For American multimillionaire Greg Carr, a tech mogul seeking new challenges, it looked like a perfect place for Western philanthropy: under his guidance, he promised, Gorongosa would be revived as an ecological paradise. But what of the local Mozambicans themselves, who had been living in the area for centuries? In White Man's Game, journalist Stephanie Hanes traces Carr's effort to tackle one of the world's biggest environmental challenges, showing how the ambitious reconstruction turned into a dramatic clash of cultures.In vivid, you-are-there stories, Hanes takes readers on a virtual safari into this remote corner of southern Africa. She faces down lions and malaria, describes what it takes to transport an elephant across international borders, and talks to park workers and wildlife poachers—who sometimes turn out to be one and the same. And she examines the larger issues that arise when Western do-gooders try to “fix” complex, messy situations in Africa, acting with best intentions yet ignoring the experience of the people who actually live there.A gripping narrative of environmentalists and warlords, elephants and rainmakers, poachers and millionaires, White Man's Game profoundly challenges the way we think about philanthropy and conservation.

    The disaster not only changed the world’s perception of nuclear power and the science that spawned it, but also our understanding of the planet’s delicate ecology. With the images of the abandoned homes and playgrounds beyond the barbed wire of the 30-kilometer Exclusion Zone, the rusting graveyards of contaminated trucks and helicopters, the farmland lashed with black rain, the event fixed for all time the notion of radiation as an invisible killer.Chernobyl was also a key event in the destruction of the Soviet Union, and, with it, the United States’ victory in the Cold War. For Moscow, it was a political and financial catastrophe as much as an environmental and scientific one. With a total cost of 18 billion rubles—at the time equivalent to $18 billion—Chernobyl bankrupted an already teetering economy and revealed to its population a state built upon a pillar of lies. The full story of the events that started that night in the control room of Reactor No.4 of the V.I. Lenin Nuclear Power Plant has never been told—until now. Through two decades of reporting, new archival information, and firsthand interviews with witnesses, journalist Adam Higginbotham tells the full dramatic story, including Alexander Akimov and Anatoli Dyatlov, who represented the best and worst of Soviet life; denizens of a vanished world of secret policemen, internal passports, food lines, and heroic self-sacrifice for the Motherland. Midnight in Chernobyl, award-worthy nonfiction that reads like sci-fi, shows not only the final epic struggle of a dying empire but also the story of individual heroism and desperate, ingenious technical improvisation joining forces against a new kind of enemy.