Their hopes rest on a new quantum super computer, one capable of interpreting patterns in the oceans of intelligence data. There’s just the small challenge of building it. Gregory Jenson, CEO of ZAT Systems, is tasked by MI5 to create the computer, but ghosts in his past could thwart matters before he even begins. Young lawyer, Michael Adams, is given the task of helping Jenson, but he soon has problems of his own. And they’ll soon learn that a hidden player wants to use the new system for their own plans – someone incredibly well-informed, and prepared to go to any lengths to achieve their goals. And if they succeed, the recovery of the nuclear reactor will be the least of everyone’s problems.

    

    But their married life was far from what she had hoped it would be and was marred by drug abuse and violence. After Johnny was arrested and sentenced to 18 years, it became clear that their relationship was doomed to fail. Now, years later, and for the first time in a long time, life is finally looking up for Rosie Mullins. She has confronted her jealous husband and told him that she wants out, her acting career has taken off, and she has fallen into a new relationship with a top TV executive. All too quickly, however, she finds that Johnny’s influence extends far beyond the prison walls that contain him. To make matters worse, his intensely loyal twin brother, "Mad Dog" Eddie, is proving to be every bit as dangerous as her husband. Betrayed by those who had sworn to protect her and cornered by her past, Rosie has to fight with every breath to protect herself and her beloved daughter, Ruby. She finds herself forced to play a very, very dangerous game; setting her old family against her new one.

    But her interview gives way to interrogation when suave Lord Stephen Astwick meets a chilly end on the tranquil skating pond. With evidence that his death was anything but accidental, Daisy joins forces with Scotland Yard so the culprit can't slip through their fingers like the unfortunate Astwick slipped through the ice...THE WINTER GARDEN MYSTERY: So who put the body in with the spring bulbs?The merest hint of spring has arrived in Cheshire, and so has young reporter Daisy Dalrymple. The feisty flapper's visit is a breath of fresh air for gloomy Occles Hall. But while photographing the rather barren grounds, Daisy spots that someone's been digging among the first green shoots - and much to her horror unearths the corpse of missing parlour maid Grace Moss.So begins an extraordinary adventure, as first the dead woman's shocking secret is revealed and then Daisy swiftly realizes she needs to catch the killer before she herself is left pushing up the daisies...REQUIEM FOR A MEZZO: With dashing Scotland Yard detective Alec Fletcher at her side, Daisy Dalrymple is enjoying a splendid performance of Verdi's Requiem featuring her neighbour Muriel Westlea's celebrated sister, Bettina. But the show comes to an abrupt end when what emerges from the star's gifted vocal chords is literally a dying gasp. Daisy soon learns that the doomed diva was notoriously difficult and had more than her share of enemies. There's a philandering tenor, a burly Russian bass and even her own vocal coach husband, with whom she had a turbulent relationship.Did one of them poison the singer? Or was it someone determined to see that Daisy's investigation ends on as bitter a note as Bettina's last performance...MURDER ON THE FLYING SCOTSMAN: Daisy's in danger of heading off the rails!Daisy's embarking on a journey to Edinburgh and her biggest worry is that she has forgotten her book, so how will she pass the time? Her concern proves to be pointless, however, as once the journey begins Daisy finds a pint-sized stowaway on board - Belinda, the daughter of dreamy Detective Chief Inspector Alec Fletcher, Daisy's beau.No sooner has this problem revealed itself than Daisy and Belinda run into a bickering Scottish clan en route to the deathbed of the head of the family. But before the express reaches its first stop, one of the greedy McGowans has turned up dead. Is it murder? Daisy's willing to bet her first-class ticket it is - after all, the victim was the heir-in-waiting and she's sharing the carriage with an entire family of suspects who have everything to gain by his death...

    Three page-turning action thrillers from Stephen Leather: THE CHINAMAN, THE DOUBLE TAP and THE LONG SHOT.

    He just wanted a quiet life. Something his mother was not going to allow. There again he never for one moment imagined he would have to look into the death of a 90-year-old lady who was gambling away her family fortune. The Hayden Detective Agency has no need of clients. The very existence of the Agency allows Martin Hayden to claim his large monthly allowance from the family fortune - without lifting a finger. Martin’s biggest problem is his interfering mother, who understands her idle son too well. She takes steps to find him not just clients but also a personal assistant to keep an eye on him. Under pressure from the women in his life, Martin agrees to take on his first client. How hard can it be to follow a 90-year-old woman who spends her time losing money at roulette tables? As it turns out harder than Martin ever thought possible, especially with the old lady dying in strange circumstances. Soon the Reluctant Detective is grappling with shady estate agents, an intellectual artist, missing charity money and an irritating Indian waiter. Luckily for Martin there is help in the form of Colin, a transvestite who, apart from having very good fashion sense, is an expert at breaking into houses.

    Women were being abducted and murdered, then their corpses were displayed in open shallow graves. Marshall's FBI partner, Jessie Kent, was taken. During the hunt for her, Marshall tracked the killer down, but he was shot five times and left for dead. Less than an hour later, the killer took his own life. None of the remaining victims were ever found. Until now. A female detective comes down to Marshall's home town to ask for his help. Somebody has found the decomposed victims and is displaying them. Despite no longer being with the FBI, Marshall sees this as a chance to find Jessie, and take her home for a proper burial. And to lay to rest the feelings of guilt he's been carrying for the past four years. He agrees to go back with Dani Fox, but it's soon clear somebody doesn't want him back in town. He's warned off, but he ignores it. Then the killings start. Somebody has just accelerated the game from displaying corpses to adding new victims. And this time, he's making it personal...

