Someone who wouldn’t rather date her gorgeous best friend, Megan. Someone who won’t freak out when he learns about the tragedy her family still hasn’t recovered from. Someone whose kisses can carry her away from her backwoods town for one fleeting moment.Until Claire meets Luke.But Megan is falling for Luke, too, and if there’s one thing Claire knows for sure, it’s that Megan’s pretty much irresistible.With true love and best friendship on the line, Claire suddenly has everything to lose. And what she learns—about her crush, her friends, and most of all herself—makes the choices even harder.In her moving debut, Rachael Allen brilliantly captures the complexities of friendship, the struggles of self-discovery, and the difficulties of trying to find love in high school. Fans of Sarah Ockler, Susane Colasanti, and Stephanie Perkins will fall head over heels for this addictive, heartfelt, and often hilarious modern love story.

    The sooner she and her best friends Enzo and Kit can get out of Houston and get into art school in New York City, the better. It’s been Piper’s dream her whole life, and now that senior year is halfway over, she’s never felt more ready.Who will you become?But in the final months before graduation, life’s got Piper a little more breathless. Things are weird with Kit and awful with Enzo; art school is looking increasingly impossible; three different guys have each claimed a different piece of Piper’s heart; and Piper’s sister’s tyrannical mental state seems to thwart every attempt at happiness for the Perish family. Piper’s art just might be enough to get her out. But is she strong enough—and brave enough—to seize that power, even if it means giving up what she’s always known?Be now. Then be bow. Be now, now, now.

    Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .

    It went south.   Harper is a dancer. She and her best friend, Kate, have one goal: becoming professional ballerinas. And Harper won’t let anything—or anyone—get in the way of The Plan, not even the boy she and Kate are both drawn to.   Harper is a Scott. She’s related to Robert Falcon Scott, the explorer who died racing to the South Pole. So when Harper’s life takes an unexpected turn, she finagles (read: lies) her way to the icy dark of McMurdo Station . . . in Antarctica. Extreme, but somehow fitting—apparently she has always been in the dark, dancing on ice this whole time. And no one warned her. Not her family, not her best friend, not even the boy who has somehow found a way into her heart.

    She doesn't have a problem. Everybody parties, everybody does stupid things, like get in their car when they can barely see. Still, with six months of court-ordered AA meetings required, her days of vodka-filled water bottles are over. Unfortunately her old friends want the party girl or nothing. Even her up-for-anything ex seems more interested in rehashing the past than actually helping Nat. But then a recovering alcoholic named Joe inserts himself into Nat’s life and things start looking up. Joe is funny, smart, and calls her out in a way no one ever has. He’s also older. A lot older. Nat’s connection to Joe is overwhelming but so are her attempts to fit back into her old world, all while battling the constant urge to crack a bottle and blur that one thing she's been desperate to forget.Now in order to make a different kind of life, Natalie must pull together her broken parts and learn to fight for herself.

    After a personal crisis and her subsequent expulsion from high school, she’s going nowhere fast. Jane’s well-meaning parents push her to attend a high school completion program at the nearby Elbow River Community College, and she agrees, on one condition: she gets to move out.   Jane tackles her housing problem by signing up for House of Orange, a student-run reality show that is basically Big Brother, but for Elbow River Students. Living away from home, the chance to win a car (used, but whatever), and a campus full of people who don't know what she did in high school… what more could she want? Okay, maybe a family that understands why she’d rather turn to Freud than Jesus to make sense of her life, but she'll settle for fifteen minutes in the proverbial spotlight.   As House of Orange grows from a low-budget web series to a local TV show with fans and shoddy T-shirts, Jane finally has the chance to let her cynical, competitive nature thrive. She'll use her growing fan base, and whatever Intro to Psychology can teach her, to prove to the world—or at least viewers of substandard TV—that she has what it takes to win.

    And her parents’ divorce and the move to Arizona three years ago didn’t help. Being the new girl is hard enough without being socially awkward too. So out of desperation and a desire to please her worried mother, Caroline invented a whole life for herself—using characters from Felicity, an old show she discovered online and fell in love with.But now it’s time for Caroline to go off to college and she wants nothing more than to leave her old “life” behind and build something real. However, when her mother discovers the truth about her manufactured friends, she gives Caroline an ultimatum: Prove in this first semester that she can make friends of the nonfictional variety and thrive in a new environment. Otherwise, it’s back to living at home—and a lot of therapy.Armed with nothing more than her resolve and a Felicity-inspired plan, Caroline accepts the challenge. But she soon realizes that the real world is rarely as simple as television makes it out to be. And to find a place where she truly belongs, Caroline may have to abandon her script and take the risk of being herself.

