McKenna’s compelling voice has earned a devoted audience and multiple awards for her erotic fiction (as Cara McKenna.) Her page-turning literary debut, Badger, disturbs and titillates with the story of a recovering pill addict whose compulsive fascination with a Boston antihero spirals out of control.Nearly twelve months sober, Adrian Birch feels like a nobody. But when her wrist is broken in a hit-and-run accident, she’s avenged by the Badger, a secretive street vigilante. Instantly obsessed, Adrian takes to staging suicide and constructing chance meetings to get his attention. Their resulting affair is harsh and needy, wrought with McKenna’s signature dark eroticism—until the connection gets out of hand and ignites the violent passions of the city.Hailed for her “evocative,” “intense,” “deftly drawn,” and “engrossing” stories by reviewers at Publishers Weekly, USA Today, and Jezebel, McKenna now establishes herself as a rising star in neo-noir. Badger challenges the reader to imagine how an impulsive young man is killed, offering only the perspective of the fascinating and unreliable Adrian Birch.

    She thought she could steal from me and get away with it, but I have no intention of letting her get away at all. Mian Ross has a lesson to learn, and I'm going to be the one to teach it to her.HE STOLE MY SONI'll never forget the night I made the second biggest mistake of my life. It was supposed to be a simple job, but it quickly became so much more--one that cost my freedom and cost my son. Angel Knight became my worst nightmare... and now, he'll never let us go.

    By morning she’s gone, and the one clue she left behind sends Connor on a desperate mission to unravel a decade-old mystery—her abduction.Presumed dead for the last ten years, Claire Fletcher has been living her life as “Lynn,” a woman in the terrifying grip of her captor. After her unforgettable night with Connor, Claire clings to the hope that she’ll see him again, that he’ll follow her into the dark. But anyone who gets close to Claire has a way of turning up dead…and she’s unwittingly made Connor next on the list.Before long, it becomes disturbingly clear: finding Claire Fletcher isn’t just going to be dangerous—it could be deadly.Revised edition: This edition of Finding Claire Fletcher includes editorial revisions.>

    Already she hates it despite its beautiful landscape.Between riding her dirt bike through the sacred lands of the natives, plotting against those she meets, and holding greasy truckers at gunpoint, Lilith makes no time for love or friendship. Forever the walking mystery (read misery) of her new home and school.That is until Nokosi Locklear catches her eye with his arrogance and a hard, toned body that she’s certain she doesn’t want to climb.Shoved up against a locker by him in her first week, she sets him in her wicked sights.Life is only fun when you have somebody else’s pain to focus on. So long as you stay detached. Something Lilith will find is impossible to do when it comes to Nokosi. A guy with looks but no charm. Strength but no power. Love but no morals. With a serial killer roaming the States, taking victims one by one, a past in Nokosi’s eyes that he tries to hide, and a mother that would rather work than keep her daughters happy, Lilith finds plenty of time to spare and plenty of things to keep herself occupied. Note: This is your only trigger warning. Read at your own risk.

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    His words confuse her at first, but she soon understands they are both in the middle of a performance that will determine whether she remains in captivity or dies. The crowd must be entertained, and her cellmate makes sure it is. Forced submission is not the only horror Lydia endures. She has no memories of life before her imprisonment, and Joe, her cellmate, is her only comfort as the powerful creatures that hold them captive torture and debase her. Together, she and Joe cling to the will to survive long enough to break free and seek revenge. Their desire to sustain one another triumphs over their wardens' efforts to destroy them. There is no pain, no suffering, that can tear them apart. Beyond their cell, their love is tested. Can they hold strong in the face of the challenge of the new powers they have gained along with their freedom?

    It’ll never happen. Not today, not tomorrow, not five years from now. Not when some idiot breaks your heart, or when you realise what your little sundresses do to everyone. Not when you’re thirty, not when you’re fifty. I’m going to push your limits, break you down, make you cry, and in the end … I’ll save you.”Some people exist in the blessed light of day, but I'm not one of those people. I exist in the bleak grey of a post-twilight world, where the warmth is sucked from the air and the weightless shadows come out to play. I will never be free, because I have a demon. It wasn’t always with me, but something happened, something bad. I lost a year of my life, and now here I am, just me and my demon.Maybe the demon is him: Nicholai Fell. He exists in the horrible darkness of a moonless night: quiet, full of mystery, completely unreachable. He might be in the profession of saving people, but it isn’t going to work this time. Not even when he starts to break all of his own rules.Because maybe …Just maybe ...My demon is me.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    — He was the last Lord of Eden Castle, Thomas Eden, a man of brooding desire and sudden passion ... — She was his servant girl, Marianne Locke, the fiery young beauty who would rather submit to the cruel kiss of the whip than suffer the lust of a man she did not love...From the wild Devonshire coast to the glittering literary salons of London, the tumultuous union of these two proud people hazed a raging tempest of enduring love.