    Bailey investigates the woman in an attempt to stop the extortion, and as the story unfolds, there are many twists and turns. Following The Double Take, Huggins turned his attention to creating memorable TV shows such as “Maverick,” “The Fugitive,” “City of Angels,” and “The Rockford Files.” Huggins passed away in 2002 at age 87.

    After being kicked out of a Catholic orphanage when it is discovered that he is of Jewish descent, a confused and deeply distraught Frankie turns to a life of crime, the only life he knows, and he’s good at it. Frankie quickly makes a name for himself and becomes one of New York’s most dangerous men, ruling the city with an iron fist and indulging in his passion for sex, power and the best things life has to offer—regardless of whether they’re for sale.In Stiletto, Cesare Cardinale is an amoral, aristocratic Italian playboy—an entrepreneur and race car driver who wants for nothing—whether it’s fast cars, beautiful women, or orgies of debauchery. Cesare, however, has two dirty secrets: First, he has a penchant for violence that borders on the sadistic and sociopathic; second, he owes his extravagant life to a Sicilian Mafia don, creating a seemingly perfect relationship—as he leads a double life as a Mafia assassin.“Robbins’s books are packed with action, sustained by strong narrative drive, and are given vitality by his own colorful life.” —The Wall Street JournalThe Harold Robbins Organized Crime Double includes: Never Love A Stranger and Stiletto.

    Find a white girl in Brixton. Piece of cake. What I should have done is doubled my medication and lit a candle to St Jude - maybe a lot of candles. Add in a lethal ex-con, an Irish builder obsessed with Gene Hackman, the biggest funeral Brixton has ever seen, and what you get is the Blues like they've never been sung before.

    I love Margaret Coel’s writing because there’s never a misplaced step. She balances two opposing cultures with little room for compromise, which is good because this chick works without a safety net. It’s human nature, or certainly the nature of writers, to analyze another’s work when reading it, in an attempt to take the story apart like an acrobatic trick—kick off your shoes and try it out. Every once in a while you second guess them and follow them out onto that tightrope just to find where they might’ve slipped up, but Margaret never does and just when you think she has she’ll turn and wink, so keep reading. Like Catherine McLeod, the reporter protagonist of Man Found Dead in Park, Margaret embraces both the mainstream and native cultures, all the while maintaining the aspect of her writing that transcends the genre with a deep understanding of human nature. When a man is found dead in an Indian section of Denver where no one is talking, McLeod finds herself in conflict with Mexican drug cartels and an investigation that leads north into Wyoming's Wind River Reservation and what turns out to be her roots. Transformative for both McLeod and the reader, the width and breath of the story is easy to miss, because Coel’s writing has a heady narrative that holds a sense of wonder and romance—a place that a lot of other writers fear to tread. I sometimes wonder if she knows how good she is, but I think probably not. The humility of a few artists is what keeps them grounded, and even when she’s out there flying high, I’m pretty sure she has her head up but is feeling every twitch of the story through the soles of her feet. Navigating with the finesse of a Flying Wallenda, Coel never misses a thing, because the devil is in the details, and like her character, Detective Nick Bustamante, Margaret knows that these indiscernible little slights of hand are the thing that makes for great drama under the Big Top. So join Margaret Coel out onto that high wire where she works without a safety net. Just when you think you’ve got it all figured out there will be moments of insecurity, thoughts that will disconcert, and you might be tempted to look down, but don’t. If things get too hairy just reach out and take this daredevil performer’s hand, and she’ll grin that signature smile and make sure you make it back to safety. --Craig Johnson

    Potts has been Eva’s therapist for years – and his sudden disappearance leaves plenty of questions. As the detectives uncover the old man’s secrets, Eva realises she may have never known Potts at all. When a ransom letter is printed in a local newspaper, Eva and Dan must do whatever it takes to track the kidnappers down before the villains can carry out their threat to right past wrongs.The detectives face demons old and new as they peel through the layers of history, discovering that the old man’s wealth is going missing - and many dark secrets besides.Many people have motive to wish Potts harm, but without an obvious suspect the mystery deepens... and time is running out. The case gets more dangerous by the hour…And Eva’s life is about to take a dramatic turn…

    A detective who is out of control. Meet DSI Wilde. Wilde by name. Wild by nature. DSI Billie Wilde is on a mission to catch the killer responsible for a horrific showcase of murders, in order to prove that she’s still at the top of her game. But when hidden skeletons come out of dark corners, she is forced to confront her past and face the truth - that she is the ultimate target, now firmly in the executioner’s sights.As Billie grapples with her past, and learns she isn’t who she thought she was, she uncovers devastating childhood links to each of the victims. The past refuses to stay buried and Billie soon finds herself wondering if she knows who’s behind the brutal murders.But can Billie solve the case and unravel the mystery of her own past before it’s too late?

    Its purpose is one of certitude with a little dash of homage thrown in for good measure. For some, it may just be seen as an extended or alternate ending. For others, it may be taken as Chief Inspector Endeavour Morse's final will and testament. Your choice...