    Her mother, Meg, ex–rock star and professional question evader, shares only the end of the story—the post-fame calm that Phoebe’s always known. Her sister, Luna, indie-rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the cofounder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago.But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits in to this family of storytellers, and to maybe even continue her own tale—the one with the musician boy she’s been secretly writing for months. Told in alternating chapters, Phoebe’s first adventure flows as the story of Meg and Kieran’s romance ebbs, leaving behind only a time-worn, precious pearl of truth about her family’s past—and leaving Phoebe to take a leap into her own unknown future.

    But another girl, nine-year-old Madeline Snow, has vanished, too, and Nick becomes increasingly convinced that the two disappearances are linked. Now Nick has to find her sister, before it's too late.

    One moment, they were shyly flirting on a lake raft, finally about to admit their feelings to each other after years of yearning. In the next, Trixie—Lucy’s best friend and Ben’s sister—was gone, her heart giving out during a routine swim. And just like that, the idyllic world they knew turned upside down, and the would-be couple drifted apart, swallowed up by their grief. Now it’s a year later in their small lake town, and as the anniversary of Trixie’s death looms, Lucy and Ben’s undeniable connection pulls them back together. They can’t change what happened the day they lost Trixie, but the summer might finally bring them closer to healing—and to each other.

    Reynolds, author of Opposite of Always, delivers another smart, funny, and powerful stand-alone YA contemporary novel, with a speculative twist in which Jamal’s best friend is brought back to life after a freak accident . . . but they only have a short time together before he will die again.Jamal’s best friend, Q, doesn’t know he’s about to die . . . again.He also doesn’t know that Jamal tried to save his life, rescuing him from drowning only to watch Q die later in the hospital. Even more complicated, Jamal and Q haven’t been best friends in two years—not since Jamal’s parents died in a car accident, leaving him and his sister to carry on without them. Grief swallowed Jamal whole, and he blamed Q for causing the accident.But what if Jamal could have a second chance? An impossible chance that would grant him the opportunity to say goodbye to his best friend? A new health-care technology allows Q to be reanimated—brought back to life like the old Q again. But there’s a catch: Q will only reanimate for a short time before he dies . . . forever.Jamal is determined to make things right with Q, but grief is hard to shake. And he can’t tell Q why he’s suddenly trying to be friends with him again. Because Q has no idea that he died, and Q’s mom is not about to let anyone ruin the miracle by telling him. How can Jamal fix his friendship with Q if he can’t tell him the truth?

    Love intervenes with the intention of setting things right—but she doesn’t anticipate the intrusion of her dreaded nemesis: the Rebound. Love’s plans for Gael are sidetracked by Cara, Gael’s hot-sauce-wielding “dream girl.” The more Love meddles, the further Gael drifts from the one girl who can help him mend his heart. Soon Love starts breaking all her own rules—and in order to set Gael’s fate back on course, she has to make some tough decisions about what it means to truly care.

    Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

    She’s seen the tears and disasters that dating a Vargas boy can cause, and she swore an oath—with candles and a contract and everything—to never have anything to do with one.Now Jude is the only sister still living at home, and she’s spending the summer helping her ailing father restore his vintage motorcycle—which means hiring a mechanic to help out. Is it Jude’s fault he happens to be cute? And surprisingly sweet? And a Vargas?Jude tells herself it’s strictly bike business with Emilio. Her sisters will never find out, and Jude can spot those flirty little Vargas tricks a mile away—no way would she fall for them. But Jude’s defenses are crumbling, and if history is destined to repeat itself, she’s speeding toward some serious heartbreak…unless her sisters were wrong?Jude may have taken an oath, but she’s beginning to think that when it comes to love, some promises might be worth breaking.

    She's quit the cheerleading squad, she's dumped her perfect boyfriend, and she's failing school. Her parents are on a constant suicide watch and her counselors think she's playing games, but they don't know that the real reason for this whole mess isn't something she can say out loud. It isn't even something she can say to herself. A horrible thing has happened and it just might be her fault. If she can just remove herself from everybody--be totally alone--then everything will be okay...The problem is, nobody will let her.