I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    But even Simon doesn't know that a far deadlier creature is about to come out of the deep and threaten everything he cares for. A creature whose malevolence is unthinkable. Whose need to feed is insatiable. And whose relentless hunt for prey is unstoppable.Twenty years after his huge bestseller Jaws, the master of the deep has done it again, letting loose a chilling new predator that only he could create. Drawing on his singular knowledge of the sea, science, and history, Peter Benchley masterfully spins a suspense-filled novel that hits you on a primal level, makes your heart pound, and leaves your blood running cold.White Shark is Peter Benchley at his best. Read it at your own risk.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

    That was before the dirty bomb hit Times Square, before his wife was killed, and before the city became a bombed-out shell of its former self. Now he's a hitman.In a New York City split between those who are wealthy enough to "tap into" a sophisticated virtual reality for months at a time and those left to fend for themselves in the ravaged streets, Spademan chose the streets. His clients like that he doesn't ask questions, that he works quickly, and that he's handy with a box cutter. He finds that killing people for money is not that different from collecting trash, and the pay is better. His latest client hires him to kill the daughter of a powerful evangelist. Finding her is easy, but the job quickly gets complicated: his mark has a shocking secret and his client has an agenda far beyond a simple kill. Now Spademan must navigate the dual levels of his world-the gritty reality and the slick fantasy-to finish the job, to keep his conscience clean, and to stay alive.

    He abandoned his rural Arkansas hometown vowing never to return, until his seven-year-old son died in an accident, plunging Aaron into a nightmare of addiction and grief. Desperate to reclaim a piece of himself, he returns to the hills of his childhood, to Holbrook House, where he hopes to find peace among the memories of his youth. But solace doesn’t come easy. Someone—or something—has other plans. Like Aaron, Holbrook House is but a shell of what it once was, a target for vandals and ghost hunters who have nicknamed it “the devil’s den.” Aaron doesn’t believe in the paranormal—at least, not until a strange boy begins following him wherever he goes. Plagued by violent dreams and disturbing visions, Aaron begins to wonder if he’s losing his mind. But a festering darkness lurks at the heart of Holbrook House… a darkness that grins from within the shadows, delighting in Aaron’s sorrow, biding its time.

     22-year-old Eileen goes missing while hiking in the remote Ashlough Forest. Five days later, her camera is discovered washed downriver, containing bizarre photos taken after her disappearance. Chris wants to believe Eileen is still alive. When the police search is abandoned, he and four of his friends create their own search party to scour the mountain range. As they stray further from the hiking trails and the unsettling discoveries mount, they begin to believe they’re not alone in the forest… and that Eileen’s disappearance wasn’t an accident. By that point, it’s too late to escape.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.