to discover one of the most important writings about the post-colonial trauma in the region. Peter Owen editor and rights manager Simon Smith describes the book as ‘One of the best books, if not the best, we have ever published’.Beginning with the struggle of the people of India against the British Raj, this story of love and marriage between two people of totally different social backgrounds which crumbles almost as soon as as it takes place mirrors the uneasy ‘marriage’ between the British and their Indian Empire – both unions ultimately ending in a parting of the ways. Naim, son of a peasant, marries Azra, the daughter of a rich landowner. Fighting for the British during the First World War he loses an arm. Invalided home, he becomes angered at the subjugation of his countrymen under the Raj and aligns himself with the opposition. His ideals are swept away after Independence in 1947 when he realises that, as Muslims, his family is no longer safe in their Indian home and that they must migrate to the newly created Pakistan.

    Their illicit affair will forever rupture two households and three families, destroying a stable present built on the repression of a bloody past.In this sweeping novel of modern Pakistan, Uzma Aslam Khan takes us from the stifling demands of tradition and family to the daily oppression of routine political violence, from the gorgeous sensual vistas of the silk farms to the teeming streets of Karachi--stinking, crumbling, and corrupt.

    Set in modern-day Islambad, Pakistan, the book depicts an extraordinary child who enables her mother, Sajida, and her grandfather, Ali, to confront the pasts they have chosen to suppress. Through Noor's artwork, her family members are transported through their haunted memories of the 1970 cyclone that claimed the lives of a million people and the violent atrocities of the 1971 conflict between East and West Pakistan that eventually created the independent country of Bangladesh. As Noor's drawings bring to life sights, sounds, smells, and sensations from the past, her family is forced to admit of the betrayals and disillusionments that they thought had been buried with time. Moving, heartbreaking, and unsettling by turns, Noor is a novel about the horrors of war, the power of forgiveness, and, most important, the strength of the human spirit.

    What happens when three ambitious, high-achieving, 20-something Mumbaikars become New Yorkers?A. Madness.Zipping through life’s ups and downs like a high-speed elevator during rush hour, buddies Shri, Shanks, and Neel hold on to each other, and their sanity, with a bro-hood bonding that chipkos them together, fevicol se.Neel’s the driven hedge fund guy, with a weakness for scotch and women. Tam Brahm Shanks, a techie, falls for the "wrong” girl. Good Son Shri, a banker, holds a secret he means to take to his grave. Their intertwined lives buzz with high-voltage drama — explosive secrets, super-charged romances, and a-fuse-a-minute meltdowns.There’s alcohol-fueled passion, Devdas style. Inter-racial hook-ups. Even a fake affair, because money can’t buy the real thing. When their skyscraper-sized dreams are tested, this “desified” saga of friends in Manhattan is like the city’s rapid transit express subway line. You won’t want any stops in between.

    It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.

    On June 3, 1947 Lord Mountbatten announced that district of Gurdaspur was to be assigned to Pakistan but Redcliffe, Head of the Boundary Commission, conspired with Indian politicians such as Nehru and modified the geographic boundaries of the two newly formed countries in order to include the district of Gurdaspur in India’s map. As a result, the Muslim population of Gurdaspur set out in search of a safe home in Pakistan but many dangers awaited them on their journey to their new homeland

    As rehearsals were about to begin, the BBC hierarchy—under pressure from the Foreign Office—decided to cancel the project. Why? General Zia ul Haq, the dictator at the time, was leading the jihad against the Soviet Union in Afghanistan. He was backed by the USA. According to expert legal opinion, there was a possibility of a whole range of defamation suits from the head of state to judges involved in the case. In consequence, it was decided not to broadcast this hard-hitting and provocative play.The Leopard and the Fox presents both the script and the story of censorship.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.