Features previously published and new poems that explore the natural world and how it is connected to human beings and spirituality.

    “Spare and haunting tales that ask ordinary questions about that extraordinary emotion: love.”—Chicago TribuneThe novella and five stories that make up this collection reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father’s death; and in the title novella, a woman speaks from beyond the grave about her tragic marriage to an exiled musician whose own disappointments nearly destroyed their two daughters.

    At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that, Cities I've Never Lived In offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.Cities I've Never Lived In is the second book in Graywolf's collaboration with the literary magazine A Public Space.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

    To be published on the first anniversary of Kurt Vonnegut's death, Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace, imbued with Vonnegut's trademark rueful humor.

    Whether his characters are struggling to save trees in their yards, their marriages, or themselves, Cannin renders their moments of revelation with rich observation, energy, humor, and grace.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways; In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate; and The Pill Versus the Springhill Mine Disaster is a collection of nearly 100 poems, first published in 1968.

    The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends.What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    . . Talent can’t help itself; it roars along in fair weather or foul, not sparing the fireworks. It gets emotional. It struts its stuff. In fact, that’s its job.”Wonderfully eclectic, The Best American Short Stories 2007 collects stories by writers of undeniable talent, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, lovers or friends or colleagues, must break certain rules in order to remain true to ourselves. In T. C. Boyle’s heartbreaking “Balto,” a thirteen-year-old girl provides devastating courtroom testimony in her father’s trial. Aryn Kyle’s charming story “Allegiance” shows a young girl caught between her despairing British mother and motherly American father. In “The Bris,” Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even when they require a breach of morality and religion. Kate Walbert’s stunning “Do Something” portrays one mother’s impassioned and revolutionary refusal to accept her son’s death. And in Richard Russo’s graceful “Horseman,” an English professor comes to understand that plagiarism reveals more about a student than original work can.New series editor Heidi Pitlor writes, “[Stephen King’s] dedication, unflagging hard work, and enthusiasm for excellent writing shone through on nearly a daily basis this past year . . . We agreed, disagreed, and in the end very much concurred on the merit of the twenty stories chosen.” The result is a vibrant assortment of stories and voices brimming with attitude, deep wisdom, and rare compassion.Pa's darling / Louis Auchincloss --Toga party / John Barth --Solid wood / Ann Beattie --Balto / T.C. Boyle --Riding the doghouse / Randy DeVita --My brother Eli / Joseph Epstein --Where will you go when your skin cannot contain you? / William Gay --Eleanor's music / Mary Gordon --L. DeBard and Aliette, a love story / Lauren Groff --Wake / Beverly Jensen --Wait / Roy Kesey --Findings & impressions / Stellar Kim --Allegiance / Aryn Kyle --Boy in Zaquitos / Bruce McAllister --Dimension / Alice Munro --Bris / Eileen Pollack --St. Lucy's home for girls raised by wolves / Karen Russell --Horseman / Richard Russo --Sans farine / Jim Shepard --Do something / Kate Walbert

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

    Caught at moments of change, Chabon's men and women, children and husbands and wives, all face small but momentous decisions. They are caught in events that will crystallize and define their lives forever, and with each, Michael Chabon brings his unique vision and uncanny understanding of our deepest mysteries and our greatest fears.