It'll be a school shooting for the record books, his "Bloody Monday." "The Triflers" is the story of a young man's rampage told from three perspectives: The killer's, his best friend's, and a popular jock's. This is the debut novel of YouTube satirist Mumkey Jones.

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    

    And there's no stopping once you're a Jabberwalker, writing fast, fast, fast, scribble-poem-burbles-on-the-run. Scribble what you see! Scribble what you hear! It's all out there -- vamonos!

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    Edited with a Critical Introduction, Complete Paraphrase of the Text, Annotations and Explainations, and Questions with Answers

    Rubén quickly learned the magic of storytelling, and discovered the rapture and beauty of verse. A restless and romantic soul, Rubén traveled across Central and South America seeking adventure and connection. As he discovered new places and new loves, he wrote poems to express his wild storm of feelings. But the traditional forms felt too restrictive. He began to improvise his own poetic forms so he could capture the entire world in his words. At the age of twenty-one, he published his first book Azul, which heralded a new literary movement called Modernismo that blended poetry and prose.

    There, to his amazement, he is re-united with the man once known as "the snake man," and hears the remarkable story of his faked death--and the rebirth it made possible. A happily married man, the father of two children, he has discovered the secret to life and is finally free of the demons that had driven him headlong through the American night. Now an enticing question arises: Would destiny smile upon the re-launch of one of the most influential rock and roll bands in history? ". . . a narrative that ends with a moment of authentic surprise and heart-tugging poignancy."--Los Angeles Times

    But is it true love if they haven’t made love? Lauren pushes Ebban to consummate their relationship, but he hesitates and won’t tell her why. Meanwhile, Ebban is engaging in behavior he knows he shouldn’t be, and hates himself for it. It’s a terrible secret he keeps from Lauren and his family, and prays they’ll never discover it. But when Sebastian, Lauren’s best friend, is grabbed and brutally beaten, he decides to get revenge by digging up dirt and blackmailing the boys who assaulted him. Unfortunately, those boys happen to be Ebban and his teammates. One by one, Sebastian sets each boy up and takes him out. Now, the closer Sebastian comes to discovering Ebban’s involvement in the horrific beating, the closer he comes to revealing Ebban’s tortured secret, and telling Lauren. If found out, everything, and everyone Ebban holds dear could be lost.

    The unreal becomes real and the good gets a taste for the great.

    Now he's eleven, and his life is about to change again. His teacher, Ms. Marcus, is showing him ways to put his jumbled feelings on paper. And suddenly, Lonnie has a whole new way to tell the world about his life, his friends, his little sister Lili, and even his foster mom, Miss Edna, who started out crabby but isn’t so bad after all. Jacqueline Woodson’s novel-in-poems is humorous, heartbreaking . . . a triumph.