For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father's 22-volume set of Trollope ("My Ancestral Castles") and who only really considered herself married when she and her husband had merged collections ("Marrying Libraries"), she is exquisitely well equipped to expand upon the art of inscriptions, the perverse pleasures of compulsive proof-reading, the allure of long words, and the satisfactions of reading out loud. There is even a foray into pure literary gluttony: Charles Lamb liked buttered muffin crumbs between the leaves, and Fadiman knows of more than one reader who literally consumes page corners. Perfectly balanced between humor and erudition, Ex Libris establishes Fadiman as one of our finest contemporary essayists.

    Starting off in the south, she gained the unlikely sympathy and respect of a Muslim sailor, who provided her with both a seven-foot skiff and a window into the culturally and materially impoverished lives of rural Egyptians. Egyptian women don't row on the Nile, and tourists aren't allowed to for safety's sake. Mahoney endures extreme heat during the day, and a terror of crocodiles while alone in her boat at night. Whether she's confronting deeply held beliefs about non-Muslim women, finding connections to past chroniclers of the Nile, or coming to the dramaticm realization that fear can engender unwarranted violence, Rosemary Mahoney's informed curiosity about the world, her glorious prose, and her wit never fail to captivate.

    The daughter of a missile scientist and an alcoholic travelling trailer salesman, Gillespie was nine before she realized not everybody's mother made bombs, and thirty before she realized it was possible to live in one place longer than a six–month lease allows. Supporting her are the social outcasts she calls her best friends: Daniel, a talented and eccentric artist; Grant, who makes his living peddling folk art by a denounced nun who paints plywood signs with twisted evangelical sayings; and Lary, who often, out of compassion, offers to shoot her like a lame horse.Hollis's friends help her battle the mess of obstacles that stand in her way–including her warped childhood, in which her parents moved her and her siblings around the country like carnival barkers, chasing missile–building contracts and other whimsies, such as her father's dream to patent and sell door–to–door the world's most wondrous key–chain. A past like this will make you doubt you'll ever have a future, much less roots. Miraculously, though, Gillespie manages to plant exactly that: roots, as wrested and dubious as they are.As Gillespie says, "Life is too damn short to remain trapped in your own Alcatraz." Follow her on this wickedly funny journey as she manages to escape again and again.

    BEST AMERICAN TRAVEL WRITING gathers together a satisfyingly varied medley of perspectives, all exploring what it means to travel somewhere new. For the past two decades, readers have come to recognize this annual volume as the gold standard for excellence in travel writing.Overlooking Guantanamo / Benz, Stephen --The Great Divide / Crowell, Maddy --Uncomfortable Silences: a walk in Myanmar / Fettling, David --Finished / Gregory, Alice --How the Chile Pepper took over the world / Gross, Matt --I walked from Selma to Montgomery / Haile, Rahawa --Morsi the Cat / Hessler, Peter --A visit to Chernobyl:Travel in the Postapocalypse / Hewitt, Cameron --Paper Tiger / Jarvis, Brooke --Keepers of the Jungle / Knafo, Saki --Mother Tongue / Loredo, Lucas --Is this the most crowded island in the world? (and why that question matters) / MacGregor, Alex --Taming the Lionfish / MacGregor, Jeff --If these walls could talk / Markham, Lauren --The floating world / Mauk, Ben --Irmageddon / O'Neil, Devon --Water and the wall / Paumgarten, Nick --How Nashville became one big bachelorette party / Petersen, Anne Helen --These Brazilians traveled 18 hours on a riverboat to vote. I went with them / Sims, Shannon --Cursed fields / Sneider, Noah --The end of the line / Vollmann, William T. --"The Greatest" / Wilson, Jason --Tributary / Yen, Jessica --Tourist Trap / Zha, Jianying

    Then she met Aaron, a charismatic art director and her kindred spirit. They made mix tapes (and pancakes) into the wee hours of the morning. They finished each other’s sentences. They just knew. When Aaron was diagnosed with a rare brain cancer, they refused to let it limit their love. They got engaged on Aaron’s hospital bed and married after his first surgery. They had a baby when he was on chemo. They shared an amazing summer filled with happiness and laughter. A few months later, Aaron died in Nora’s arms in another hospital bed. His wildly creative obituary, which they wrote together, touched the world.Now, Nora shares hysterical, moving, and painfully honest stories about her journey with Aaron. It’s Okay to Laugh explores universal themes of love, marriage, work, (single) motherhood, and depression through her refreshingly frank viewpoint. A love letter to life, in all of its messy glory, and what it’s like to still be kickin', It’s Okay to Laugh is like a long chat with a close friend over a cup of coffee (or chardonnay).