In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing the sights and sounds of a neighborhood of struggling immigrants; as teenagers taking their own tentative steps into the wider world (Esther working for a woman who runs both a burlesque theater and a whorehouse, Fanya for an obstetrician who also performs illegal abortions); and, finally, as adults battling for their own piece of the “golden land”, where the difference between just barely surviving and triumphantly succeeding involves, for each of them, painful decisions that will have unavoidably tragic repercussions.

    Shining a light on humanity's ancient customs and institutions in a funny origin story of human civilization, Mark Russell (PREZ) blends modern interpretations with Hanna-Barbera's classic character's, bringing a breath of fresh stone-age air. Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics' re-imagination of cartoons like Scooby-Doo, The Flintsones, Johnny Quest, Space Ghost, and Wacky Racers, these new series will be infused with modern and contemporary concepts while keeping the heart and soul of the classic animation. Collects THE FLINTSTONES #1-6.

    As a young woman, Laurie unconsciously mirrors her dad, trying on several outsized personalities (Tokyo stripper, lesbian seductress, Ambien addict). Later, she lucks into the perfect job--interviewing celebrities for a top women's magazine. Growing up with her extraordinary father has given Laurie a knack for relating to the stars. But while researching an article on her dad's life, she makes an astonishing discovery: he's not the man he says he is--not even close. Now, Laurie begins to puzzle together three decades of lies and the splintered person that resulted from them--herself.

    As a girl, she wore black, obsessed over Willow in Buffy the Vampire Slayer, and found dating boys much more confusing than many of her friends did. As she grew older, so did her fears and a deep sense of unbelonging. From her first communion to her first girlfriend via a swathe of self-denial, awkward encounters, and everyday courage, Ellie tells her story through gorgeous illustrations—a fresh and funny self-portrait of a young woman becoming herself. The Times I Knew I Was Gay reminds us that people sometimes come out not just once but again and again; that identity is not necessarily about falling in love with others, but about coming to terms with oneself. Full of vitality and humor, it will ring true for anyone who has taken the time to discover who they truly are.

    They call a tribunal to decide his fate, each telling stories that delve into different interpretations of these winged, celestial beings: tales of dangerous angels, all-powerful angels, guardian angels and death angels, that range from the mystical to the mysterious to the macabre.This original graphic novel spotlights the painted work of award-winning artist Rebecca Guay, whose other workds include the Vertigo titles VEILS and DESTINY: A CHRONICLE OF DEATHS FORETOLD, as well as World of Warcraft, Magic: The Gathering and Dungeons and Dragons.

    One summer night at a house party, Fred met Cati. Though they barely spoke, he vividly remembered her gracefulness and abandon. They meet again years later, and this time their connection is instantaneous. But when things become serious, a nervous Cati tells him that she and her three-year-old son are both HIV positive. With great beauty and economy, Peeters traces the development of their intimacy and their revelatory relationship with a doctor whose affection and frankness allow them to fully realize their passionate connection.

    Barbara Thorson, a girl battling monsters both real and imagined, kicks butt, takes names, and faces her greatest fear in this bittersweet, coming-of-age story called "Best Indy Book of 2008" by IGN.

    Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska.Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.